Another book that I’m shamefully late in reading – but very glad that I did.
Thanks to NetGalley for my copy in exchange for an honest review – I also bought a copy of the audiobook from Audible and so my review reflects my experiences of both.
This book centres on Mecklenburgh Square, an address in Bloomsbury, London that was home to five groundbreaking and fascinating women during the interwar years. It’s an interesting idea, that this little corner of London famous for its thinkers and writers, was the shared address of these brilliant women – even though they didn’t live there at the same time and were often resident at very different points in their lives. For all of them, Mecklenburgh Square proved to be the ‘room of one’s own’ (in Virgina Woolf’s words) that gave the women the freedom to develop their careers independently.
Welcome to my stop on the blog tour for ‘The Language of Food’ by Annabel Abbs, a fabulous historical novel out on 3rd February, 2022.
Thanks to Random Things Tours and Simon and Schuster for my place on the tour and my copy of the book for review. As always, opinions are entirely my own.
I love Jilly Cooper – her Rutshire Chronicles were pretty much my constant companions throughout my teens and twenties – and was so pleased to be granted access to read this collection of her journalism. Thanks to NetGalley and the publisher for my copy in exchange for an honest review.
The book features a selection of Cooper’s journalism covering the period she wrote columns for The Times (roughly from the end of the 1960s to the early 1980s). As expected from Cooper, it features meditations on sex – the raunchy nature of her fiction books is well-known – but also mid-life, family, pets, domesticity, relationships and plenty more. It is also packed with humour – there’s lots of self-deprecation, witty turns of phrase, puns and plenty of Cooper’s ability to see the ridiculous in situations.
Having thoroughly enjoyed John Carey’s ‘A Little History of Poetry’, I was pleased to be given an advance copy of ‘100 Poets: A Little Anthology’ for review. Thanks to NetGalley and Yale University Press for my book – opinions, as always, are entirely my own.
I’ll admit I perhaps didn’t come to this book for the most obvious reason. I didn’t actually know anything about Barbara Pym or her books, but have read and enjoyed several biographies by Paula Byrne and so was keen to read this. I’m grateful to NetGalley and Fourth Estate Books for my copy of her latest book in exchange for an honest review.
Something a bit different for me today – an audiobook!
I’ll admit to not always getting on brilliantly with audiobooks at times in the past, but I really couldn’t resist the sound of this one after I saw Polly Samson read sections of it during a Hay Festival online event. I found she had a really soothing voice and I was intrigued by the story that she described, plus the fact that she had written music to accompany the novel with her husband, Dave Gilmour.
The story is told by a fictional character, Erica, who arrives on the Greek island of Hydra in 1960. Her mother has died and she is visiting her mother’s friend, Charmian Clift, who lives on the island with her husband, George Johnston (a writer) and their children. Erica arrives with her boyfriend, Jimmy, and what follows is a glorious time in which Erica learns about love, loss, her mother’s past, art and writing.
Erica’s time on Hydra introduces us to a massive cast of characters, some of whom were real people – including Charmian and George, Leonard Cohen, Axel Jensen and Marianne Ihlen. This is one book where you will be constantly googling the people to find out the reality behind the fiction! The only issue I had was the fact that the novel serves us with a massive cast and I couldn’t always remember who was who!
One of the main stars of the novel is Hydra itself and the reader is treated to the sun-soaked, heady, irresistible charms of the island throughout. It sounds like a beautiful place and absolutely perfect for this tale of 1960s free spirits in what was essentially a big artistic community of expats.
Another draw for the novel is Charmian Clift herself who becomes a mother-figure to Erica but is hiding her own secrets. Indeed, it is Erica’s relationship with Charmian that drives a lot of the narrative, so it was no surprise to learn that it was Charmian’s own writing that led Polly Samson to write this book.
I think this is a novel definitely enhanced by the audiobook format. It was lovely to hear Polly Samson read the book as I got a real sense of how she imagined the characters to speak. I also thought that the little musical interludes between chapters and the song at the end enhanced the narrative – it gave more of a taste of the time and music and added depth to the novel. As already mentioned, Polly Samson’s voice is extremely relaxing to listen to and I really enjoyed being caught up in her world of artists, poets and novelists on Hydra as related to me in her hypnotic voice! Although I found the narrative a bit sprawling and long in places, I found I enjoyed the way it was presented.
I would highly recommend this audiobook – it really does offer more than just an audio recording of the novel and I liked the story of the intertwined lives and the lasting impact of the events of 1960.
With thanks to NetGalley who gave me a copy of the audiobook in return for an honest review.
If you’d like to buy a copy, the Amazon link is below – I may receive commission on any purchases at no extra cost to you (excellent!)
Header image with thanks to Dominik Gawlik for sharing their work on Unsplash.
The shortlist for the Comedy Women in Print Prize 2020 was recently announced. As humorous books are definitely my thing, I was quite heartened to see many of my own reading choices on there.
With this in mind, I thought it would be timely to revisit some of these funny and joyous novels, starting with ‘Frankissstein’ by Jeanette Winterson.
My Review
I really wasn’t sure what to expect from this and was actually in two minds about requesting it for review – although I like Jeanette Winterson’s writing and am intrigued by Mary Shelley as a writer, I was less sure about the modernisation of ‘Frankenstein’ as a story about artificial intelligence and the future of extending human consciousness after death. I thought it might be a lot about medical morality and a bit unbelievable.
I was wrong to doubt Winterson. She has created a fascinating novel which is actually hard to describe in a way that does it justice. Partly it’s a kind of revisiting of ‘Frankenstein’ in the modern day with a trans doctor grappling with the implications of extending life (in some form, maybe brain activity separate from bodily function) while also encountering advances made in robotics and artificial intelligence. Entertwined with this is the story of Mary Shelley and her life, especially the period in which she was writing the original ‘Frankenstein’ novel.
However, this dual narrative description doesn’t really cover the intricacies of the book where fictional characters start to collide with historical ones, big ideas are explored and the reader is left with plenty of food for thought. What makes this book quite astounding though is the extent of what Winterson has crammed in: Brexit digs, literary references, humour (Ron Lord is grotesquely, hilariously awful), scientific theory, ideas about gender and identity, vivid description and comments on modern society and attitudes to change. I still don’t think I’ve managed to cover everything from this extraordinary book, and I’m also very aware that I’ll continue to make connections and think about this novel long after I have put it down.
I’d recommend this to anyone looking for a thought-provoking read that also manages to be wildly entertaining and full of wry humour. The ideas presented might be big and scary and complex, but the way they are written is just brilliant.
I received a free copy of the novel from NetGalley in return for an honest review.
Header photo with thanks to Laura Chouette for sharing their work on Unsplash.