This is a decent, twisty police procedural with some unexpected turns.
The story opens with a missing baby – absolutely every parents’ worst nightmare, especially as the baby has vanished through an open window in a hotel room where both parents were sleeping also. Young DI Marsha Allen does all the right things to investigate, but finds herself up against a witness she knows to be lying.
30 years later and the case hasn’t been forgotten by Allen who is now nearing retirement. A new murder throws her back into the investigation that she was never allowed to complete – but this time she’s senior, in charge and absolutely not letting it go.
I loved the character of Martha Allen – she’s steely but human and finds herself fighting to be allowed to do her job in the male world of the police, especially the police force 30 years ago. I totally didn’t expect the 30 year time hop, but it was good to see her older, more assured and successful self in the later scenes. The first section of the book reads like a tense page-turner as Martha finds herself in a race against time to find missing baby Bella, but the second part of the book is more measured as Martha picks up the cold case. It’s an interesting tonal shift but it works, even as it delivers something you aren’t expecting.
I’d recommend this to lovers of police procedurals, but it does come with the warning that it doesn’t deliver what you expect! For those in the market for a thriller, it won’t entirely be what you are looking for – but it’s a richer and more engaging book because of the author’s choices around bookending Martha’s career with this intriguing case.
I received a free review copy of this book from NetGalley – opinions are my own.
Thanks to Will Paterson on Unsplash for the header photo.
As someone (just about) too young to remember Greenham and the 1980s panic about nuclear war – and thank goodness as I’d have been rightfully terrified – I was keen to read this novel to find out more.
This book tells the story of 15 year old Bridget, a girl struggling with her own identity and family issues, who finds herself in the anti-war, all-female protest camps at Greenham Common. Through her journey, we meet lots of other women fighting their own battles, including Bridget’s own mother.
A few things really struck me when I was reading this novel – firstly, a sense of the sisterhood of the women at Greenham, but also how this shifted towards a more fragmented and intersectional feminism as time passed. The unity of the women was joyful, but it was interesting how issues of race and class crept in to give as sense of disharmony at times, which I guess is more realistic. The other thing was a sense that the 1980s was an alien world! In a world without the internet and mobile phones (Bridget’s whole presence at Greenham is caused by a forged permission letter for a school trip – much less likely to happen now!), life seems at once simpler and harder. Ansthruther presents the backdrop of Thatcher’s Britain well and I felt little jolts of recognition at times.
I enjoyed the book, although I did feel like some of the narratives were a bit less seamlessly woven into the novel than others – Bridget’s dad’s storyline and presentation as a conflicted character are interesting but felt a bit less authentic compared with the scenes at Greenham. I also wanted to know more about the women of Greenham – there were quite a few that I came to recognise by name but not know or remember much about.
I’d recommend this to people interested in historical fiction (as much as I don’t like to think of the 80s as historical!), and especially those interested in women’s history. The story of the women from different backgrounds and walks of life who came together at Greenham is inspiring and engaging and a fascinating basis for a novel.
I received a free review copy of this book from NetGalley – opinions, as always, are entirely mine.
Thanks to Kilian Karger on Unsplash for the header photo.
I love Agatha Christie, but I’m not always sure about how I feel about other writers using her beloved characters. There’s so much depth and humour in Christie’s Poirot that I think it’s so hard to get the right pitch.
However, ‘The Last Death of the Year’ is the closest I’ve read to a ‘proper’ Christie book, even among Hannah’s other books. The character of Poirot is well judged – he’s set in his ways and pompous, but also kind of endearing in his despair at the state of the house’s kitchen and chaotic chef. The sidekick and narrator – Inspector Catchpool – is Captain Hastings under another name. And the closed circle of suspects/victims in a remote house (here on the Greek island of Lamperos) is classic Christie. The whole plot hinges on who was where and when – who is lying and why?
The setting is interesting – the Lamperos house is home to a range of people who have all been drawn there by the shared values of the commune, specifically total forgiveness in all situations. It opens up questions about what the people are running from that they need forgiveness for – and there’s suspicion and speculation aplenty. There’s also romantic intrigue and jealousy, all of which adds fuel to the fire, with the ultimate result being ‘the last death of the year’. Poirot and Catchpool are left to investigate in a house with a floorplan that becomes familiar to readers, seeking a murderer in a small group of guests who slowly reveal their true colours.
