Happy publication day to this unusual tale of gay friendship!
I didn’t really know what to expect from this book, but the 1920s setting and the concept seemed interesting – two childhood friends, Bettina and Bart, decide to marry in order to hide their same-sex preferences from a disapproving world. They hope that marriage will bring them a respectability that will allow them to carry out their love affairs in private.
The story opens in 1921 when Bart and Bettina share a moonlit kiss that convinces both of them that their sexual preferences aren’t for each other! What follows is a story of a marriage that is a giant cover-up – although, to the outside world, it looks conventional and produces children. Instead, Bart becomes involved with a French lover, Etienne, and Bettina conducts her own love affairs. As the pair progress through the 1920s and 1930s and into World War II, neither have any sense of where their deceptions will lead them.
I think I had hoped that this would be a heart-warming tale in which the friendship between Bart and Bettina would mean that they have each others’ backs even through the tough times. It doesn’t exactly play out like this as both characters are spiky and tough so they do seem to spend a lot of the novel either not together or not liking each other – I thought this was a shame as it undermined what I hoped would be a message about the power of friendship. It just isn’t that sort of book!
Instead, it is funny and shocking at times and quite graphic – there’s no cosiness in this version of the past. In fact, it reads as quite modern in the social sensibilities and language used – occasionally jarringly so, but this may be because I am used to more conventional historical fiction. It is also quite sad in places, particularly the framing of the novel in more modern times.
This was definitely a novel that kept me reading – it moves through time and space at speed and there really isn’t a dull moment. I enjoyed the varied settings and the historical backdrop, from Hollywood glitz to the very unglamorous work of the Land Girls of WW2. Although I can’t say I liked either of the lead characters, their story was interesting and thought-provoking.
I’d recommend this to anyone interested in the sexual politics surrounding LGBT issues in the past – it certainly doesn’t hold back on the challenges that people like Bart and Bettina must have faced in a much less permissive society than our own.
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A new novel from Katie Fforde is always a treat – so much so that I don’t even need to read the blurb to know that I’ll like it!
Precisely because I hadn’t read the blurb, I was surprised that this book takes place in 1963 as I am used to Fforde’s contemporary romances. What a great setting! From early 1960s London – just about starting to swing – to the promised wedding in the country…this has interesting and engaging settings throughout.
The book is about a young woman, Lizzie, who moves to London to attend a cookery school. Once the course is finished, she cannot bear to think about giving up her new-found freedoms by returning home and so moves into a shabby but fabulous shared house in Belgravia with her new (clearly very wealthy) friends. This leads on to invitations to the country to stay in stately homes…and – before she knows it – her life has been turned upside down and will never be the same again.
Wow, it is hard to write about this book without giving spoilers!
I read Katie Fforde books precisely because nothing bad will happen and everything will work out fine – it is comforting and uplifting, even if it means slightly suspending disbelief at times that things can work out so fortunately. Lucky for Lizzie that one of her cookery course-mates has a huge house in Belgravia – just the first of many fortuitous events!
The characters are appealing and relatable – Lizzie is our fish-out-of-water in the setting of her wealthy friends, David is the gay character whose sexuality is closing doors to him in 1960s London, Meg is a hard-working and talented cook and Alexandra is wealthy but generous in sharing her shabby house with them all. The supporting characters are also generally nice, or at least see the error of their narrow thinking by the end of the novel – this was the 1960s, after all, so we can’t expect modern attitudes to various issues, something that sustains the main plot lines of the book,
The book is a romance and ticks all the boxes that you’d expect – misunderstandings, obstacles and delays abound. However, the love story actually takes a bit of a back seat as Fforde instead focuses on the themes of friendship, social attitudes and even class systems, although – as you’d expect from Fforde – always with a light touch and never preachy.
My only criticism is that the book was a little slow in places and it takes a very long time before the wedding in the country (promised in the title) appears on the horizon. This seems a bit like a spoiler or – at very least – a mis-titling of the book as it is about so much more than a wedding.
Overall, I’d recommend this to fans of Fforde’s contemporary fiction and anyone who needs a reassuring, comfort blanket of a read. It is definitely one to pick up for escapism – maybe something we all need right now.
Thanks to the publisher and NetGalley for my copy of this book in exchange for an honest review.
