Welcome to my stop on the blog tour for this brand new, debut police procedural.
Thanks to Helen Richardson for inviting me on the tour, and to Allison and Busby for my review copy of the novel. As always, opinions are entirely my own.
Regular followers of my blog know that I love a crime novel. A debut crime novel? Even better – a chance to find a new favourite! A debut crime novel written by someone who really knows his stuff? Better still – and crime novelists probably don’t come much better qualified than Graham Bartlett, former Chief Superintendent and Police Commander of Brighton and Hove.
I’m delighted to welcome you to my stop on the blog tour for ‘After Agatha: Women Write Crime’ by Sally Cline.
Thanks to Oldcastle Books for inviting me on the tour and for my copy of the book in exchange for an honest review.
From the Publisher:
Spanning the 1930s to present day, ‘After Agatha’ charts the explosion in women’s crime writing and examines key developments on both sides of the Atlantic: from the women writers at the helm of the UK Golden Age and their American and Canadian counterparts fighting to be heard, to the 1980s experimental trio, Marcia Muller, Sara Paretsky and Sue Grafton, who created the first female PIs, and the more recent emergence of forensic crime writing and domestic noir thrillers such as ‘Gone Girl’ and ‘Apple Tree Yard’.
After Agatha examines the diversification of crime writing and highlights landmark women’s novels which featured the marginalised in society as centralised characters. Cline also explores why women readers are drawn to the genre and seek out justice in crime fiction, in a world where violent crimes against women rarely have such resolution.
The book includes interviews with dozens of contemporary authors such as Ann Cleeves, Sophie Hannah, Tess Gerritsen and Kathy Reichs and features the work of hundreds of women crime and mystery writers.
My Review:
I’m a keen reader of crime fiction – and have been since I first discovered the genius of Agatha Christie as a teenager (many moons ago…)
It was with this enthusiasm that I approached ‘After Agatha’, keen to understand the legacy of the great writer herself and the work of those that have followed her.
The book begins with a discussion about why women read crime and the work of Agatha Christie (and other Golden Age writers). It then moves, partially chronologically, partially thematically, through different aspects of women’s crime writing. Each aspect is given a chapter – for example, there are chapters on Private Eyes, Women in Forensic Science and Domestic Noir (among many others).
I think it would be fair to say that Cline has researched her material thoroughly. Each chapter explores a range of writers and books and makes interesting connections between crime authors and the content of their work. There are a few spoilers along the way, so just be aware – especially in regard to early books in older series which Cline assumes everyone has read.
For those who have already explored the genre in some detail, there is lots to like here. It serves as a reminder on old favourites, plus a catalogue of what is out there in each genre sub-section. I really appreciated some pointers in areas that I like – for me, that’s forensic sciences and police procedurals – and skimmed some of the ones where I have less interest.
As a catalogue of what is available, it is useful. It also features interviews with a range of writers which I found really interesting – in hindsight, I think I’d have liked more insight and analysis, less of the listing of different writers in places.
My only real query was why crime fiction by Black and disabled writers (or featuring Black/disabled protagonists) were grouped in one chapter. Although both groups are marginalised, it felt like the issues were different and that there was plenty more to say in some cases – for example, I’ve read some contemporary crime fiction by Black authors which didn’t make the book. I realise this isn’t intended to be exhaustive, but I thought there was more to say.
That said, this is an interesting read. I liked the fact that I ‘met’ new writers and heard from old favourites. I also appreciated the pointers towards writers I haven’t read before – even if my bank balance might not be so keen! I’d especially recommend this to those who enjoy crime fiction and who want to read more widely in the genre.
About the Author:
Sally Cline, author of 14 books, is an award-winning biographer and fiction writer. She is Fellow of the Royal Society of Arts, Research Fellow at Anglia Ruskin University, Cambridge, and former Advisory Fellow of the Royal Literary Fund. Her biography on Radclyffe Hall, now a classic, was shortlisted for the LAMBDA prize; ‘Lifting the Taboo: Women, Death and Dying’ won the Arts Council Prize for non-fiction; and her landmark biographies on Zelda Fitzgerald and Dashiell Hammett were bestsellers in the UK and US. She is co- Series Editor for Bloomsbury’s 9 volume Writers and Artists Companions. Formerly lecturing at Cambridge University, she has degrees and masters from Durham and Lancaster Universities and was awarded a D.Litt in International Writing.
This is an intriguing idea for a thriller; a couple leave New York to go to a remote house for some romantic time together. However, the book opens a few days later with the police finding the house covered in blood and ransacked. Clearly, something violent and disturbing has happened within the walls of the modern holiday home…but what? This fills in the missing gaps of that story.
Many thanks to Helen Richardson for inviting me onto the blog tour for ‘The Seven Necessary Sins for Women and Girls’ by Mona Eltahawy.
This non-fiction feminist book creates a manifesto for women’s action and was published yesterday (22nd April) by Tramp Press.
