I’m really sorry that I let this one sit on my NetGalley shelf for so long! Thanks to NetGalley for my copy in exchange for an honest review.
The story opens in 1980 with the chance meeting of two women on Hampstead Common. Elise Morceau is young and naive and immedialtely falls under the spell of Constance Holden. Connie is older, already a successful writer and confident in ways Elise isn’t. When Connie’s book gets made into a Hollywood film, Elise accompanies her to Los Angeles and the pair fall into a glamorous party lifestyle.
This 1980s story – essentially of the relationship between the two women – is interspersed with a present day story in which Rose Simmonds is looking for her mother. When she learns that Connie was part of her mother’s life, she decides to ask some difficult questions of the writer – now in her 70s and a recluse…
I love historical fiction and this time period – James VI of Scotland succeeding to the throne after Elizabeth I and becoming James I of England. In my head, this is a time of Shakespeare, Macbeth, witch hunts and the Gunpowder Plot. Genuinely fascinating, and a precarious time to be part of the court, especially if you were gay as this was definitely not a time of tolerance.
Cue Francis Bacon – writer, philosopher and newly promoted to Attorney General under James I. And hiding his sexuality from all but the men he picks up for fleeting liaisons on the banks of the Thames.
Welcome to my stop on the blog tour for ‘Baby It’s Cold Outside’ by Emily Bell. This gorgeous, festive romance is out now.
Thanks to Penguin Michael Joseph for my copy of the book in exchange for an honest review – opinions, as always, are my own. Thanks for also inviting me on the tour!
I’ll admit I perhaps didn’t come to this book for the most obvious reason. I didn’t actually know anything about Barbara Pym or her books, but have read and enjoyed several biographies by Paula Byrne and so was keen to read this. I’m grateful to NetGalley and Fourth Estate Books for my copy of her latest book in exchange for an honest review.
Welcome to my stop on the blog tour for ‘The Affair’ by Hilary Boyd.
Thanks to Sarah Harwood and Penguin Random House for my copy of the book and invitation to join the blog tour. This hasn’t influenced my review at all – opinions are entirely my own, as usual!
I expected this book to be a psychological thriller…lots of lies and deception, twists and turns, tense and sinister events. You know the score.
Given my book obsession (hardly a secret), it is quite rare that I pick up a newly released book in my genres in Waterstones that I haven’t heard of before. This one grabbed my attention (bright orange cover!) and I began idly flicking through it. Within a couple of skimmed lines, I was sold and bought it.
I hadn’t heard of Georgia Pritchett before, although I now feel ashamed to say that given her impressive CV writing for pretty much every comedy show I could think of from ‘Spitting Image’ to ‘Veep’, ‘Have I Got News For You?’ to ‘The Thick of It’.
What grabbed me was just how funny this book is. I’m always on the lookout for books that make me laugh and – as it made me giggle to myself in Waterstones – this one hit the spot in seconds.
Essentially, the book is written as Pritchett’s explanation to her psychiatrist about all the things she is anxious about. This starts from her earliest memories and works in chronological order through her life to date – right through her stellar career and into the struggles she is having that take her to her doctor’s door.
Doesn’t sound immediately hilarious, does it?!
However, the writing is absolutely sublime. Pritchett perfectly skewers thoughts and people and events with such precision that it is just so relatable. This is something I didn’t think would be possible when I compare my life (pottering round in Cheshire) with hers (pottering round the White House with celebrities). Turns out that anxiety is a universal experience – who knew?!
There are some great running jokes – Bob Dylan’s every appearance made me snort with laughter – but there is also real warmth in the descriptions. I loved Pritchett’s Dad (complete with story about how he got his nickname – The Patriarchy), The Moose, The Speck…no-one is called by their actual names and it is like being let in on family in-jokes.
As Pritchett becomes older and immersed in her career, the reader is treated to some lovely anecdotes about celebrities and working on high-profile comedy programmes. It never becomes about name-dropping and there is always Pritchett’s imposter syndrome to contend with – she is self-deprecating to the point of not realising that her achievements are down to her own talent.
That’s not to say that the book doesn’t cover some really serious (and anxiety-inducing) topics. Some of Pritchett’s experiences are heartbreaking, yet there is a matter-of-fact presentation of them and an ability to see humour in the darkest of situations.
I loved this book so much. I raced through it, reading bits to anyone who would listen along the way, and I’m already thinking about a reread! If you love humorous books with bucketloads of warm wit then this is for you. If you have anxiety in any form, the sentiments will all seem so familiar – except narrated by someone really, really funny.
You do need a copy of this book! Please use my affilate link and thank you for supporting my blog with any purchases:
Today, I’m excited to be reviewing ‘The Secret Life of Albert Entwistle’ by Matt Cain, a gorgeous story of someone finding their place in the world later on in life. Thanks so much to Rosie Margesson at Headline and Matt Cain for sending me a copy in exchange for an honest review – opinions are entirely my own.