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Welcome to my stop on the blog tour for ‘Behind Closed Doors’ by Catherine Alliott.
This book was published on 4th March by Michael Joseph and I thank the publisher for my copy of the book in exchange for an honest review, plus the invitation to join the tour.
I’ve read a lot of Catherine Alliott’s books, although not so recently, so I thought I knew what I was getting myself into with this one. Absolutely not so!
In this book, Lucy Palmer seems to have it all – a big house in London, a job writing cosy crime novels, a handsome husband and two grown-up children who are both successful in their own ways. However, this is all a facade and Lucy’s marriage is about to end spectacularly and suddenly – and, when is does, she has some work to do in dealing with her past. Leaving London, she goes to care for her elderly and bordering-on-alcoholic parents in the country where she starts to rebuild her life.
This is an altogether darker story than I am used to from Alliott, both in the truth about Lucy’s husband, Michael, and the events surrounding the end of the marriage. It also touches on some poignant issues, especially caring for elderly parents and ageing.
However, everything else I expected from Alliott is also there, so this slightly darker turn works well. It still has elements of humour – I really loved Lucy’s parents and their hectic social life of boozy octogenarian parties, plus the sassy teenage twins who have much more of a finger on the pulse than the adults. There’s also romantic strands to the story, although these aren’t as central as I would have expected given what I’ve read of Alliott’s writing previously. Instead, the love story is quite understated and works really well given Lucy’s situation.
I really loved the family dynamic that is at the heart of this book. Lucy is at the centre of a supportive, if slightly eccentric, family network and this is one of the real strengths of the novel. There’s the ageing parents, growing old disgracefully but still frail, Lucy’s sister (Helena) who absolutely has control of everything except her own children, plus Lucy’s children – the strong and reliable Imo and thoughtful, calm Ned. I especially liked the strong women in the novel – Helena and Imo being my favourites, although there are other surprisingly awesome women (and a few men!) along the way.
Although this was not what I wholly expected when I picked up this book, I’d recommend it. It is certainly less cosy than I was anticipating and includes some difficult issues, not least domestic abuse, but it is an immersive and engaging read. I genuinely struggled to put it down and loved the clever, understated explorations of relationships and dependencies between people.
Happy publication day to this funny and uplifting book which I was fortunate enough to read towards the end of last year during lockdown.
I’d heard lots about this book on Twitter and felt that a cheery read was needed, so thought I would give it a try. I’m so glad I did – it was just what I needed to lift me out of the November gloom!
The main character, Ally, starts this book at her lowest ebb. She has quit her job and been dumped by her girlfriend, Emily, leaving her effectively homeless as she has to leave Emily’s houseboat. Taking the cat, who becomes a topic of dispute between the two ex-partners, she heads back to Sheffield and her father’s house. Initially wallowing in her own grief, she starts to see light at the end of the tunnel after rekindling an old friendship, using her passion for baking to find a new job and – most unlikely of all – taking up running after she (rather ill-advisedly) signs up for a half marathon.
I thought that Kay did a gorgeous job of exploring Ally’s thought processes as she worked her way through the end of her relationship. It felt real, with all its ups and downs, irrational thoughts and acts of pettiness – the emails between Emily and Ally about the cat were particularly telling. I also loved Ally’s feeling about running – as someone who has tried and failed to run, I really could imagine the scenes as she slogged round various circuits with no joy and considerable pain!
Indeed, the characterisation is the real strength in this novel = Ally’s friend Jeremy (who is nursing his own heartbreak) is funny and sweet and just the kind of person you’d want on your team if you were in Ally’s situation. Ally’s dad is similarly wonderful – a supportive, straight-talking (when needed) and realistic parent who has his own ways of getting Ally back on the road to recovery – I loved the disco for Syria scenes as these were so keenly observed by someone who clearly has experienced (in recent memory and with vivid clarity) the joys of a school dance!
The plot followed a fairly predictable course, but that absolutely was not a problem as I was reading this exactly to avoid any stressful or horrible situations. Instead, I was treated to a comfortable and engaging read as I followed Ally’s journey back to happiness. It’s a novel that has moments of sadness, but also bucketloads of humour and really relatable moments.
I’d recommend this to anyone who enjoys uplifting stories which are strong on character – those in a similar vein to Beth O’Leary’s ‘The Flatshare’ and ‘The Switch’. I enjoyed this a lot and it made a cheerless lockdown day a lot brighter.
