Welcome to my stop on the blog tour for ‘The Affair’ by Hilary Boyd.
Thanks to Sarah Harwood and Penguin Random House for my copy of the book and invitation to join the blog tour. This hasn’t influenced my review at all – opinions are entirely my own, as usual!
I expected this book to be a psychological thriller…lots of lies and deception, twists and turns, tense and sinister events. You know the score.
Thanks to Random Things Tours and Harper for inviting me on this blog tour and for my copy of the book in exchange for an honest review.
This book was published on 5th August.
From the Publisher:
The year is 1953, and Simon Putnam, a recent Harvard graduate, has landed an editorial role at a distinguished New York City publisher. Thrust into a glittering world of martini lunches, exclusive literary salons, and old-money aristocrats in exquisitely tailored suits, Simon finds himself a far cry from his loving, middle-class Jewish family in Coney Island. But Simon’s first assignment—editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg, a potboiler intended to shore up the firm’s failing finances—makes him question the cost of admission. Because Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg’s. Indeed, his parents mourn Ethel’s death.
THE VIXEN is the latest novel from critically acclaimed, bestselling author Francine Prose. “A rollicking trickster of a novel, wondrously funny and wickedly addictive,” lauds Maria Semple, Simon’s dilemma grows thornier when he meets The Vixen’s author, the beautiful, reckless, seductive Anya Partridge, ensconced in her opium-scented boudoir in a luxury Hudson River mental asylum. The assignment leads him in strange and sinister directions, his naivety often exploited by bad actors and power players. As deception abounds, as the confluence of sex, money, politics and power spirals out of Simon’s control, he must face what he’s lost by exchanging the safety of his parents’ apartment for the witty, whiskey-soaked orbit of his charismatic boss, the legendary Warren Landry. Gradually Simon realizes that the people around him are not what they seem, that everyone is keeping secrets, that ordinary events may conceal a diabolical plot – and yet, that these crises may steer him toward a brighter future.
THE VIXEN rewards its reader with an eminently satisfying conclusion. It is the sort of work most needed right now. At once domestic and political, contemporary and historic, funny and heart-breaking, the novel illuminates a period of history with eerily striking similarities to the current moment. Meanwhile it asks timeless questions: How do we balance ambition and conscience? What do social mobility and cultural assimilation require us to sacrifice? How do we develop an authentic self, discover a vocation, and learn to live with the mysteries of life and loss?
Deeply researched, with such broad considerations and hefty socio-political themes, a work of this sort might find itself weighed down by its own ideas. But in Prose’s able hands, THE VIXEN is dazzling and energetic. She opts, instead, for something at once more sly and more accessible, using the historical premise as a vehicle to tell a universally resonant story of love, self-discovery, and family. Like those accused of Communism across America in the 1950s, Simon Putnam is after, most of all, the right to define himself.
My Review:
It was the setting that drew me to this book – 1950s New York sounded impossibly glamorous, even if our central character grew up in the less salubrious Coney Island in the shadow of the amusement park. Throw in the world of publishing and I’m in!
This is the story of Simon Putnam, the Harvard graduate whose education has not prepared him at all for real life. Nepotism lands him a publishing job, but it soon becomes clear that Simon is very much out of his depth. He finds the book he has been given to edit morally dubious – it is capitalising on the deaths of the Rosenbergs while being heralded as the book that will change the fortunes of the struggling publishing house.
When Simon meets (and becomes involved in a relationship of sorts) with the novel’s author, Anya, he struggles even more with the morals of what he is being asked to do – especially as he knows that his parents would be horrified with his choices. However, this turns out to be merely the start of his troubles…
Simon is an engaging and quite relatable narrator. All at once, we see the dilemmas he faces – the desire to do right by his parents, his lust for Anya, his ambitions and attempt at professionalism. He really is caught in an impossible situation whereby the ‘right’ (moral) course of action runs counter to everything else – and would lose him his job and whatever he has going with Anya. His perspective is presented with humour and his narrative voice is lively.
This novel is really at its best when it explores the morality of Simon’s decisions in detail. Indeed, his tiptoeing around the situation is very credible and engaging. I found that I enjoyed this a lot more than the later parts of the novel which seemed (to me) a bit harder to believe.