It’s a fun read, starting from trying to identify a murderer from a list of New Year’s resolutions and moving onto the tension of waiting for a midnight death as the year turns to 1933. The characters are a strange mix and there’s plenty of red herrings to keep any armchair sleuth busy.
I’d recommend this to Christie fans or anyone who enjoys Golden Age crime – it’s engaging, well plotted and nice to see Poirot on a new case.
Thanks to NetGalley for my review copy of the book – opinions are entirely my own.
I love a good police procedural, and this is a good police procedural!
This is a debut from Hannah Brennan, and marks what is (I presume) going to be a new detective series featuring Detective Liz Field.
In this book, Field is called in to investigate a brutal attack on a man who is stabbed multiple times and ends up with his life hanging in the balance. When a second attack happens with the same distinctive methods, Field has a murder investigation on her hands. Guided only by a page from an academic paper found with the victims, Field embarks on a race to understand the subjects of the paper a child psychologist’s study on his young patients with OCD. Field has to race against time to find the group of ex-patients, while also considering that one of them could be a killer…
The OCD element of the story is managed really well – the writer has personal experience of this and it shows in her careful treatment of the issue. Several of the characters who take turns narrating the story have OCD, and it is interesting that Brennan explores the different aspects for each character, such as agoraphobia, intrusive thoughts or fear of causing harm. This was an intriguing addition to the expected murder mystery, and something I’ve not seen so sensitively handled or so well integrated into the plot. before.
The other aspect of the book that I loved was Field herself. She’s an older character (in her fifties) and with a family connection to OCD herself, which makes this case more personal. I thought that the character was well developed, especially in her relationships with her son and her two (very competitive and warring) colleagues.
This was an enjoyable read with a bit more depth than some other books in this genre (not a criticism of other books – I love a mystery in pretty much any form!) because of the OCD element. I think that Field is an appealing central figure and look forward to more books in this series.
Thanks to NetGalley and the publisher for my review copy of this book. It publishes on 31st July, 2025.
Classic crime fiction fans, this one is for you! If you can imagine a modern ‘And Then There Were None’ (Agatha Christie in fine form) and mix it with all the crime tropes you can think of, plus throw in some classic horror elements…you might be part of the way to imagining this book.
Thanks to NetGalley for my review copy. As always, opinions are entirely my own.
Cosy crime isn’t my go-to genre – I usually prefer something a bit darker – but I couldn’t resist this book! A fab and festive cover, a female lead character descended from famous Victorian food writer Mrs Beeton and the promise of a twisty mystery – count me in!
Thank you to Rachel Quin and HQ for my copy of the novel for review. It’s published in hardback on 24th October and would make a great Christmas present for the crime fan in your life.
The story centres on Alice Beeton, an older woman running the Good Household Management Agency – if your most famous relative is famous for the Victorian classic ‘Mrs Beeton’s Book of Household Management’ then why not capitalise on the connection?! Alice provides the best domestic staff to the poshest families in the UK and is known for her discretion and calm competence. Along with her dog, Agatha (named after the best crime novelist, of course), she lives in a basement flat in Kensington and focuses her efforts on her business.
When a well-to-do family need a housekeeper, Alice sends new hire Enya – a woman with perfect references and fluent French who seems ideal. However, a matter of days later, on New Year’s Day, Enya is found dead at the family home. Feeling responsible for Enya’s death, Alice gets herself involved in the police investigation led by the scruffy but slightly clueless Detective Rigby. Can she uncover the killer stalking through high society?
I absolutely loved Alice Beeton and need to read more about her! Initially, she comes across as someone whose life is very ordered and regulated – she has her dog, her flat and her business and that’s the extent of her world. However, being thrown into a murder investigation forces her to broaden her horizons and take risks – from going undercover to dealing with Detective Rigby and his charms. It’s lovely that Alice is an older woman – ‘the wrong side of fifty’ – as it’s rare to read about protagonists of this age and gender (even though women and older people make up a huge proportion of the book-buying public).
Alice’s connections with her famous ancestor are also used well within the novel – as well as the business name, there are Mrs Beeton recipes at relevant points throughout the book. These are (I think) taken from Mrs Beeton’s famous cookery book and are sometimes tempting, sometimes weirdly archaic, but always interesting.
The plotting of the mystery is well done and kept me guessing for quite a while. I did solve the mystery just ahead of Alice, but more through luck than judgement. There were plenty of surprises along the way, as well as a host of engaging characters (Alice’s co-workers are pretty great) and some luxury settings.
