I’ve always been intrigued by the story of how ‘Frankenstein’ came into existence – the stormy summer of 1816 on the shores of Lake Geneva where Mary Shelley, Percy Bysshe Shelley, Lord Byron and John Polidori gathered to share their storytelling and pass the time. The rest, as they say, is history…
Except that Claire Clairmont, Mary Shelley’s step-sister, was also there that summer and is often forgotten in the light of the bigger, badder and much more infamous characters around her. I only really knew about her from reading Jeanette Winterson’s ‘Frankissstein’, a reimagining of that crazy summer and a whole lot more (sexbots!) I’m always here for stories about women whose voices have been lost to history, so I approached this book with enthusiasm.
Thanks to Random Things Tours for inviting me onto the blog tour and for my copy of this beautiful book for review – as always, opinions are entirely my own.
From the Publisher:
A dazzlingly illustrated collection presenting the extraordinary life stories of fourteen bright stars from Black British history, from Tudor England to modern Britain.
Brought to life through hand-painted illustrations by award-winning illustrator Angela Vives, this important and timely book from author and educator J. T. Williams brings the lives of fourteen shining stars from Black British History into the spotlight, celebrating their remarkable achievements and contributions to the arts, medicine, politics, sport and beyond.
Featuring a constellation of iconic individuals – including storytelling freedom fighter Mary Prince, football star and World War I soldier Walter Tull, and Notting Hill Carnival founder Claudia Jones – ‘Bright Stars of Black British History’ shines a light on the courage, resilience and talent of remarkable individuals who have left a lasting mark on our collective history.
Reading the sampler of this book, I couldn’t wait to get my hands on the full version. A feisty, independent, female lead? A pet magpie? A Georgian London setting but with Greek myth elements? Absolutely, sign me up now!
I don’t usually read a lot of historical romance, but this one proved irresistible. The recommendations promised ‘witty’, ‘fun’ and ‘sassy’ which I’m absolutely here for, so I was pleased to be granted a copy by NetGalley for review. As always, opinions are entirely my own.
Finally! Happy publication day to this brilliant, 5-star slice of historical fiction!
I’ll admit I read this nearly a year ago before the publication was delayed by the pandemic. For those of you not lucky enough to have an advance copy, the wait is over…please do buy this now.
Here’s my review that I originally filed with NetGalley – thanks to them for a copy of this brilliant book in exchange for an honest review.
I loved this book so much! Although it's outside of my usual historical period of interest (I am obsessed with Victorians), I'm glad I took my chances as this is an amazing novel.
Beautifully written and extensively researched, this is an absolute gem of a historical novel. Although it is ostensibly a murder mystery, that feels too restrictive a genre for this book which roams freely through social history, politics, art and ethics and manages to do so with engaging characters and a pin-sharp focus on historical detail.
Caro Corsham is our heroine here, a character who apparently features in Shepherd-Robinson's first novel, 'Blood and Sugar'. I haven't read the first book but am about to remedy that situation! Caro is a likeable and lively heroine, grappling with her own secrets while also seeking justice for a murder she almost witnesses;. the novel opens with a killing at the pleasure gardens in Vauxhall and it is Caro who finds the dead woman.
This discovery leads Caro (and us as readers) deep into the seedier side of Georgian London, a world of brothels and prostitution and gin houses and moneylenders and crime. Her investigation is helped by thief-taker Mr Child, himself struggling with his past and secrets. Together, they roam through polite (and much less polite) society, uncovering the secrets of a club of influential men and the prostitutes they hire. In the process, they reveal lies and unleash great danger.
It's almost impossible to sum up the plot of the novel and I don't feel that I have done it justice. Suffice it to say that it is intricately plotted with a host of characters who are all flawed in their own ways. I was totally convinced I had solved it several times, only for the next twist to ruin my thinking!
This is a treat of a novel for anyone who loves a clever, twisty murder mystery. It will keep you turning pages and guessing late into the night and the end, when it comes, is satisfying and credible.