Thanks to NetGalley and the publisher for my advance copy in exchange for an honest review.
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Although I’ve been a long-time fan of Margaret Atwood’s novels, I hadn’t really read much of her poetry before this. Thanks to NetGalley for the audiobook version (narrated by Atwood herself) – I did also buy the hardback version as I think I take things in differently through reading and listening. I can recommend both formats though!
This collection of poetry was published in 2020, a year after Atwood lost her long-term partner to dementia, and the poems do understandably focus on loss, grief and ageing. However, the poems were written between 2008 and 2019 and so do also have a wider scope of Atwood’s interests and concerns, among them the environment, attitudes to female bodies and the nature of memory.
Although some of the poetry is bleak, it is not without hope and the trademark flashes of dry wit for which Atwood is famous, such as in ‘Everyone Else’s Sex Life’ – and I like to think you can hear this in Atwood’s deadpan, drawling delivery of the poems.
There are some very powerful poems in the collection and I was glad to have had the hardback book to fall back upon to read the lines again and think further about them – I am not sure the audiobook, while slow paced in its narration, really gives readers the time to absorb the poetry. For this reason, I think repeated listening would be necessary.
Particularly poignant for me was the longer poem, ‘Songs for Murdered Sisters’. This was written for the baritone singer Joshua Hopkins ‘in honour of his own murdered sister’ (as we only find out in the acknowledgements at the end of the book). This poem moves – in clearly delineated sections – from the sense of absence and grief through anger to remembrance and acceptance. It’s a striking poem that stood out to me on first listen and one I’ve gone back to.
I can’t even pretend to have absorbed and fully understood all the poetry in this collection yet. I think it is one that I will need to return to many times, yet I can say that I found the first reading very engaging, thought-provoking and moving. I’m not a crier, but definitely had a lump in my throat for some of the poems!
As other reviewers have commented, the narration by Atwood is quite flat and without much emphasis. I don’t see this necessarily as a negative – I have heard Atwood read her work before so kind of expected the monotone delivery. Instead, I think her reading of the poems allows listeners to build their own interpretations of the words – and the poetry is strong enough that it packs a punch even without the narrator giving us clues through the reading.
I would recommend this book to anyone who enjoys poetry or who shares Atwood’s concerns – and actually many of the themes are universal. What I would say is that the poetry collection is absolutely 5-star-excellent. However, I’m not wholly convinced that the audiobook is quite the right format for the poetry so I’d recommend it ideally in conjunction with a printed copy – for me, the audiobook is a 4 star presentation of 5 star material.
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An belated happy publication day to the new poetry collection from Brian Bilston! This little gem of a book was out last Thursday (21st January) so do order now!
I first found Brian Bilston’s poetry on Twitter and loved its clever wordplay – this led me on to his first poetry collection, ‘You Took The Last Bus Home’ and his excellent novel (with poetic interludes) ‘Diary of a Somebody’. I was, therefore, thrilled to be granted an ARC of his new poetry collection by NetGalley and the publisher.
The poetry is – as the title suggests – loosely focused on the theme of love and is exactly what readers have come to expect of Bilston’s poetry – clever wordplay, interesting perspectives, unexpected twists. It is perhaps a little more serious in places than some of his other poetry (and certainly more serious than the ones that are so popular on Twitter). However, it is an enjoyable read – albeit a quick one as it seemed fairly short.
As a Literature geek, I really enjoyed the poems where Bilston riffed on literature from the past, from Shakespeare’s ‘Antony and Cleopatra’ (in ‘Cleopatra’) to Wordsworth (‘Status Update: a Lonely Cloud’) to tragic lovers (‘Five clerihews for Doomed Lovers’). However, Bilston is equally comfortable playing around with Mills and Boon novels, Spoonerisms, Brexit and many other incredibly varied ideas.
This is a lively and varied poetry collection that I’d recommend to those who like their poetry humorous. It does have serious messages and will leave you with food for thought, but – above all else – it is entertaining and engaging.
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This novel – published in March 2020 – is one that I’ve seen a lot of discussion about on book Twitter. With that in mind, I thought I’d revisit my review which was written pre-blog.
