Ahhh, so I know there’s a lot of fuss about Nicholls’ ‘One Day’ at the moment because of the Netflix series, but that’s not what brought me to this book. I absolutely loved Nicholls’ ‘Starter for Ten’ (great book, lovely film) and hoped for more of the same.
I can confirm that ‘You Are Here’ is also a great book. Thanks to NetGalley for my review copy.
This book alternates chapters told by Marnie (long term single and lonely Londoner) and Michael (getting divorced, keen walker and countryside-lover). They’re brought together by a mutual friend on a loooooong walk across the Lake District and then – who knows? – maybe even over to the opposite coast. The epic journey starts with a group of unlikely walkers setting off from the west coast of the UK with accommodation booked along the way. The weather isn’t great, the walkers aren’t all very keen, and gradually the numbers dwindle – allowing new friendships to be built between unlikely characters.
Thanks to Random Things Tours for inviting me onto the blog tour and for my copy of this beautiful book for review – as always, opinions are entirely my own.
From the Publisher:
A dazzlingly illustrated collection presenting the extraordinary life stories of fourteen bright stars from Black British history, from Tudor England to modern Britain.
Brought to life through hand-painted illustrations by award-winning illustrator Angela Vives, this important and timely book from author and educator J. T. Williams brings the lives of fourteen shining stars from Black British History into the spotlight, celebrating their remarkable achievements and contributions to the arts, medicine, politics, sport and beyond.
Featuring a constellation of iconic individuals – including storytelling freedom fighter Mary Prince, football star and World War I soldier Walter Tull, and Notting Hill Carnival founder Claudia Jones – ‘Bright Stars of Black British History’ shines a light on the courage, resilience and talent of remarkable individuals who have left a lasting mark on our collective history.
Having thoroughly enjoyed John Carey’s ‘A Little History of Poetry’, I was pleased to be given an advance copy of ‘100 Poets: A Little Anthology’ for review. Thanks to NetGalley and Yale University Press for my book – opinions, as always, are entirely my own.
Welcome to my stop on the blog tour for ‘Cut From The Same Cloth’, a fascinating collection of Muslim women’s writing about their experiences of life in Britain.
With thanks to Random Things Tours for my copy of the book in exchange for an honest review.
From the Publisher:
● Perceived as the visual representation of Islam, hijab-wearing Muslim women are often harangued at work, at home and in public life yet are rarely afforded a platform to speak on their own terms.
● From modern pop culture to anti-Blackness, faith and family, politics, education, creativity and working life; Cut From The Same Cloth? Is an anthology which gives visibly Muslim women creatives a space to speak to the matters that mean most to them.
Do you wear that at home? Where are you really from? Does he make you wear that? Do you support acts of terror? Do you believe in ‘British values’? Can I see your hair? Do you have equality? Are you hot in that? Can you be a feminist? Why don’t you just take it off? Do you wear that in the shower? Are you oppressed?
Whether it’s awkward questions, radical commentators sensationalising their existence, non-Muslims and non-hijabis making assumptions, men speaking on their behalf, or tired stereotypes being perpetuated by the same old faces: hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in their favour, with the space to offer honest insight into the issues that really affect their lives.
Here, twenty-one middle and working class contributors of all ages and races look beyond the tired tropes, exploring the breadth of their experiences and spirituality. It’s time we, as a society, stopped the hijab-splaining and listened to the people who know.
It’s time for change.
My Review:
Having just read ‘The Seven Necessary Sins of Women and Girls’ by Mona Eltahawy, leading Egyptian/US feminist (review here), I was intrigued by her discussion of intersectional feminism and her Muslim faith. Therefore, I jumped at the chance to read this collection of essays by Muslim women which focuses more on Britain than Eltahawy’s (excellent) book.
The essays are very wide-ranging and discuss an array of topics important to Muslim women living in Britain today. The writers each give their unique takes on issues from their own individual experiences – and the results are as varied and fascinating as you would expect.
From reading about how Covid-19 has impacted one woman’s experience of Ramadhan, to discussions on modesty, Muslim motherhood and witnessing the tragedy of Grenfell, this is a collection of essays that are continually engaging and thought-provoking.
As the essays are so wide-ranging, it is difficult to review the overall collection in a meaningful way. However, for me, the most eye-opening pieces of writing were those that catalogued actual lived experiences. The eye-witness account of Grenfell was heartbreaking to read and it was genuinely shocking to hear about the racist treatment of Black African Muslim women in Britain. The concept of misogynoir – the fact that Black women face a double oppression based on their gender and race – really came into sharp focus.