If you’d like your own copy of this (and you really would!), please use my affiliate link below. Thanks for supporting my blog with any purchases.
I really love historical fiction and was pleased to be given the opportunity to review this book. I came to this book with high hopes because it was awarded the Historical Writers’ Association prize for an (at that point) unpublished novel – if the HWA says it is good, it will be good.
And so it is!
The story follows a young girl, Hannah Hubert, who has fallen on hard times in Georgian London. Although she is descended from a respectable silk weaver and has had the benefits of a good education, she has been forced into service after having been orphaned.
When she is sent to work for the Chalkes, she finds herself in a house of secrets. The mistress of the house is tough and Hannah is given cryptic warnings about the master by other servants. There is a locked room in the house, secret books and mysterious auctions that happen behind closed doors… To add to Hannah’s disquiet, the other servant in the house, Peg, is terrified of the Chalkes.
Thrown into the mix are Hannah’s friendships with two young men – one is an apprentice at the book store where she delivers Mr Chalke’s mysterious documents and the other is a widower farmer who delivers milk to the Chalkes. The real question becomes who she can trust when things go wrong.
I really don’t want to give spoilers that would ruin this book for another reader. However, I came to the book expecting historical crime fiction and it needs to be said that it is so much more than that. Crime is one element of the story, but it is more focused on the character of Hannah and her fight for survival in an extremely hostile world.
Hannah is a fantastic heroine who really develops as a character over the course of the book. She begins as a naïve but educated fifteen year-old whose kindness and desire to help others is evident – her treatment of poor Peg wins her not only Peg’s total loyalty but also the respect of the reader. She is clever, curious and willing to stand up for what she believes – something that puts her in the way of danger. As the book progresses, the reader sees Hannah’s resilience, pride and determination to do the right thing even in the toughest circumstances. I doubt any reader could do anything but root for Hannah throughout!
Without giving too much away, I felt that the book contained strong positive messages about female friendship and the willingness of the poorest in society to support each other when times become tough. I loved the relationship between Peg and Hannah, plus the glorious later addition of a pipe-smoking childminder with a charitable heart.
Another strength in the novel was the colourful historical setting. Georgian London really is evoked in all its glory and grimness. There is a real sense of the hardships of being a servant in this era, plus the seediness of the poorer areas of London. The period detail is perfect – we get a sense of the clothes, routines, lives of the characters – and there is a feeling that a vast amount of research must have gone into the writing of this book, although it never feels laboured.
It must be said that the book does touch on some very dark themes that make for uncomfortable reading at times. This is not cosy historical fiction and Hannah’s (justifiable) fear is palpable as she is cast into some awful situations. The reader has to trust that the story is in safe hands and Hannah’s resolve will see her through.
I thought that this story was well-paced and liked the fact that it was told in a series of short chapters. This made the plot feel like it had real movement and – indeed – it did cover a lot of ground in less than 300 pages. I kept thinking that I’d read just one more chapter, then another and – oh, the next one is so short, should read that too… I raced through it!
I was interested to read that the book was inspired by the writer’s visit to the Foundling Hospital Museum in London. This is somewhere I’d very much like to visit after reading the novel, although I can imagine it is home to many heart-breaking stories of mothers with no other option but to entrust their child to the (possible) kindness of strangers.
Overall, I’d join the Historical Writers’ Association in recommending this book. It is absorbing, lively and immersive – Hannah and her Georgian setting both felt entirely authentic and it is time you made a trip to her world too!
Although my copy of this book was gifted to me by the author, opinions (as always) are entirely my own. Thank you to Maggie Richell-Davies for giving me the book to review.
If you would like your own copy of this book, it can be purchased using my affiliate link below – thank you for supporting my blog.
I’ve written a lot recently about newly released novels – of which there are many. However, there are a vast number of excellent books that I’ve not written about in order to keep on top of waves of new ones.