Vanessa Wye is 32 years old and working in an upmarket hotel when we first meet her. Gradually, the story of what has brought her to this point in her life is revealed and it’s a shocking and sad story.
As a 15 year old, she became involved with her boarding school teacher, a 45 year old man called Jacob Strane. His relationships with underage girls are being investigated by the school and media and Vanessa is asked for her experiences.
What makes this a very uncomfortable read is that it is narrated in the first person by Vanessa. The grooming and abuse is revealed in graphic detail, but the most shocking element is that Vanessa feels that she is the exception to Strane’s victims, the one he truly loved.
The reader is put in the difficult position of seeing Vanessa and Jacob’s relationship for what it truly is – a predatory older man abusing a schoolgirl – while Vanessa cannot. She defends him while the reader can see that he is an inadequate, manipulative and repulsive man who takes advantage of a vulnerable child.
I cannot say that I enjoyed this (as it is an uncomfortable read), but it was certainly an eye-opener. It made me realise why some victims do not speak out and why some might actually defend their abusers.
Vanessa is a highly believable character and the story follows her thought processes in a way that the reader can understand even as they see how she is being manipulated. The impact of the abuse on Vanessa’s life is evident: at 32, she struggles to maintain relationships and is a drink and drug user.
Although the book isn’t enjoyable in a conventional sense, I am so glad that this story has been told. Too often, abuse victims are portrayed as flirtatious, knowing young women whereas here is a girl whose innocence is destroyed by a person in a position of trust – although she feels responsible for the events, the reader is in no doubt that the blame lies entirely with the adult.
An important, well-written but ultimately uncomfortable read.
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Header photo with thanks to Element5 Digital for sharing their work on Unsplash.
Welcome to my stop on the Random Things Tours for Philip Bowne’s debut novel! This book was released on 24th September, 2020 by Neem Tree Press and was longlisted for the Guardian’s ‘Not The Booker Prize’.
From the Publisher
From debut novelist, writer for The Wombles and winner of the Spotlight First Novel prize, this hilarious and poignant coming-of-age odyssey catapults 18-year-old Billy across pre-Brexit Europe.
Literary fiction resonating with themes of family, faith, race, love, loss, taking risks, borders and barriers, downward mobility, and growing up under the shadow of Brexit.
“Bowne’s touch is light, but his themes resonate: faith, family, race, and (whisper it) Brexit.The prose sparkles like sunshine hitting the English Channel.” — D. Johnston, author of Peace, Love & Petrol Bombs
“Laugh-out-loud hijinx with moments of true poignancy… a cast of eclectic, authentic characters. Billy is a brilliant narrator-pilgrim for the next generation.” — Tyler Keevil, author of No Good Brother
“Innovative, punchy and tender… stiletto-sharp wit. — Ray Robinson, author of Electricity
“…a fresh take on the classic rite-of-passage, in the mould of The Buddha of Suburbia by Hanif Kureishi and Lean on Pete by Willy Vlautin.”— Marion Urch – Spotlight First Novel Prize
Synopsis
17-year-old Billy has just left school with no A levels and he’s desperate to escape middle England. As a grave-digger, he’s working the ultimate dead-end job. Billy’s home life isn’t any better. In the evenings, he observes his dysfunctional family: his Grandad’s engaged to a woman half his age, his xenophobic Dad’s become obsessed with boxing, and he suspects his deeply religious Mum is having an affair.
All the while, celebrities are dropping like flies and Britain is waiting for the EU referendum. Everything is changing, and Billy hates it.
Meeting Eva, though, changes everything. She’s Swiss, passionate about Russian literature, Gary Numan, windfarms and chai tea, and Billy gambles everything for a chance to be with her.
When things start to go wrong, Billy’s journey across Europe involves hitch-hiking with truckers, walking with refugees, and an encounter with suicidal cows. But the further he goes, the harder it is to be sure what he’s chasing – and what he’s running from.
My Review
Regular visitors to my blog know that I am always looking for funny books. Put the words ‘humour’ into a blurb, or ‘laugh-out-loud hijinx’ (as is mentioned on the back of this very book) and I am first in the queue. Take my money now!
So I jumped at the chance to take part in this blog tour and read a first novel by someone who I really hopes writes a whole lot more.
