I read and loved Rachel Rhys’ ‘A Dangerous Crossing’ so I had high hopes for this one! Thanks to Random Things Tours for my copy of the book and for inviting me onto the blog tour.
Welcome to my stop on the blog tour for this brand new, debut police procedural.
Thanks to Helen Richardson for inviting me on the tour, and to Allison and Busby for my review copy of the novel. As always, opinions are entirely my own.
Regular followers of my blog know that I love a crime novel. A debut crime novel? Even better – a chance to find a new favourite! A debut crime novel written by someone who really knows his stuff? Better still – and crime novelists probably don’t come much better qualified than Graham Bartlett, former Chief Superintendent and Police Commander of Brighton and Hove.
Thanks to Random Things Tours and Harper for inviting me on this blog tour and for my copy of the book in exchange for an honest review.
This book was published on 5th August.
From the Publisher:
The year is 1953, and Simon Putnam, a recent Harvard graduate, has landed an editorial role at a distinguished New York City publisher. Thrust into a glittering world of martini lunches, exclusive literary salons, and old-money aristocrats in exquisitely tailored suits, Simon finds himself a far cry from his loving, middle-class Jewish family in Coney Island. But Simon’s first assignment—editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm’s failing finances—makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg’s. Indeed, his parents mourn Ethel’s death.
THE VIXEN is the latest novel from critically acclaimed, bestselling author Francine Prose. “A rollicking trickster of a novel, wondrously funny and wickedly addictive,” lauds Maria Semple, Simon’s dilemma grows thornier when he meets The Vixen’s author, the beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. The assignment leads him in strange and sinister directions, his naivety often exploited by bad actors and power players. As deception abounds, as the confluence of sex, money, politics and power spirals out of Simon’s control, he must face what he’s lost by exchanging the safety of his parents’ apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot – and yet, that these crises may steer him toward a brighter future.
THE VIXEN rewards its reader with an eminently satisfying conclusion. It is the sort of work most needed right now. At once domestic and political, contemporary and historic, funny and heart-breaking, the novel illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of life and loss?
Deeply researched, with such broad considerations and hefty socio-political themes, a work of this sort might find itself weighed down by its own ideas. But in Prose’s able hands, THE VIXEN is dazzling and energetic. She opts, instead, for something at once more sly and more accessible, using the historical premise as a vehicle to tell a universally resonant story of love, self-discovery, and family. Like those accused of Communism across America in the 1950s, Simon Putnam is after, most of all, the right to define himself.
My Review:
It was the setting that drew me to this book – 1950s New York sounded impossibly glamorous, even if our central character grew up in the less salubrious Coney Island in the shadow of the amusement park. Throw in the world of publishing and I’m in!
This is the story of Simon Putnam, the Harvard graduate whose education has not prepared him at all for real life. Nepotism lands him a publishing job, but it soon becomes clear that Simon is very much out of his depth. He finds the book he has been given to edit morally dubious – it is capitalising on the deaths of the Rosenbergs while being heralded as the book that will change the fortunes of the struggling publishing house.
When Simon meets (and becomes involved in a relationship of sorts) with the novel’s author, Anya, he struggles even more with the morals of what he is being asked to do – especially as he knows that his parents would be horrified with his choices. However, this turns out to be merely the start of his troubles…
Simon is an engaging and quite relatable narrator. All at once, we see the dilemmas he faces – the desire to do right by his parents, his lust for Anya, his ambitions and attempt at professionalism. He really is caught in an impossible situation whereby the ‘right’ (moral) course of action runs counter to everything else – and would lose him his job and whatever he has going with Anya. His perspective is presented with humour and his narrative voice is lively.
This novel is really at its best when it explores the morality of Simon’s decisions in detail. Indeed, his tiptoeing around the situation is very credible and engaging. I found that I enjoyed this a lot more than the later parts of the novel which seemed (to me) a bit harder to believe.
The setting was hugely appealing for me. Although I didn’t know much about the Rosenberg trial and execution, I loved that this novel sheds light on this shocking and brutal episode in America’s history. The glamorous world of New York’s publishing scene in the 1950s is also well-presented. On the one hand there is decadence and glitz, but on the other we see Simon desperately calculating what he can afford to buy on restaurant menus.
Overall, I’d say this is a hugely readable and enjoyable novel that plays around with ideas of morality – not only personal, but also the moral choices made by the government of a nation. It’s incredibly well-researched, beautifully written and draws the reader into Simon’s world with ease. If you wanted to spend a few hours in 1950s New York, this would be a great choice for you!
About the Author:
Francine Prose is the author of twenty-one works of fiction including, the highly acclaimed Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honours, including a Guggenheim and a Fulbright, a Director’s Fellow at the Centre for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Centre, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She is a Distinguished Writer in Residence at Bard College.
Welcome to my stop on the blog tour for ‘Nick’ by Michael Farris Smith, a book that imagines the life of the character of Nick Carraway before he ends up as narrator of ‘The Great Gatsby’.
This blog tour is organised by Oldcastle Books/No Exit Press and I am thrilled to have been asked to join the tour!