I thoroughly enjoyed my first (but hopefully not last) insight into Alice’s world; it’s cosy and festive, but also immersive and engaging. I really hope Book 2 is on the way…
Welcome to my stop on the blog tour for Lissa Evans’ latest novel, ‘Small Bomb at Dimperley’. Thanks to Random Things Tours and Doubleday for my copy of the book for review – opinions, as always, are my own.
From the Publisher:
The newest novel by the brilliant Lissa Evans, a historical fiction tale about a family and their country house needing to change with the times in the aftermath of the Second World War.
It’s 1945, and Corporal Valentine Vere-Thissett, aged 23, is on his way home. But ‘home’ is Dimperley, built in the 1500s, vast and dilapidated, up to its eaves in debt and half-full of fly-blown taxidermy and dependent relatives, the latter clinging to a way of life that has gone forever.
And worst of all – following the death of his heroic older brother – Valentine is now Sir Valentine, and is responsible for the whole bloody place.
To Valentine, it’s a millstone; to Zena Baxter, who has never really had a home before being evacuated there with her small daughter, it’s a place of wonder and sentiment, somewhere that she can’t bear to leave. But Zena has been living with a secret, and the end of the war means she has to face a reckoning of her own…
Funny, sharp and touching, Small Bomb at Dimperley is both a love story and a bittersweet portrait of an era of profound loss, and renewal.
‘Lissa Evans’ writing is so incredibly assured and affecting. I loved the world and the characters so much and it just seemed like the perfect novel to be read in such dark times. Joy and love found in the ruins, the hope after the horrors, simply gorgeous – a true balm.’
GRAHAM NORTON
‘Loaded with period detail, primed with characters you feel you’ve known for years, Small Bomb at Dimperley explodes comically, lovingly and very slightly wistfully into absolute delight. My best book (by a country mile) this year.’
HILARY MCKAY
My Review:
I love Lissa Evans’ books – she always manages to balance some hard-hitting and tragic ideas with such an incredible warmth and humour. I adored ‘Crooked Heart’ and ‘V for Victory and so couldn’t wait to read ‘Small Bomb at Dimperley’ to see if Evans’ version of a different aspect of World War II would be as fabulous.
It is. It really is.
‘Small Bomb at Dimperley’ takes a different focus from the previous books that focused more on London, evacuees and the Blitz. In this book, the focus is Dimperley, a huge mish-mash of a stately home, and those who live there.
It’s 1945, so the war is ending, and aristocratic families like the Vere-Thissetts of Dimperley are needing to navigate a very different political landscape – one that is more hostile. Added to this, the family hierarchy has been shaken by death and a brain fever, leaving the youngest son as heir to Dimperley. As he returns from war and now titled Sir Valentine, this heir finds he has large shoes to fill in the wake of his heroic big brother. His house is dilapidated, running on reduced staffing and populated by a selection of his eccentric relatives, plus a young woman and her daughter who stayed on after Dimperley was used as a maternity home during the war. It’s up to Valentine to come to terms with his new situation and work out how he can keep Dimperley afloat.
From the second I picked up this book, I knew that the world of Dimperley was one that I wanted to spend time in. While bad things happen – various deaths, poor Ceddy’s illness, Valentine’s wounds – this is an often charming look at a family clinging to an outdated way of life. It’s packed with interesting characters and astute observations on human behaviour – it made me laugh out loud several times with the slightly sharp comments and presentation of human foibles (such as Alaric’s obsession with the correct use of titles). At times, it felt a bit like the world of Nancy Mitford’s ‘The Pursuit of Love’ – often affectionate and charming, but also witty and arch. It never slips into being too cosy or twee, but remains appealing and immersive for the reader.
As always, the characters are beautifully drawn – Zena is glorious in her attachment to Dimperley and love for her daughter and my heart goes out to Valentine, returning from war to a chaotic mess. I also loved Miss Hersey – remnant from when the house was packed with servants before the war but now dealing (pretty competently) with being the last remaining one still resident there. There are lots of quirky, engaging characters throughout – some of whom I was intrigued to learn more about, such as the two daughters returning from a wartime spent in the USA.
It’s a book I could write lots about as I found lots to love. However, I’d really just recommend that you pick up a copy and immerse yourself in the world of Dimperley. It’s a world that was archaic even in 1945, losing relevance further as the post-war world adapted to seismic change. However, it’s a lovely place to spend a few hours in the company of some lovely characters.