With this in mind (and with a brief pause between the waves!), I thought I would introduce you to my favourite historical novels of recent years.
These are in no particular order – just books that strike me as deserving to find new audiences. They are all – as far as I know – stand alone novels. If historical crime series are your thing instead, you can find my recommendations here.
‘Shadowplay’ by Joseph O’Connor
Thanks to Sonder Quest for sharing their work on Unsplash.
I really love anything about the Victorian period, although I did not know much about Bram Stoker, the focus for this book, apart from the fact he wrote ‘Dracula’. The whole book was a bit of a revelation, in fact, putting Stoker in the context of his life’s works and the wider view of Victorian and Edwardian society.
The novel focuses on Bram Stoker’s life from his days as a clerk in Dublin to his time managing the Lyceum Theatre in London through to his death in 1912. The main part of the book really concentrates on his tricky relationships with the famous Shakespearian actor Henry Irving (owner of the Lyceum Theatre) and Ellen Terry, great actress of her day. Although heavily based in fact, this is a fictional account and it really brought the historical figures to life through the (fictionalised) diaries of Stoker, the letters between the characters and even some (again fictional) transcripts of conversations and interviews.
I really enjoyed the way that so much of Stoker’s day to day life at the theatre seemed to provide the inspiration for ‘Dracula’ – as a long time admirer of that classic novel, it was lovely to see ideas coming together, from character names to places and events and motifs. I wasn’t aware until reading this that Stoker never realised that ‘Dracula’ was destined for fame and fortune – it is a tragic element of his story that he never saw its success in his lifetime.
There was a lot to enjoy in this book for people who like well-researched historical fiction. So many people and places and events were incorporated into this story that Google was my constant companion so I could see and read even more!
There are a couple of reservations – Florence (poor Florence!) could have been developed more and I’d have liked a tiny bit more pace in places, but these are slight niggles only.
Overall, this is an enjoyable read for those interested in Victorian society and theatre or Bram Stoker and his writing process. It is an engaging and ultimately moving account of one man’s life and relationships in a fascinating era.
‘The Mermaid and Mrs Hancock’ by Imogen Hermes Gowar
It’s so hard to explain why this book is so bizarre and yet so fantastic (in both senses of the word). It defies genre and delivers a wholly satisfying story that I couldn’t wait to unravel.
It is 1785 and Jonah Hancock, a merchant in London, is living a narrow existence and waiting for news of his ships that are sailing across the world with the cargo that is his livelihood. One of the ship’s captains returns with a strange offering, a mermaid, an event which marks the start of Jonah’s change in fortune. As he rises in the world by feeding the public’s desire to see the mermaid, he crosses paths with Angelica Neal, a beautiful courtesan, and his life changes forever.
Thanks to Nsey Benajah for sharing their work on Unsplash.
The story moves between Jonah’s view of events and Angelica’s; both are utterly engrossing and introduce the reader to different levels of Georgian society and a whole host of fascinating characters. Although the novel is ostensibly historical fiction, there is also a slightly supernatural element which is interesting. It reminded me of some of Angela Carter’s novels (‘Nights at the Circus’ being a firm favourite of mine) in that there is a grotesque element to some of the writing and the reader is sometimes unsure what is reality and what is illusion.
Overall, I loved this book and would wholeheartedly recommend it to anyone who loves historical novels (Georgian London is presented in absorbing detail), mystery and intrigue (is the mermaid real?), wonderful characters (Mrs Chappell is delightfully awful) or who just simply want to read a great story. Beautifully written and absolutely engaging.
‘Tipping the Velvet’ by Sarah Waters
This is a fabulous historical novel set in the Victorian theatre world – I have re-read this one a lot. It’s so beautifully written and absolutely absorbing.
The narrative follows Nancy Astley as she leaves her Whitstable home and embarks on a music hall career in London. Led by her love for Kitty Butler, a music hall artiste, she learns about her own sexuality and character as she moves through different levels of Victorian London society.