Right from the start, I was drawn to the character of Billy who – at the beginning of the story – totally lacks direction. He has quit school and his Mum has got him a job gravedigging at the local church. He has a dysfunctional family, including a dad with some anger issues and a grandad (GG) who is marrying what the family consider to be an unsuitable women. Brexit is looming on the horizon and celebrities seem to be dying in huge numbers.
So far, so many opportunities for black humour and Bowne does not hold back with the laughs, from the acquisition of Billy’s unfortunate nickname at work, GG’s unconventional way of making money and one of the most awkward fish and chip dinners I’ve ever had the (uncomfortable) pleasure to read!
However, even at these early stages, it is evident that Bowne is not going to shy away from serious issues as well and we do get a real sense of Billy’s confused and – at times – quite sad internal life through his first person narration.
The story then shifts to Eastbourne Summer School for International Students where Billy gets a job and meets Eva who is Swiss and unnerved by the anti-EU feeling emerging in the UK around the Brexit referendum. It absolutely isn’t love at first sight for Billy, but we see a developing relationship which feels very real and believable.
I really don’t want to give plot spoilers, but it is safe to say that the course of true love doesn’t run smoothly and Billy embarks on some fairly outlandish schemes in order to be reunited with Eva. This culminates in a trip across Europe which is full of interesting people (I loved Cooper in particular), strange events and a lot of growing up for Billy.
As I mentioned before, this book really does have some very funny moments and Billy is a fabulous – if slightly misguided – character who the reader does really root for. I found myself desperate for it to work out for him, while also not really knowing what that would look like for the best.
However, this book also has some very poignant moments that mean it isn’t a wholly comic novel. Little snippets of tragedy infiltrate Billy’s world – the Syrian refugees, the Museum of Broken Relationships, people whose problems are beyond anything in Billy’s experiences to that point. This all adds to the sense that Billy is being forced into maturing and his road trip – regardless of outcome – will be the making of him.
As a reader, the switches between the humour and tragedy are unnerving. One minute, you can be laughing out loud and the next shocked at the poignancy of what is being related. This makes the novel an absolutely compelling read, although it is not always a comfortable experience.
Overall, I would highly recommend the novel; I was totally invested in Billy’s story and raced through the book, always keen to find out the next scrape he found himself in and to meet the next set of quirky characters. I genuinely loved this book and look forward to seeing what Bowne produces next.
With thanks to Random Things Tours for inviting me onto this blog tour and for providing my copy of the novel in return for an honest review.
About the Author
Philip Bowne lives in London and works as a writer for The Wombles, a children’s entertainment brand.
Like his protagonist, Billy, Phil attended a failing and severely under-resourced school in Bicester, Oxfordshire. However, unlike Billy, Phil ended up studying English Literature and Creative Writing at university.
While studying, Phil published short stories in literary magazines and anthologies in the UK, US, Canada and Germany. After graduating, Phil spent time in Europe and the US, working and volunteering in various roles and settings: repairing boats at Lake Como, housekeeping at a mountain lodge in California and working with charity Care4Calais in the former Calais ‘jungle’ refugee camp.
‘Cows Can’t Jump’ is Phil’s debut novel, which he worked on while managing a bar in London. As well as a writer for The Wombles, Phil also works on a number of independent writing projects, including a musical set in 1970’s Soho and a sitcom set in a failing leisure centre.
I love Caitlin Moran. I think she is funny, brave and always readable. I love the fact she has turned her considerable journalistic writing skills into a career in which she produces brilliant fiction and non-fiction books. She is the reason I have a Times subscription (she is a regular writer for them) and a shelf full of her previous books.
That needed to be said up front. Although I read and review lots of books, I’m not the most impartial reviewer in this case. Evidence: I pre-ordered this book and paid out of my own pocket! No ARC, no waiting for the prices to come down, no second-hand copy, no waiting for Christmas…honestly, this is all so out of character for me!
With that said, I did wonder how she would have enough to say about the topic of being a woman. She covered a lot of ground (rather marvellously) in her book ‘How to be a Woman’ ten years ago – how much more is there to say?
Loads, it turns out. Moran is now in her forties (like me) and has plenty to say about this stage in her life. It is in middle age that (Moran observes) life becomes less about you and more about everyone else – your children growing up, pressures of work, ageing parents – and it is really tough. You aren’t the same person as you were ten years ago and it needs a whole new way of navigating. Add into this the current state of society – it’s safe to say the patriarchy hasn’t yet been smashed – and Moran has plenty to write about.