About the Author:
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LISSA EVANS is an iconic director, producer and author of historical fiction with a devouted fan base. She has written books for both adults and children, including the bestselling Old Baggage, Their Finest Hour and a Half, longlisted for the Orange Prize, Small Change for Stuart, shortlisted for the Carnegie Medal and the Costa Book Awards amongst others, and Crooked Heart, longlisted for the Baileys Women’s Prize for Fiction.
This was one of the most bizarre books I’ve read in a while – and I mean it entirely as a compliment!
The novel is set on Atbara Avenue in 1968. It’s a seemingly close-knit community where people know each other’s business and routines, especially the vicar and his interfering wife who watch and discuss the goings-on on the street in often humorous detail. Each chapter has a different focus – a quirky resident, a house, usually a death – and it’s a structure that works brilliantly as we move between distinctly odd vignettes about what goes on behind the closed doors of the road. There’s also tonnes of clever plot points, as bits from earlier stories prove key later on.
When I initially picked this up, I assumed it would be cosy crime. There’s actually not much cosy about Atbara Avenue – but there is a dark humour that runs throughout and some really compelling observations about human nature, whether it’s sibling rivalry, the concealment of secrets or the domestic situations people normalise (such as the bullying parent/adult daughter relationship that opens the novel). Underneath the slightly shabby but genteel surface, Atbara Avenue is an absolute hotbed of crime! It might not be completely believable that all this happens in such close proximity, but each story is engaging and lively in its own right.
I also loved the setting – the 1960s time period allows us to see the contrast in the staid and conservative older generation and the younger characters. It also allows for some gripping murders that probably now would be solved in a trice with CSI and forensics and so on. Instead, there’s a good chunk of the Atbara Avenue murderers who get away with – yup – murder! At least seemingly…
This is an unusual and highly engaging book – there were plenty of twists that surprised me, but I also think I need to read it again to go over some of the more subtle points and links between the stories. If dark humour and a clever narrative is your thing, this is for you!
I received a copy of this book for review from NetGalley – opinions, as always, are my own.
I was in two minds about reading this book – on the one hand, I’m obsessed with anything set in the Arctic. What a fascinating, inhospitable, fabulous place with plenty of scope for peril, adventure, tragedy, isolation, creepiness…it has it all! On the other hand, I’m often less convinced by ghost stories as I often find them just too silly. Regardless, the Arctic won me over and so I picked up this book.
The story is essentially in three parts, with the focus skipping between the three timelines quite regularly. One of the strands is set in 1901 and features Nicky Duthie, daughter of a shipping company owner, being kidnapped and taken on board the whaling ship, the Ormen. Then there’s a 1973 strand (not featuring heavily) where the Ormen (now in use as a scientific research ship) is found drifting with a missing crew and just one mutilated body on board. Finally, there’s a modern strand in which Dominique, an urban explorer, travels to the ship just before the wreck is due to be sunk forever off the coast of Iceland. Here, in the almost perpetual darkness and freezing cold, she is determined to uncover the secrets of the ship.
I did worry initially that I’d fail to engage with a narrative that moved so frequently between time periods. However, I found that Dominique and Nicky’s stories were so different that it was easy to follow. I thought I’d probably like the historical story the best (as I love historical fiction), but I did find Nicky’s story really very grim. I’m not one for trigger warnings, but there’s a lot of casual rape and abuse which I found quite hard to process. Instead, I found myself much more interested in Dominique’s story, although baffled as to why anyone – no matter how intrepid – might want to explore/live in/broadcast on social media such a dangerous location!
The Arctic was – as I expected – magnificent. I loved the description of the people surviving in the inhospitable terrain, the darkness, the bitter cold, the maritime details of life in the North Sea (less keen on the actual whaling!) I thought the setting was great and gave the sense of claustrophobia even within the massive open spaces of Iceland.
And as for the ghost story – I did find it engaging and relatively credible. There were definite twists that I didn’t see coming and Cooke skilfully manipulates the reader’s sense of dread in seeing the mysterious female figure in the barren Arctic landscape. I did appreciate that the ghostly elements weren’t there for all-out horror, but something more subtle to do with shadows of the past. Indeed, the plotting was clever and the revelations kept me reading.