The characters she meets are varied and interesting, and always presented with subtlety and humanity, be they aristocracy or prostitute, Socialist activist or servant, theatre star or charity worker. Nancy herself is a complex and slightly frustrating narrator; she is human and real and sometimes makes bad decisions, but the reader can’t help but be charmed by her.
As well as the characters, the settings are also beautifully evoked. Nancy moves from the vibrancy of the Victorian music halls to the seediest boarding houses to the mansions of London’s wealthy and all are written in vivid detail by Waters.
The novel is often categorised as a romance, which it undoubtedly is, but I’d say this is also bildungsroman – Nancy leaves Whitstable as a young, innocent girl and embarks on a journey of self-discovery as she finds her place in life. I really love this book and would recommend it to anyone who likes their historical fiction with intelligence and a whole lot of heart.
‘Bone China’ by Laura Purcell
I loved Laura Purcell’s ‘The Corset’ and so was very excited to read her new book, ‘Bone China’.
As I trust the author, I deliberately did not read about it before I started reading so that I could be pulled along by what I knew would be an engaging and suspenseful narrative. I really wasn’t disappointed!
The story centres on Morvoren House in Cornwall, a family home set on the top of cliffs. A maid, fleeing the secrets of her own past, arrives to take care of the elderly Miss Pinecroft (and her extensive collection of bone china, of course!) The household are rather unconventional and Cornish myths and superstition run rife, especially with Creeda, companion to Miss Rosewyn Pinecroft. Just as the maid, Hester Why, starts to find her feet in this strange family, the narrative shifts back 40 years and we start to learn the secrets of the tragic Pinecroft family.
This book is a beautifully written piece of historical fiction. As with Laura Purcell’s previous work, there is a strong sense of the creepy and sinister, this time in the exploration of the old Cornish beliefs about fairies (who are far from the benevolent and cute figures that Disney might have us believe!) There is also plenty of vivid description which really brings to life the unusual settings such as the caves beneath Morvoren House and the characters that inhabit the story.
I would recommend this to anyone who loves historical fiction. Even if you are sceptical about the supernatural elements (I’m queen of the cynics – I don’t usually read this genre for that reason), you cannot help but be drawn into this beautifully plotted, carefully researched and fascinating story.
‘The Binding’ by Bridget Collins
With Collins’ second novel arriving soon (and it’s absolutely amazing), I couldn’t not include this one here.
I have no real clue how to categorise this or describe it, but this book is absolutely wonderful!
Emmett lives with his family on a farm. He’s trying to pull his weight with the physically demanding work, but he has been ill and can’t really remember a dark, feverish period of his life. A mysterious letter arrives asking for him to be an apprentice to a binder, a woman living in a remote area who is widely considered to be a witch. With no real choice in the matter, Emmett takes his place in the binding workshop, learning the secrets and skills of transferring memories to paper. But things aren’t as they seem and the world of bookbinding has those who abuse their power over people’s minds.
Picture thanks to Cristina Gottardi for sharing their work on Unsplash.
I really don’t want to give any more of the story away because I think one of the reasons I enjoyed it was because I did not quite know what to expect. I’m not even really sure what category I would place this in – the setting feels historical, but also like a parallel world in which books have mysterious power. It certainly isn’t my usual genre, but I absolutely loved it.
The novel is beautifully written and hugely imaginative – I read it in a day, which is fairly unusual for me. The only criticism I have is that I found it quite difficult to imagine the physical appearance of the characters. Scenes and emotions in the novel are written in great and absorbing detail, but I just wanted to be able to see the characters in my mind. A small niggle for me!
However, this is a lovely and engaging novel. I would recommend it to anyone who wants to read something a bit different. It is not at all what I expected, but was a pleasant surprise.
‘The Devil Aspect’ by Craig Russell
Wow. Just wow!
