Blog Tour: ‘The Vixen’ by Francine Prose

Thanks to Random Things Tours and Harper for inviting me on this blog tour and for my copy of the book in exchange for an honest review.

This book was published on 5th August.

From the Publisher:

The year is 1953, and Simon Putnam, a recent Harvard graduate, has landed an editorial role at a distinguished New York City publisher. Thrust into a glittering world of martini lunches, exclusive literary salons, and old-money aristocrats in exquisitely tailored suits, Simon finds himself a far cry from his loving, middle-class Jewish family in Coney Island. But Simon’s first assignment—editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm’s failing finances—makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg’s. Indeed, his parents mourn Ethel’s death.

THE VIXEN is the latest novel from critically acclaimed, bestselling author Francine Prose. “A rollicking trickster of a novel, wondrously funny and wickedly addictive,” lauds Maria Semple, Simon’s dilemma grows thornier when he meets The Vixen’s author, the beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. The assignment leads him in strange and sinister directions, his naivety often exploited by bad actors and power players.  As deception abounds, as the confluence of sex, money, politics and power spirals out of Simon’s control, he must face what he’s lost by exchanging the safety of his parents’ apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot – and yet, that these crises may steer him toward a brighter future. 

THE VIXEN rewards its reader with an eminently satisfying conclusion. It is the sort of work most needed right now. At once domestic and political, contemporary and historic, funny and heart-breaking, the novel illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of life and loss?

Deeply researched, with such broad considerations and hefty socio-political themes, a work of this sort might find itself weighed down by its own ideas. But in Prose’s able hands, THE VIXEN is dazzling and energetic. She opts, instead, for something at once more sly and more accessible, using the historical premise as a vehicle to tell a universally resonant story of love, self-discovery, and family. Like those accused of Communism across America in the 1950s, Simon Putnam is after, most of all, the right to define himself.

My Review:

It was the setting that drew me to this book – 1950s New York sounded impossibly glamorous, even if our central character grew up in the less salubrious Coney Island in the shadow of the amusement park. Throw in the world of publishing and I’m in!

This is the story of Simon Putnam, the Harvard graduate whose education has not prepared him at all for real life. Nepotism lands him a publishing job, but it soon becomes clear that Simon is very much out of his depth. He finds the book he has been given to edit morally dubious – it is capitalising on the deaths of the Rosenbergs while being heralded as the book that will change the fortunes of the struggling publishing house.

When Simon meets (and becomes involved in a relationship of sorts) with the novel’s author, Anya, he struggles even more with the morals of what he is being asked to do – especially as he knows that his parents would be horrified with his choices. However, this turns out to be merely the start of his troubles…

Simon is an engaging and quite relatable narrator. All at once, we see the dilemmas he faces – the desire to do right by his parents, his lust for Anya, his ambitions and attempt at professionalism. He really is caught in an impossible situation whereby the ‘right’ (moral) course of action runs counter to everything else – and would lose him his job and whatever he has going with Anya. His perspective is presented with humour and his narrative voice is lively.

This novel is really at its best when it explores the morality of Simon’s decisions in detail. Indeed, his tiptoeing around the situation is very credible and engaging. I found that I enjoyed this a lot more than the later parts of the novel which seemed (to me) a bit harder to believe.

The setting was hugely appealing for me. Although I didn’t know much about the Rosenberg trial and execution, I loved that this novel sheds light on this shocking and brutal episode in America’s history. The glamorous world of New York’s publishing scene in the 1950s is also well-presented. On the one hand there is decadence and glitz, but on the other we see Simon desperately calculating what he can afford to buy on restaurant menus.

Overall, I’d say this is a hugely readable and enjoyable novel that plays around with ideas of morality – not only personal, but also the moral choices made by the government of a nation. It’s incredibly well-researched, beautifully written and draws the reader into Simon’s world with ease. If you wanted to spend a few hours in 1950s New York, this would be a great choice for you!

About the Author:

Francine Prose is the author of twenty-one works of fiction including, the highly acclaimed Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honours, including a Guggenheim and a Fulbright, a Director’s Fellow at the Centre for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Centre, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences.  She is a Distinguished Writer in Residence at Bard College.

Blog Tour: ‘White Spines: Confessions of a Book Collector’ by Nicholas Royle

Welcome to my stop on the tour for this quirky and engaging book – I’m the last stop on the tour but make sure you check out the other reviews too!

Thanks to Helen Richardson and Salt Publishing for my copy of this book in exchange for an honest review.

From the Publisher:

A mix of memoir and narrative non-fiction, ‘White Spines’ is a book about Nicholas Royle’s passion for Picador’s fiction and non-fiction publishing from the 1970s to the end of the 1990s, when the publisher stopped its commitment to the distinctive white spine with black lettering.