The setting was hugely appealing for me. Although I didn’t know much about the Rosenberg trial and execution, I loved that this novel sheds light on this shocking and brutal episode in America’s history. The glamorous world of New York’s publishing scene in the 1950s is also well-presented. On the one hand there is decadence and glitz, but on the other we see Simon desperately calculating what he can afford to buy on restaurant menus.
Overall, I’d say this is a hugely readable and enjoyable novel that plays around with ideas of morality – not only personal, but also the moral choices made by the government of a nation. It’s incredibly well-researched, beautifully written and draws the reader into Simon’s world with ease. If you wanted to spend a few hours in 1950s New York, this would be a great choice for you!
About the Author:
Francine Prose is the author of twenty-one works of fiction including, the highly acclaimed Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honours, including a Guggenheim and a Fulbright, a Director’s Fellow at the Centre for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Centre, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She is a Distinguished Writer in Residence at Bard College.
Welcome to my stop on the blog tour for ‘The Black Dress’ by Deborah Moggach.
Thanks to Random Things Tours and Headline/Tinder Press for having me on the tour and for my copy of the book in exchange for an honest review.
This book was published on 22nd July, 2021.
From the Publisher:
From the ‘Sunday Times’ bestselling author of ‘The Carer’, Deborah Moggach’s ‘The Black Dress’ is a beautifully observed, darkly funny, tender and surprising novel about life changes and the unexpected twists and pleasures of being alone.
Pru is on her own. But then, so are plenty of other people. And while the loneliness can be overwhelming, surely she’ll find a party somewhere?
Pru’s husband has walked out, leaving her alone to contemplate her future. She’s missing not so much him, but the life they once had – picnicking on the beach with small children, laughing together, nestling up like spoons in the cutlery drawer as they sleep. Now there’s just a dip on one side of the bed and no-one to fill it.
In a daze, Pru goes off to a friend’s funeral. Usual old hymns, words of praise and a eulogy but…it doesn’t sound like the friend Pru knew. And it isn’t. She’s gone to the wrong service. Everyone was very welcoming, it was – oddly – a laugh, and more excitement than she’s had for ages. So she buys a little black dress in a charity shop and thinks, now I’m all set, why not go to another? I mean, people don’t want to make a scene at a funeral, do they? No-one will challenge her – and what harm can it do?
My Review:
I’d not read a Deborah Moggach book before this one – but I’d heard good things and was keen to dive in. In particular, I liked the quite dark and interesting storyline of this book and was intrigued…
The central character in this book, Pru, finds herself suddenly alone at the age of 69. Although she doesn’t really miss her husband, she misses the security of coupledom a bit. Buoyed by her friend Azra, Pru begins her search for a new man – a search which takes a rather unconventional turn when Pru finds herself at a funeral and spots the potential of new widowers as an untapped target market.
Although the idea of preying on newly-single men at their wives’ funerals is dark and shocking, it becomes something much more interesting in Moggach’s skilled hands. Pru is given such an emotional depth through her first person narration that the reader can instead read her desperation with poignancy. She may make odd decisions, but actually it all makes sense in the context of the novel and the things she faces.
Ah, yes, the things Pru faces! This is a novel that is constantly surprising and revelatory – there are some big turns in the book which I don’t want to go into (no spoilers here!) However, suffice it to say that this isn’t a gentle book about the older generation’s search for love. Moggach is never that predictable and Pru has a lot to bear – including some real shockers!
I liked Pru a lot as a central character – it was refreshing to read about an older character with the possibility of a new beginning, although I should have expected this from the author of the book that became ‘The Best Exotic Marigold Hotel’. The novel is essentially a snapshot of a woman at a vulnerable but also potentially exciting point in her life.
Along the way, we meet a whole cast of well-developed and intersting characters, all flawed in their own ways. Evan is one that really stuck with me – the depiction of him reeling from his wife’s death is heartbreaking. Azra is also a fascinating character, maybe not all for good reasons – she is written with vim and vibrancy and almost jumps off the page.
I thoroughly enjoyed this novel and read it in one sitting during the July heatwave. I felt that it had emotional interest and humour, but also a clever plot structure that made me feel that I was on constantly shifting ground. There is honestly never a dull moment. I also liked the fact that a book ostensibly about finding a man also focused extensively on female friendship and the love of family too.