The story is set in Czechoslovakia in the 1930s. Nazism is on the rise, showing itself in small ways to the staff and residents of the asylum at the centre of the plot. This asylum is like no other, housing ‘The Devil’s Six’, killers of such depravity that they are isolated in a remote castle location. The castle itself also hides secrets, with locals thinking it stops up the mouth of Hell itself.
Into this grim and dark place comes a new psychiatrist, Victor, keen to prove that people have split personalities, a ‘devil aspect’ in each of us that has capacity for great harm. He arrives fresh from Prague, a city terrorised by a serial killer called ‘Leather Apron’, and starts to uncover some unexpected things about the castle residents.
It’s hard to write a summary of the book that really does it justice. It cleverly weaves the mythology and folk tales of Central and Eastern Europe with trends and discoveries in psychiatry, while also maintaining a constant sense of darkness through the historical setting. As Nazism makes itself felt in Czechoslovakia, not least to the Jewish character in the novel, Russell also winds in the grimness of Victorian London’s Jack the Ripper crimes being mirrored on the cold and gloomy streets of Prague.
It is meticulously researched and fascinating. It’s also all described vividly – sometimes a little too much so, given the brutality of the crimes involved and the disturbing madness at the heart of the novel.
I just can’t praise this enough. It genuinely kept me turning pages right to the end and left me thinking about it long after the end. Yes, it’s extremely dark and gruesome. Yes, it’s about some very grim subjects. Yes, it’s quite disturbing. But it’s also wonderfully clever and inventive and compulsive. Please read it now.
‘Blackberry and Wild Rose’ by Sonia Velton
This is the story of two women living in Spitalfields during the reign of George III. One (Esther Thorel) is the wife of a respected Huguenot weaver, the other (Sara) is a prostitute at the seedy Wig and Feathers tavern. When Esther pays for Sara’s freedom from her life of prostitution and gives her a job in the Thorel household, both women’s lives are changed forever and not in ways they could foresee.
Thanks to VIBHUTI GUPTA for sharing their work on Unsplash.
There is so much that is fabulous about this novel. The chapters alternating between the perspectives of the two women make the story compelling; although this isn’t a radically new device, in this novel it takes the reader on a rollercoaster of emotions and results in constantly shifting sympathies. I honestly couldn’t decide whose side I was on as it kept changing! Also, the descriptions of Georgian London are vivid and engaging – this is a grimy and dangerous London where mobs can rule and justice is far from guaranteed. The plot is tight and there is a serious feeling of menace at times – I could not put this book down!
Overall, I’d recommend this to anyone who loves historical fiction. This is a beautifully written and captivating novel that deserves wide readership and critical acclaim.
‘The Doll Factory’ by Elizabeth Macneal
This book is about twin young women working in a doll factory in quite early Victorian London. Iris longs for escape, while Rose is more resigned to her situation, keen to appear respectable and do as her parents wish. Nearby, the Crystal Palace is being built for Prince Albert’s Great Exhibition and items are being sought for both this and for the Royal Academy’s annual exhibition. It is these things that will change the twins’ lives forever as they get caught up with the burgeoning Pre Raphaelite movement and a shady taxidermist called Silas.
I really loved this book for so many reasons. Firstly, the setting felt vibrant and interesting – this is London as the centre of innovation and full of opportunity. However, it’s also a London that is dangerous and seedy, and Macneal does not hold back from portraying the poverty and prostitution in the city that exists alongside the promise of the future.
I also loved the character of Iris, a woman prepared to take risks to be free to paint. The Pre Raphaelite artists themselves are also engaging subjects for a novel, although quite sanitised if what I’ve read about them elsewhere is to be believed! Finally, the sense of tension sustained throughout the book is cleverly done as Silas changes from odd loner to something much creepier.
Overall, I thoroughly enjoyed the book and would recommend it wholeheartedly to anyone who likes historical fiction. My only quibble is the title – it’s a bland and unexciting title for something that offers so much more than the story of a doll factory.