From the Publisher:
This rich and imaginative novel from critically acclaimed author Michael Farris Smith breathes new life into a character that many know only from the periphery. Before Nick Carraway moved to West Egg and into Gatsby’s world, he was at the centre of a very different story – one taking place along the trenches and deep within the tunnels of World War I. Floundering in the wake of the destruction he witnessed first-hand, Nick embarks on a redemptive journey that takes him from a whirlwind Paris romance – doomed from the very beginning – to the dizzying frenzy of New Orleans, rife with its own flavour of debauchery and violence.
‘NICK is so pitch-perfect, so rich in character and action, so remarkable a combination of elegance and passion, so striking in felt originality that I am almost tempted to say – book gods forgive me – that The Great Gatsby will forever feel like NICK’s splendid but somewhat paler sequel. Almost tempted to say. But I have no intention of taking back the sincere passing thought of it. Michael Farris Smith’s book is that good’
Robert Olen Butler
2021 WILL MARK 125TH ANNIVERSARY OF F. SCOTT FITZGERALD’S BIRTH
‘Anybody who believes that the war is over when the enemy surrenders and the troops come home needs to read Michael Farris Smith’s masterful new novel NICK. Its stark, unvarnished truth will haunt you’
Richard Russo
‘Stylish, evocative, haunting and wholly original, Michael Farris Smith has paid tribute to a classic and made it his own. A remarkable achievement that should sit at the very top of everyone’s must-read list’
Chris Whitaker
My Review:
I’m a huge fan of ‘The Great Gatsby’, so I absolutely jumped at the opportunity to read this book, a kind of ‘prequel’ to the 1925 novel. Many thanks to NetGalley and the publisher for granting me an advance copy in exchange for an honest review.
This book focused on the story of Nick Carraway, the narrator of F Scott Fitzgerald’s ‘The Great Gatsby’. In the original novel, a few things are revealed about the character – the fact he is a Midwesterner, the fact he served in World War I and the fact he finds himself in West Egg (where ‘Gatsby’ is set) aged 29. This gives Michael Farris Smith considerable scope to imagine Nick’s life up to that point and it is a challenge he seems to embrace wholeheartedly.
The story opens in Paris where Nick is on leave from fighting in the trenches of World War I. He meets a young woman and the initial part of the book is their (short) relationship before Nick is called back to combat. A period in the trenches follows – brutal, grim and shocking – before Nick goes to New Orleans and starts to search for his life back in America.
The varied settings of the novel are fascinating as Nick explores a corner of wartime Paris, the trenches and tunnels of the front line in France, the seedy quarter of New Orleans where the speakeasies and brothels are, before finally moving on to West Egg and his future. These places – a theatre attic, a bar, an apartment – are vividly evoked and make Nick’s story jump from the page.
I don’t want to give any spoilers, but it is clear that Nick is suffering from PTSD and a lot of his subsequent experiences are tinged with tragedy. This is a novel that doesn’t shy away from some big themes, from war to grief, revenge to violence, love to loss. Some of the novel, especially the scenes in the trenches and the post-war life of war veteran Judah, is hard to read but extremely powerful.
The writing is vivid and Michael Farris Smith presents a range of characters who engage the reader in their lives and hopes and dreams. Personally, I was most interested in the lives of the women of the novel – the survival instincts of both Colette and Ella in their different ways was interesting. I’d have loved to read more of Ella’s story as she was a mysterious figure in the novel in a lot of ways.
There were a couple of things I found a little jarring that took me out of the richly-imagined world of ‘Nick’ but I think these may be personal things. I found reported speech to be written oddly – totally a stylistic choice by the writer, but one I found tricky to follow sometimes. I also was thrown by a reference to possums – I won’t elaborate but it felt unusual in the context.
So, the big question. Has Michael Farris Smith successfully recreated a Nick Carraway that fits with the character written by F Scott Fitzgerald? My honest answer is that I don’t know. I suspect I would read ‘The Great Gatsby’ with a different view of Nick now, but I’d say the main ingredients are there in Smith’s portrayal. His Nick is honest, introspective and often an observer even in his own life – all features of Fitzgerald’s narrator too. The decision to narrate ‘Nick’ in the third person (as opposed to first person in ‘Gatsby’) escapes the need to recreate Nick’s exact voice, but I’d say these two Nicks could credibly be the same person.
Overall, I would say that I was caught up in Nick’s story and enjoyed the narrative decisions made by Smith to explain how Nick comes to be in West Egg at the start of ‘Gatsby’, plus his emotional baggage. It isn’t always a comfortable read, but I did find it immersive and interesting. If you love ‘The Great Gatsby’, this is definitely worth reading and may give you a different understanding of Nick. If you haven’t read ‘The Great Gatsby’, this is absolutely worth picking up on its own merits. Either way, I’d recommend it.
About the Author:
No Exit Press also publish Michael Farris Smith’s novels Desperation Road, The Fighter and most recently Blackwood. Farris Smith has been a finalist for the Gold Dagger Award in the UK, and the Grand Prix des Lectrices in France, and his essays have appeared in publications including The New York Times. He lives in Oxford, Mississippi, with his wife and daughters.