I’d recommend this to anyone looking for an immersive and engaging read. Once you get sucked into Pru’s world, as crazy as it is at times, you won’t want to leave – and you won’t put the book down until you have finished Pru’s journey.
About the Author:
Deborah Moggach, OBE, is a British novelist and an award-winning screenwriter. She has written twenty novels, including ‘Tulip Fever’, ‘These Foolish Things’ (which became the bestselling novel and film ‘The Best Exotic Marigold Hotel’), and ‘The Carer’. She lives in London.
Welcome to my stop on the tour for this quirky and engaging book – I’m the last stop on the tour but make sure you check out the other reviews too!
Thanks to Helen Richardson and Salt Publishing for my copy of this book in exchange for an honest review.
From the Publisher:
A mix of memoir and narrative non-fiction, ‘White Spines’ is a book about Nicholas Royle’s passion for Picador’s fiction and non-fiction publishing from the 1970s to the end of the 1990s, when the publisher stopped its commitment to the distinctive white spine with black lettering.
‘White Spines’ explores thebookshops and charity shops, the books themselves, and the way a unique collection grew and became a literary obsession. Above all, it is a love song to books, writers and writing.
My Review:
I think most book bloggers and enthusiasts have some insight into what it is like to have a book obsession. Whether it is a passion for a particular author, the desire to collect the whole series or a burning desire to line up those beautiful sprayed-edged special edition hardbacks, we’ve all been there!
I thought I was obsessive – and then I picked up this book and realised I am an amateur!
In this book, Nicholas Royle documents the process of collecting his extensive collection of white-spined Picador books. Published between the 1970s and 1990s, these have a distinctive look and part of Royle’s collection can be seen in his author photo below – impressive! It’s quite lovely that Salt Publishing have used the same look and feel for their paperback editions of ‘White Spines’.
However, this book is about so much more than just collecting books. Yes, there’s a lot of documenting where and when books are added to the collection (not just Picador – there are several secondary collections also on the go!) – especially as Royle doesn’t use the internet to add to his collection, but instead frequents charity and second-hand bookshops across the UK.
Alongside this are conversations overheard in bookshops, bookish dreams had by the writer, stories from Royle’s experiences in writing and publishing…it’s a quirky and lively read that can move seamlessly from an anecdote about a writer (and Royle seems to know them all) to a bookshop review, from a meditation on book cover art to Royle’s own writing experiences.
I’ll admit to having read shamefully few of Royle’s precious Picadors, but it was great to read about the little highs and joys of being a book collector. I also loved that Royle isn’t in the market for pristine editions – copies that have a history, an inscription or inclusions (often bookmarks) such as tickets or letters hold more interest. I get it!
Royle is a charming, witty and engaging narrator throughout this book – although I’m not totally in agreement with him on the subjects of Kathy Lette and Southend-on-Sea! Reading this is like a chat with an extremely knowledgeable, well-read, but sometimes-slightly-random friend – and I’d recommend it for anyone who loves books about books.
On another note, I was also very impressed that Royle can read and walk at the same time. I feel I have been wasting my life by missing all that reading time!
About the Author:
NICHOLAS ROYLE is the author of four short story collections – ‘Mortality’, ‘Ornithology’, ‘The Dummy and Other Uncanny Stories’ and ‘London Gothic’ – and seven novels, including ‘Counterparts’, ‘Antwerp’ and ‘First Novel’. He has edited more than twenty anthologies and is series editor of ‘Best British Short Stories’. He runs Nightjar Press, which publishes original short stories as signed, numbered chapbooks, and is head judge of the Manchester Fiction Prize. His English translation of Vincent de Swarte’s 1998 novel ‘Pharricide’ is published by Confingo Publishing. He lives between London and Manchester and teaches creative writing at Manchester Metropolitan University.
For more information visit: @NicholasRoyle http://www.nicholasroyle.com/
I love historical fiction and so jumped at the chance to read this book, set in Edwardian England. Thank you to NetGalley and Annabel Fielding for the copy of the book in exchange for an honest review, plus the chance to join the blog tour.