This book is structured into chapters denoting an hour in the middle-aged women’s day. Thus, we are taken from 7am (The Hour of ‘The List’) through various points in the day – The Hour or Parenting Teenage Children (eeek – not looking forward to this myself!), The Hour of Housework, The Hour of Crisis… It is all hugely relatable and it is strangely comforting that the things I stress about seem to be universal.
Particularly striking for me was ‘The List’ as I’ve done a lot of thinking about mental load recently and the fact that women seem to bear the brunt of the thinking about things. It was heartening to read Moran’s own list and think that I am not the only one trying to keep on top of work, parenting, marriage, life admin, pet care…
Yes, there are a lot of serious points made here about women’s place in society and the pressures to ‘have it all’ (read: ‘do it all’). However, it is also absolutely hilarious and Moran is unafraid to share some rather intimate things. It is like a chat with your best friend, if your best friend is a totally unfiltered over-sharer! The bathwater thing (you’ll have to read it) really made me laugh out loud…
As well as being laugh-out-loud funny in places, there are some really serious points, especially Moran’s daughter’s fight with anorexia. I found the story extremely moving and am glad that Moran (and her daughter, because it was shared with her permission) included this intimate story that shows that each family has its struggles behind closed doors.
This is a feminist book but one that should be required reading for everyone – it is so insightful and engaging that I think anyone would enjoy it (and probably learn something along the way).
Please do go and buy a copy of this book. If you are a women of a similar age to Moran (or live with one) then you will recognise a lot here. It is uplifting and extremely funny, but will leave you with a lot of food for thought.
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Something a bit different for me today – an audiobook!
I’ll admit to not always getting on brilliantly with audiobooks at times in the past, but I really couldn’t resist the sound of this one after I saw Polly Samson read sections of it during a Hay Festival online event. I found she had a really soothing voice and I was intrigued by the story that she described, plus the fact that she had written music to accompany the novel with her husband, Dave Gilmour.
The story is told by a fictional character, Erica, who arrives on the Greek island of Hydra in 1960. Her mother has died and she is visiting her mother’s friend, Charmian Clift, who lives on the island with her husband, George Johnston (a writer) and their children. Erica arrives with her boyfriend, Jimmy, and what follows is a glorious time in which Erica learns about love, loss, her mother’s past, art and writing.
Erica’s time on Hydra introduces us to a massive cast of characters, some of whom were real people – including Charmian and George, Leonard Cohen, Axel Jensen and Marianne Ihlen. This is one book where you will be constantly googling the people to find out the reality behind the fiction! The only issue I had was the fact that the novel serves us with a massive cast and I couldn’t always remember who was who!
Thanks to Nemanja .O. for sharing their work on Unsplash.
One of the main stars of the novel is Hydra itself and the reader is treated to the sun-soaked, heady, irresistible charms of the island throughout. It sounds like a beautiful place and absolutely perfect for this tale of 1960s free spirits in what was essentially a big artistic community of expats.
Another draw for the novel is Charmian Clift herself who becomes a mother-figure to Erica but is hiding her own secrets. Indeed, it is Erica’s relationship with Charmian that drives a lot of the narrative, so it was no surprise to learn that it was Charmian’s own writing that led Polly Samson to write this book.
I think this is a novel definitely enhanced by the audiobook format. It was lovely to hear Polly Samson read the book as I got a real sense of how she imagined the characters to speak. I also thought that the little musical interludes between chapters and the song at the end enhanced the narrative – it gave more of a taste of the time and music and added depth to the novel. As already mentioned, Polly Samson’s voice is extremely relaxing to listen to and I really enjoyed being caught up in her world of artists, poets and novelists on Hydra as related to me in her hypnotic voice! Although I found the narrative a bit sprawling and long in places, I found I enjoyed the way it was presented.
I would highly recommend this audiobook – it really does offer more than just an audio recording of the novel and I liked the story of the intertwined lives and the lasting impact of the events of 1960.
With thanks to NetGalley who gave me a copy of the audiobook in return for an honest review.
If you’d like to buy a copy, the Amazon link is below – I may receive commission on any purchases at no extra cost to you (excellent!)
Header image with thanks to Dominik Gawlik for sharing their work on Unsplash.