Welcome to my stop on the blog tour for ‘Ariadne’ by Jennifer Saint, a gorgeous retelling of the Ancient Greek myth of Theseus and the Minotaur (among many others!)
With thanks to Random Things Tours, NetGalley, the publisher and author for my copy of this book in exchange for an honest review.
From the Publisher:
‘My story would not be one of death and suffering and sacrifice, I would take my place in the songs that would be sung about Theseus; the princess who saved him and ended the monstrosity that blighted Crete’
As Princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister Phaedra grow up hearing the hoofbeats and bellows of the Minotaur echo from the Labyrinth beneath the palace. The Minotaur – Minos’s greatest shame and Ariadne’s brother – demands blood every year.
When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods – drawing their attention can cost you everything.
In a world where women are nothing more than the pawns of powerful men, will Ariadne’s decision to betray Crete for Theseus ensure her happy ending? Or will she find herself sacrificed for her lover’s ambition?
Ariadne gives a voice to the forgotten women of one of the most famous Greek myths, and speaks to their strength in the face of angry, petulant Gods. Beautifully written and completely immersive, this is an exceptional debut novel.
A truly spellbinding, epic story taking readers on an unforgettable journey. Perfect for fans of Circe, A Thousand Ships and The Silence of the Girls.
My Review:
I have always loved mythology and have dipped in and out of various versions of the stories, most recently enjoying Stephen Fry’s narrative in ‘Mythos’ and subsequent books. I am blessed (cursed?) with a memory like a sieve, so I don’t tire of the old stories and cannot always remember how they all fit together, so I came to ‘Ariadne’ with only a very vague understanding of the Theseus and the Minotaur myth upon which this is based, at least initially.
The story opens on Crete, where Ariadne and her sister live in the shadow of their authoritarian and deeply unpleasant father, Minos. The jealousy of the gods causes Ariadne’s mother to bear a minotaur child and this monster – trapped in a labyrinth under the palace – is fed with an annual sacrifice of Athenian youths. One year, Theseus (Prince of Athens) arrives with those to be sacrificed to the minotaur and Ariadne – blinded by love that she takes to be mutual – helps Theseus and changes the course of her own life.
That bit is just the start of the story! To cover it all would be too complex and also give spoilers, for there are several versions of the different myths and so Saint has made some intriguing narrative choices along the way. The story intersects with others that will be familiar to lovers of Greek mythology – I loved that Medusa made it in there, plus Daedalus and Icarus and so many others.
In Saint’s hands, each of these characters became human – I’ve never really felt the tragedy of Icarus’ fate before, or what it must have felt like for Ariadne’s mother to know she birthed the monster that is the scourge of Crete, or how Phaedra and Ariadne felt at having their sisterhood torn apart. Saint explores the emotions of these very human stories and the result is intensely moving.
What is also apparent is just how awful the Olympian gods are. Saint presents their jealousies, their fickleness and their downright cruelty – it becomes a familiar theme that mortals never come off best in their dealings with the gods. Even those who seem preferable at first glance – Dionysus, for example – have a darker side and their immortal life renders them problematic in their relationships with humans.
One hugely appealing aspect of this book was the feminist slant on the stories – in Saint’s capable hands, we are really made to feel the injustices meted out on the women of the novel by some pretty terrible men – both human and godly. This was something I was aware of already (I can recommend ‘Zeus is a Dick’ by Susie Donkin if you need enlightening on Zeus’ general tyranny, status as rapist and general shoddy conduct – it is a very funny book too!)
However, in Saint’s version, the women are constantly underestimated and often abused – yet remain strong and resolute in the face of hardship. Pasiphae, Ariadne’s mother, is a prime example of this as she rises above the malicious gossip about her and ultimately grows in strength. Phaedra, Ariadne’s sister and co-narrator of the book, is also a tough, honest and down-to-earth figure. I’ll admit I didn’t know of Phaedra before reading this book and was hoping for a different ending for her.
The main narrator of the novel is Ariadne herself and she is presented with realism and truth. She makes mistakes along the way, is too trusting at times, struggles with various situations she is presented with, is aware of her many failings – yet is also kind-hearted and a brilliant heroine of the novel. The fact it is narrated in first person allows us to really get under the skin of a figure who – in the original mythology – is rarely developed as a character in her own right, being more of a plot device within Theseus’ story.
This is a beautifully-told story that brings Greek mythology to life. The things I have struggled with in regard to myth retellings – the complexity, the huge casts, the flat characterisation – are stripped away here and the result is gloriously readable. This is definitely one myth that will remain firmly fixed in my memory which – given my track record – is a miracle!
It is also worth mentioning here that the hardback version of this book – with gorgeous gold detailing – is something that every book-lover would be proud to find a place for on their bookshelves…just saying!
About the Author:
Due to a lifelong fascination with Ancient Greek mythology, Jennifer Saint read Classical Studies at King’s College, London. She spent the next thirteen years as an English teacher, sharing a love of literature and creative writing with her students. ARIADNE is her first novel and she is working on another retelling of ancient myth for her second.