I’ve been with Arrowood from the start of the series so I knew just what to expect in this fourth instalment – a fiendish mystery, grimy Victorian London and some great characters. Thanks to Mick Finlay and HQ for my copy of this book in exchange for an honest review, plus the invitation to join the blog tour.
It is my stop on the blog tour for ‘A Cut for a Cut’, the second book in the series to feature DI Kate Young. I loved the first book and so couldn’t wait to read this one!
Thanks to Damp Pebbles for inviting me on the blog tour and for my copy of the book in exchange for an honest review.
This book is out now! It was published on 29th June, 2021 by Thomas & Mercer.
Welcome to my stop on the blog tour for ‘Cut From The Same Cloth’, a fascinating collection of Muslim women’s writing about their experiences of life in Britain.
With thanks to Random Things Tours for my copy of the book in exchange for an honest review.
From the Publisher:
● Perceived as the visual representation of Islam, hijab-wearing Muslim women are often harangued at work, at home and in public life yet are rarely afforded a platform to speak on their own terms.
● From modern pop culture to anti-Blackness, faith and family, politics, education, creativity and working life; Cut From The Same Cloth? Is an anthology which gives visibly Muslim women creatives a space to speak to the matters that mean most to them.
Do you wear that at home? Where are you really from? Does he make you wear that? Do you support acts of terror? Do you believe in ‘British values’? Can I see your hair? Do you have equality? Are you hot in that? Can you be a feminist? Why don’t you just take it off? Do you wear that in the shower? Are you oppressed?
Whether it’s awkward questions, radical commentators sensationalising their existence, non-Muslims and non-hijabis making assumptions, men speaking on their behalf, or tired stereotypes being perpetuated by the same old faces: hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in their favour, with the space to offer honest insight into the issues that really affect their lives.
Here, twenty-one middle and working class contributors of all ages and races look beyond the tired tropes, exploring the breadth of their experiences and spirituality. It’s time we, as a society, stopped the hijab-splaining and listened to the people who know.
It’s time for change.
My Review:
Having just read ‘The Seven Necessary Sins of Women and Girls’ by Mona Eltahawy, leading Egyptian/US feminist (review here), I was intrigued by her discussion of intersectional feminism and her Muslim faith. Therefore, I jumped at the chance to read this collection of essays by Muslim women which focuses more on Britain than Eltahawy’s (excellent) book.
The essays are very wide-ranging and discuss an array of topics important to Muslim women living in Britain today. The writers each give their unique takes on issues from their own individual experiences – and the results are as varied and fascinating as you would expect.
From reading about how Covid-19 has impacted one woman’s experience of Ramadhan, to discussions on modesty, Muslim motherhood and witnessing the tragedy of Grenfell, this is a collection of essays that are continually engaging and thought-provoking.
As the essays are so wide-ranging, it is difficult to review the overall collection in a meaningful way. However, for me, the most eye-opening pieces of writing were those that catalogued actual lived experiences. The eye-witness account of Grenfell was heartbreaking to read and it was genuinely shocking to hear about the racist treatment of Black African Muslim women in Britain. The concept of misogynoir – the fact that Black women face a double oppression based on their gender and race – really came into sharp focus.
I’ll admit to (shamefully) not knowing much about Islam, so it was enlightening for me to be able to understand more about how religion impacts women’s lives. I didn’t always understand the choices that the women made – as a white, non-faith Brit, this was outside of my own experiences – but it was always interesting to see how other British women live their lives.
It is important to note that this isn’t a book to explain or justify choices made by Muslim women – one of the early essays states absolutely correctly that ‘I am not an essay to show your friend “what Muslims think about X”.’ Instead, the essays were as unique as the women themselves and I loved them.
I’d recommend this anthology to anyone interested in women’s lives and experiences in 21st century Britain. There is some levity and humour, but mainly the collection highlights the difficulties and challenges that Muslim women navigate every day – the Islamophobia, the misogyny, the racism – and it is a powerful book.
About the Editor:
Sabeena is a writer, editor and the Festival Coordinator of Bare Lit, the UK’s principal festival celebrating remarkable writers in the diaspora. She is also the co-founder of the Primadonna Festival which spotlights the work of women writers, and of Bare Lit Kids. She will be available for events around publication, and can be found tweeting at @pocobookreader