I’ll admit to (shamefully) not knowing much about Islam, so it was enlightening for me to be able to understand more about how religion impacts women’s lives. I didn’t always understand the choices that the women made – as a white, non-faith Brit, this was outside of my own experiences – but it was always interesting to see how other British women live their lives.
It is important to note that this isn’t a book to explain or justify choices made by Muslim women – one of the early essays states absolutely correctly that ‘I am not an essay to show your friend “what Muslims think about X”.’ Instead, the essays were as unique as the women themselves and I loved them.
I’d recommend this anthology to anyone interested in women’s lives and experiences in 21st century Britain. There is some levity and humour, but mainly the collection highlights the difficulties and challenges that Muslim women navigate every day – the Islamophobia, the misogyny, the racism – and it is a powerful book.
About the Editor:
Sabeena is a writer, editor and the Festival Coordinator of Bare Lit, the UK’s principal festival celebrating remarkable writers in the diaspora. She is also the co-founder of the Primadonna Festival which spotlights the work of women writers, and of Bare Lit Kids. She will be available for events around publication, and can be found tweeting at @pocobookreader
Regular visitors to the blog will know that I’m pretty obsessed with historical and crime fiction.
This is neither.
However, I found myself absolutely caught up in this funny, charming and surprisingly gory book! This was one of my surprise five star reads of the year so far and has the misfortune to be published on the busiest day of the year for publishing when it will be up against some big names.
So I’m here to champion this one.
This book was an absolute breath of fresh air! I’ve seen it compared to ‘True Blood’ which I can understand in terms of the subject matter and the feisty heroine, but I think this is something different again.
The fact that the main character, Lavington Windsor, has powers of her own as a necromancer and the (rather British) humour in the book make this an engaging and unusual read even compared to the Sookie Stackhouse series.
The novel follows necromancer Lavington as she leads a dual life: estate agent by day, raising the occupants of the local cemeteries by night. Even before she gets involved with vampires, or more specifically the gorgeous Oscar, her life is pretty odd. Once she gets caught up in finding vampire real estate and a romance with Oscar, her life takes a dangerous turn.
What makes this book unusual is that it looks like a cosy read but is actually far from; the sex and violence is actually quite explicit and surprising, although it fits perfectly in the book. The humour is also a nice surprise and I found myself being pleasantly pulled along by Lavington’s narrative voice.
In addition, the plot is pacey and there is a lot going on – a second book is definitely needed to iron out some of the plot strands! However, if it is anything like this book, a second book will be eagerly awaited.
I should reiterate that this really is not my usual genre of choice so it has really won me over! Highly recommended.
I received a free copy of the book from NetGalley in return for an honest review.
If you want your own copy of Lavington’s adventures, the link is below. The Quick and The Read may earn commission on purchases at no extra cost to you.
Header photo with thanks to Ganapathy Kumar for sharing their work on Unsplash.
Published towards the end of 2019, this is my review of book 4 in the Wyndham and Banerjee series. As I promised in my review, I’ve caught up the missed books and absolutely love this series!
I don't know why it took me so long to pick up this book! Now I've read it - the fourth in the series featuring Captain Sam Wyndham and his Sergeant, Surrender-Not Banerjee - I've fallen in love with the series and shall immediately be making up for lost time with the other books. Although it would have been good to read these in order, I didn't feel that I was disadvantaged by reading this one first - it works as a standalone, I think.
At the start of this book, Captain Sam Wyndham of the Calcutta Police is in a state - he is an opium addict who is taking himself off to an ashram in rural India in order to break his addiction through a frankly barbaric vomiting cure. It's 1922 and the story mostly covers Wyndham's experiences at the retreat and then afterwards in a neighbouring town where he gets embroiled in investigating a crime. However, the story is also partially set in 1905 in Whitechapel in the East End of London where a young Sam Wyndham, a new Metropolitan police officer, is involved in solving a crime that has echoes and repercussions for him later in India.
I really loved the Indian setting of this book - it seemed at once exotic and interesting, but there was also a sense of the simmering resentments around the British Raj which added a frisson of danger to the proceedings. It was interesting to see the white privilege in action in the way that Wyndham was treated very differently to Banerjee in the expat community, even though Banerjee was meant to be the main investigating officer at one point. The characters are well drawn and I cannot wait to get into the other books to find out more about Banerjee in particular as he does not feature heavily here. There's clever plotting, peril and vibrant description - what more could you want?! My only quibble was that I solved the murder and worked out the method well ahead of poor Captain Wyndham, but when the novel is so beautifully written as this then that really doesn't matter.
Overall, this is an excellent historical crime novel with real depth and interest. I would recommend it wholeheartedly to anyone who enjoys this genre or who wants more insight into the British Raj in India - it certainly is an eye-opener on this front!
I received a free copy of the book from NetGalley in return for an honest review.