‘White Spines’ explores thebookshops and charity shops, the books themselves, and the way a unique collection grew and became a literary obsession. Above all, it is a love song to books, writers and writing.

‘I’ve been a bit obsessed with this book since I saw novelist and short story writer Royle tweeting the ultimate in chic shelfies: a photo of his Picador fiction collection, which forms an array of 1,000 white spines, spanning from the 1970s-90s…In this blend of memoir and narrative non-fiction, he explores the bookshops and charity shops where he bought them,the books themselves, and how his collection grew to the point of literary obsession’

CAROLINE SANDERSON, Editor’s Choice THE BOOKSELLER

My Review:

I think most book bloggers and enthusiasts have some insight into what it is like to have a book obsession. Whether it is a passion for a particular author, the desire to collect the whole series or a burning desire to line up those beautiful sprayed-edged special edition hardbacks, we’ve all been there!

I thought I was obsessive – and then I picked up this book and realised I am an amateur!

In this book, Nicholas Royle documents the process of collecting his extensive collection of white-spined Picador books. Published between the 1970s and 1990s, these have a distinctive look and part of Royle’s collection can be seen in his author photo below – impressive! It’s quite lovely that Salt Publishing have used the same look and feel for their paperback editions of ‘White Spines’.

However, this book is about so much more than just collecting books. Yes, there’s a lot of documenting where and when books are added to the collection (not just Picador – there are several secondary collections also on the go!) – especially as Royle doesn’t use the internet to add to his collection, but instead frequents charity and second-hand bookshops across the UK.

Alongside this are conversations overheard in bookshops, bookish dreams had by the writer, stories from Royle’s experiences in writing and publishing…it’s a quirky and lively read that can move seamlessly from an anecdote about a writer (and Royle seems to know them all) to a bookshop review, from a meditation on book cover art to Royle’s own writing experiences.

I’ll admit to having read shamefully few of Royle’s precious Picadors, but it was great to read about the little highs and joys of being a book collector. I also loved that Royle isn’t in the market for pristine editions – copies that have a history, an inscription or inclusions (often bookmarks) such as tickets or letters hold more interest. I get it!

Royle is a charming, witty and engaging narrator throughout this book – although I’m not totally in agreement with him on the subjects of Kathy Lette and Southend-on-Sea! Reading this is like a chat with an extremely knowledgeable, well-read, but sometimes-slightly-random friend – and I’d recommend it for anyone who loves books about books.

On another note, I was also very impressed that Royle can read and walk at the same time. I feel I have been wasting my life by missing all that reading time!

About the Author:

NICHOLAS ROYLE is the author of four short story collections – ‘Mortality’, ‘Ornithology’, ‘The Dummy and Other Uncanny Stories’ and ‘London Gothic’ – and seven novels, including ‘Counterparts’, ‘Antwerp’ and ‘First Novel’. He has edited more than twenty anthologies and is series editor of ‘Best British Short Stories’. He runs Nightjar Press, which publishes original short stories as signed, numbered chapbooks, and is head judge of the Manchester Fiction Prize. His English translation of Vincent de Swarte’s 1998 novel ‘Pharricide’ is published by Confingo Publishing. He lives between London and Manchester and teaches creative writing at Manchester Metropolitan University.

For more information visit: @NicholasRoyle http://www.nicholasroyle.com/

‘The Flat Share’ by Beth O’Leary

This is another book that’s on the shortlist for the Comedy Women in Print 2020 prize. Beth O’Leary’s second novel, ‘The Switch’ is another gem if you liked this one!

Tiffy has broken up with her horrible boyfriend, Justin, and needs somewhere to stay. Her job publishing rather niche crochet books pays a pittance, so she is tempted with an interesting flat-share proposition; for cheap rent, she can inhabit Leon’s flat during the nights and weekends while he is at work at the hospice and staying with his girlfriend, Kay.

So Tiffy and Leon share a bed, but never at the same time. It seems like an ideal solution, but things change and life gets in the way of the best laid plans.

I really enjoyed this. Yes, it’s a bit predictable and there are some amazing coincidences that the plot relies on heavily. However, it’s a cheerful and lively read that will keep you turning the pages as Tiffy and Leon get to know each other without meeting – the trails of notes are really sweet.

There are also lots of likeable characters and some real pantomime villains. It does occasionally get a bit dark in places, but there are some lovely humorous touches too; I especially liked Katherin, the crochet queen, and Rachel, the oversharing work friend.

Overall, there is a lot to enjoy here and it was great to read something light and happy. I’d recommend this and will look for more from this writer in the future.

I received a free copy of the novel from NetGalley in exchange for an honest review.

Header photo with thanks to Scott Webb for sharing their work on Unsplash.