‘A Single Thread’ by Tracy Chevalier
I’d read a few of Tracy Chevalier’s books before and so I was expecting a well-researched, evocative and beautifully crafted historical novel. I was not disappointed.
This book is about Violet Speedwell, a single woman in her late thirties who is living in Winchester in 1932. Still mourning her losses in the Great War, Violet is trying to escape the future that society has planned for her as a ‘spinster’ and ‘surplus woman’. Instead of settling with her mother in Southampton as everyone expects, she moves to Winchester, gets a job as a typist and becomes involved in the Broderers, a group of women embroidering items for the cathedral. Through this, she meets an interesting set of people who show her that there are other ways of living outside of society’s rules.
Violet is an appealing and engaging heroine whose situation evokes sympathy in the reader; she struggles to assert her independence in a society that seems to want to thwart her every move. The setting is beautifully described, the characters are vivid and there is lots of interesting information about the embroidery techniques that Violet is learning – sewing is not my thing at all, but I did find it added to the novel.
This is a charming book that follows a lively and unconventional heroine. Although Chevalier touches on the big issues of women’s rights and the rise of Nazism before the Second World War, the focus never leaves Violet, her friends and family, her struggles and successes, her hobbies and her beliefs. A lovely book and one I would wholeheartedly recommend.
Thanks to Olesia Buyar for sharing their work on Unsplash.
‘Swan Song’ by Kelleigh Greenberg-Jephcott
I didn’t know much about Truman Capote before I picked up this novel, but I was intrigued by the idea of telling his story through the women he was closest to – his ‘Swans’, a group of wealthy socialites who gave him access to their privileged lives and darkest secrets before he betrayed them by writing thinly-disguised versions of their stories.
I was interested in how biography can become fiction, although I soon realised that Capote himself was a master of blurring the lines between truth and fiction as several sections in this novel show – key events are told and retold from different perspectives and with dramatic features added, so the reader is always aware that truth is an illusion.
The novel covers the period between the 1930s (when Capote is a child) and the 1980s when Capote is living in relative exile following his controversial decision to fictionalise his Swans’ lives in print. The narrative switches between Capote himself and his friends, a collection of wealthy and influential women whose names are often familiar to us – we see Jackie Kennedy and her sister Lee Radziwill, Babe Paley, CZ Guest, a Churchill and the Guinesses among others. The story then drops in so many familiar faces and names that Google is a necessary companion to this novel – Frank Sinatra, Mia Farrow, Gore Vidal, John and Bobby Kennedy, Harper Lee… the list goes on as Greenberg-Jephcott draws a vivid picture of the social whirls surrounding Capote.
I know that other reviewers have mentioned that they found the book confusing and I can see this – the timeline does skip around a bit and the cast list is extensive, although I found the more I read, the clearer the distinctions between the women and their individual lives became. Some reviewers have also said that the characters are unpleasant and unsympathetic, but I didn’t find this at all. They are undoubtedly self-absorbed, but I think that the novel shows that lives that seem gilded still have problems. Yes, the ladies lunch and are extravagant and spoilt, but they also seem human and their lives aren’t perfect.
Capote himself is a challenging figure – bitchy and clever and untrustworthy, but his background and final days still evoke pathos.
I found myself caught up in these glamorous yet often tragic lives and feel that the book will stay with me for some time.
Overall, I think this is a superb piece of writing that vividly evokes a particular historical era and social set. I thought it was beautifully written and fascinating – I definitely want to learn more about the real lives of the characters and even read some Capote, something I now feel is a shameful gap in my reading history! It’s a long book and challenging in places, but it’s also compelling and engaging. It’s been thoroughly researched and lovingly written and is definitely worth a read.
With thanks to NetGalley for giving me these books in exchange for honest reviews. As always, opinions are entirely my own!
Header photo with thanks to Jason Wong for sharing their work on Unsplash.