I should also mention that I listened to the audiobook which is narrated excellently by Lucy Goldie. I loved the fact that she has quite a strong Scottish accent which was perfect for the Scottish origins of the story and the associated mythology around selkies that feature in the novel.
This is an intriguing novel and one that kept me interested throughout. Some of it I found uncomfortable, but I loved the sense of setting and the fact that it kept me guessing to the end.
I received a free copy of the ebook from NetGalley for review. As always, opinions are entirely my own.
Welcome to my stop on the blog tour for this fabulous, uplifting, heartwarming book! Thanks to Random Things Tours and Unbound for my spot on the tour and also my copy of the book for review. As always, opinions are entirely my own.
From the Publisher:
It’s 1981 in the suburbs of Blackburn and, as Rafi’s mother reminds him daily, the family moved here from Pakistan to give him the best opportunities. But Rafi longs to follow his own path. Flamboyant, dramatic and musically gifted, he wants to be a Bollywood star.
Twenty years later, Rafi is flying home from Australia for his best friend’s wedding. He has everything he ever wanted: starring roles in musical theatre, the perfect boyfriend and freedom from expectation. But returning to Blackburn is the ultimate test: can he show his true self to his community?
Navigating family and identity from boyhood to adulthood, as well as the changing eras of ABBA, skinheads and urbanisation, Rafi must follow his heart to achieve his dreams.
My Review:
There was so much that drew me to this book – the word ‘uplifting’ in any blurb is always appealing, plus I loved the idea of a 1980s setting (not that I’m old enough to remember the 80s too well…!) The fact the book is published by Unbound was also very promising – I’ve loved all the books I’ve read from that publisher and often find their books fabulous quality, quirky and offbeat.
I wasn’t disappointed at all – this is a story of Rafi Aziz, the ‘northern boy’ growing up in 1980s Blackburn but dreaming of stardom. He’s talented, has the support of his lovely teacher Mr H and best friend Shazia – but, unfortunately, not his family. They think his Bollywood fascination is a phase and something he will outgrow, plus being a flamboyant kid in 1980s Blackburn isn’t exactly smoothing Rafi’s way at school. Especially as the dreaded Everton High School beckons…
The story starts 20 years after Rafi’s tricky school days with Rafi travelling back to the UK for Shazia’s wedding. He’s made a success of his life with musical theatre roles, a serious boyfriend and a happy existence in Australia where he has chosen to settle. Coming back to Blackburn forces Rafi to relive his past and face up to some unfinished family business.
The 2001 sections of the novel are great – Rafi travelling back to the UK, meeting up with friends and family, attending the wedding and sorting out the family stuff. However, the 1981 sections are just amazing – really evocative of a life growing up in a small community where everyone knows everyone else’s business. It’s a childhood of shared bedrooms and ‘Smash Hits’ and local news on TV, ‘Bunty’ and Jim Davidson and the man from the Milk Tray adverts. I may not have grown up northern, or a boy, or Pakistani, or a Bollywood wannabee, but – wow – was it relatable.
It’s also a vivid picture of the Pakistani community in Blackburn – I really loved the descriptions of the cultural elements (the food, the clothes, the Bollywood films) alongside the trappings of a 1980s British childhood. There are some brilliant characters in there too – Shazia is a bit of a force of nature, Rafi’s siblings prove problematic at times (as with all siblings!) and Mrs Kappor is wonderfully opinionated. Rafi’s mother is also subtly portrayed, at once evoking sympathy and something much less positive as the novel progresses.
I always worry that novels like this are going to prove a bit too ‘gritty’ for me, but that isn’t the case here. While bad things do happen and Rafi has a tough time, the overwhelming feeling from the novel is heartwarming. It’s genuinely uplifting and funny and sweet and I recommend it wholeheartedly.
About the Author:
Iqbal Hussain is a writer from Blackburn, Lancashire and he lives in London. His work appears in various anthologies and on websites including The Willowherb Review, The Hopper and caughtbytheriver. He is a recipient of the inaugural London Writers’ Awards 2018 and he won Gold in the Creative Future Writers’ Awards 2019. In 2022, he won first prize in Writing Magazine’s Grand Flash competition and was joint runner-up in the Evening Standard Short Story Competition. In 2023, his story ‘I’ll Never Be Young Again’ won first prize in the Fowey Festival of Arts and Literature short story competition. He was also Highly Commended in the Emerging Writer Award from The Bridge Award. Northern Boy is his first novel.
