Happy publication day to this lovely Sapphic Regency romance!
After reading Ratcliffe’s ‘The Secret of Matterdale Hall’, I was delighted to be asked to read and review this book. Thanks to Bellows Press for my review copy – as always, opinions are entirely my own.
This novel centres on American Louisa Silverton, the daughter of a wealthy businessman whose investments aren’t looking too healthy. To secure the family fortune, Louisa is sent to England to make a lucrative marriage. However, rich men – especially those who are prepared to take a risk on an American with iffy finances – turn out to be a bit thin on the ground. Instead, Louisa finds herself caught up with the Davenport family who own the extensive but struggling Kenilborough estate – and, in particular, the Honorable Miss Sarah Davenport. Sarah is unconventional, headstrong and fighting for her family’s future. Can either Sarah or Louisa afford to risk their families’ futures for love?
I loved the sound of this book – I was especially drawn to the idea of a young woman grifting her way around glamorous Long Island during a hot summer (given that I’m living a chilly and distinctly non-glamorous British springtime!) Thanks to NetGalley for my copy in exchange for an honest review.
I’ve got a bit of a confession here. I know I like Ruth Ware’s books but I’d kind of…put this one off. The title made me think it was going to be about wealthy people living Instagrammable lives – not that I have a problem with that at all, but I kind of need to be in the right mood.
I was wrong and should have read the blurb.
This book is actually about a murder at a fictitious Oxford University college. It centres on Hannah and the ‘before’ and ‘after’ of her discovery of the body of her roommate, April, in their shared rooms. April is the ‘It Girl’ of the novel’s title, bringing champagne, designer clothes and luxury furniture to their digs, but this is much more the story of a friendship group and a university experience gone tragically wrong.
I was looking for something immersive, tense and action-packed to keep me turning the pages. I definitely found it in ‘A Stranger on Board’, and was just sorry that I didn’t pick this up before now.
The plot follows Sarah, an ex-Royal Marine suffering from PTSD and trying to carve out a career for herself as a security expert after leaving the Navy. She is persuaded to join the crew of ‘The Escape’, a luxury superyacht being moved from Spain to the Caribbean at the request of the mysterious owner. However, once they leave the relative safety and calm seas of the Mediterranean, Sarah soon learns that this voyage will not be the cushy job she thought. As the conditions on the open Atlantic worsen, the crew suffer a series of setbacks which suggest that this journey will have a tragic end for them all – one orchestrated by someone in their midst.
Welcome to my stop on the blog tour for ‘The Glorious Guinness Girls’ by Emily Hourican, a fascinating insight into the daughters of the famed Irish family.
With thanks to the publisher, Headline, for providing a copy of this book in exchange for an honest review.
The main draw for this book was the period of history it covers – primarily the 1920s. Throw in some glitz and glamour, some high society sisters from the famous brewing dynasty, lots of Bright Young Things and raucous parties and I was absolutely sold!
This book fictionalises the story of the Glorious Guinness Girls – three sisters from Ireland who were celebrated in the contemporary media for being beautiful, privileged and eminently newsworthy. They were the daughters of Ernest and Cloe Guinness and raised in wealth and luxury in Glenmaroon until the events of the Irish Civil War became a little too close to home. They then embarked on a round the world yacht trip before settling in London where the girls were ‘brought out’ as debutantes and attended some pretty wild-sounding parties.
The story is told from the point of view of a fictional cousin of the Guinness Girls, Fliss, who is invited to live with the family and so is witness to the girls’ lives in the twelve year period that the book covers. Although she lives alongside the family, it is clear that she isn’t one of them – she is not invited on the yacht trip and instead becomes a kind of companion to Cloe and chaperone figure for the girls, even though she is a similar age to them. Fliss’ narrative covers mainly her time with the family in the 1920s, although we also see her as an older woman revisiting the former Guinness estate that has now been turned over to a religious order.
I’ll admit to being unsure how this book would work – particularly how the mixture of fact and fiction would work. In fact, the story is beautifully presented and engaging, although it is slightly ironic that the character we get the most vivid sense of is Fliss, the fictional one. This isn’t really surprising though, as her personal story – including her relationship with her brother, Hughie, who is caught up in the Irish Civil War – is really the heart of this book.
Of the three Guinness Girls (Aileen, Maureen and Oonagh), the one developed the most as a fully rounded character is Maureen, so it came as no surprise to me to read the author’s note at the end of the book which explained that one of her main sources was someone who knew Maureen best. Indeed, Maureen is vividly rendered as someone who is quite spiky and willing to test the boundaries of her sheltered life – it is a clever device to place Fliss as being a similar age to her and so sharing her experiences most closely. Aileen, the eldest, is probably the most mysterious of the three, while Oonagh (the baby of the family) is mostly sweet and spends most of her time on childish pursuits.
I thoroughly enjoyed the story of the Guinness Girls as I followed them from the volatility of the Irish situation to the glamour of the Roaring 20s in London. It was really interesting to see the ways that their wealth protected them from the political situation up until the point they could no longer ignore the reality of what was happening on their doorstep. I also loved how the author presented the fact that the traditions of the aristocracy were slowly dying in the youth revolution of the 1920s – to be young and free and living life to the full was the most important thing and Maureen embodies this.
Obviously, this presents a narrow view of what life in the 1920s was like, but it is an exhilarating experience to be carried along with the beautiful people as they partied like it was 1929 (pre-Wall Street crash, of course!) The blending of historical figures with the fictional ones was also engaging – it was lovely to ‘see’ Nancy Mitford, Evelyn Waugh and Brian Howard among others.
This book left me desperate to learn more about the Guinness Girls – all of whom had absolutely fascinating lives after the period of this book. In many ways, I really wanted this book to be more fact and less fiction – the historical figures are interesting in their own right and Fliss’ story is perhaps less compelling than the other elements of the novel. However, as a piece of historical fiction based in fact, it does work and is engaging.
I would recommend this to fans of historical fiction – fans looking for heavy-duty non-fiction will not find the detail they want here as this isn’t the intention of the book. As a fictional insight into the lives of the wealthy and fortunate in an interesting period of Anglo-Irish history, it absolutely hits the mark.
Thank you to NetGalley and the publisher for a copy of this book in exchange for an honest review.