From the Publisher:
‘She is here for your liberation, and that of every woman and girl, from Nunavut to Namibia’
REBECCA SOLNIT, author of MEN EXPLAIN THINGS TO ME
‘Shocking, brave, gloriously unfeminine, and right on time’
GLORIA STEINEM, writerand feminist activist
‘It is as piercingly intelligent as it is uncompromising. Every woman should read this’
MAAZA MENGISTE, Booker Prize shortlisted author of THE SHADOW KING
Feminism should terrify the patriarchy. It should put patriarchy on notice that we demand nothing short of its destruction. We need fewer road maps toward a peace treaty with patriarchy and more manifestos on how to destroy it. The Seven Necessary Sins for Women and Girls is my manifesto’ – Mona Eltahawy
The Seven Necessary Sins for Women and Girls identifies seven ‘sins’ women and girls are socialised to avoid–anger, attention, profanity, ambition, power, violence and lust. With essays on each, Mona Eltahawy creates a stunning manifesto encouraging women worldwide to defy, disobey and disrupt the patriarchy. Drawing on her own life and the work of intersectional activists from around the world, #MeToo and the Arab Spring, Eltahawy’s work defines what it is to be a feminist now.
My Review:
I was intrigued to read this book – the idea of a feminist manifesto was hugely appealing. I was also interested to see that this collection of essays offers a more global view of feminism – I’m very conscious that a lot of the feminist books I read are by white UK or US-based women, whereas Eltahawy is of Egyptian heritage and offers examples and analysis across many countries.
Finally, I liked the sound of Eltahawy’s active approach to the problems faced by women around the world – she advocates action and a rejection of patriarchy rather than women accepting the ‘crumbs’ offered to them by a male-dominated society.
Although I wasn’t aware of Eltahawy’s work before, she definitely proved herself a strong voice worth listening to in this book!
The seven essays in this collection offer insights into seven ‘sins’ that women are raised not to commit – anger, wanting attention, profanity, ambition, the desire for power, violence and lust are seen as ‘unfeminine’ and to be avoided. However, Eltahawy suggests that these things are exactly what women need to reclaim and do in order to dismantle the patriarchy. After all, what is the sense in following patriarchal rules if they keep women down?
Eltahawy is a persuasive and engaging voice throughout the essays. She sometimes takes a shocking stance – such as the war against patriarchy section in which she imagines the unprovoked killing of men – before contextualising it in regards to what women face every day. It’s a surprising and effective tactic and definitely kept me reading.
Although she isn’t actually advocating the random killing of men, she certainly leads by example with regard to taking dramatic action. Part of the book covers Eltahawy’s arrests in both Egypt and the US, plus her reasons for wanting to take a stand – right from her experiences with a Cairo flasher when she was 4 years old and her assault during prayers that inspired her to start #MosqueMeToo for Muslim women with similar experiences.
What I loved about the book was the breadth of focus. Eltahawy seamlessly moves across the globe, selecting examples from places as diverse as Ireland and Iraq, the US and Russia, India and Uganda. What unites the examples is women’s oppression and its place in her call to arms. It is an eye-opening trip around the world and did make me feel angry at what women face simply for being female in a male-dominated system.
This international dimension was particularly interesting as it added to my understanding of intersectional feminism – the sense that not all women have the same experiences as some face the double oppression of being female and Black, for example (in what Moya Bailey refers to as ‘misogynoir’). I also loved the idea that minority groups should stand together as patriarchy undermines us all – not a new idea, but one that I’ve not seen presented as eloquently and fiercely before.
Given Eltahawy’s dual Egyptian and American citizenship, it was fascinating to read about her take on the Trump presidency – this book was written while he was in office. She suggests that women (called ‘patriarchy’s foot soldiers’ by Eltahawy) helped to facilitate the election of Trump and accepted the ‘crumbs’ offered to them to support his power. She posits that women deserve more than being token women who are granted some limited power as a tool of Trump and the patriarchy.
This is a compelling and engaging argument for women defying male control and dismantling the patriarchal structures that limit them. Eltahawy calls for women to stand up and seize power – which cannot be done within the existing societal model. This is a powerful book that calls on female rage – and it certainly hit the spot for me.
About the Author:
Mona Eltahawy is a feminist author and award-winning commentator and public speaker. Her work has been published in The Guardian, The New York Times, The Washington Post, and other publications around the world. She is frequent commenter on current affairs on the BBC, CNN, Al Jazeera and other media outlets, where her goal is always to disrupt patriarchy. She is the author of Headscarves and Hymens and recently launchedher newsletter, Feminist Giant. Follow her on Twitter and Instagram:@monaeltahawy
About Tramp Press:
Tramp Press was launched in 2014 to find, nurture and publish exceptional literary talent. Based in Dublin and Glasgow, they publish internationally. Tramp Press authors have won, been shortlisted and nominated for many prizes including the AnPost Irish Book of the Year,the Booker Prize, the Costa, the Desmond Elliott Prize and the Guardian First Book Award.
A book read with my English teaching hat on today! This was published in May 2020.
First of all, I should say that I'm an English teacher who reads fairly obsessively about Shakespeare. I'm no expert, but I've read a lot and know some of the plays in more depth than I'd really think is healthy! I loved the idea of this book as it promised to combine Shakespeare with the medical realities of the deaths he wrote about.
Although some of the book was familiar ground for me, this would be a fabulous book for someone coming fairly fresh to the topic. It gives a lot of historical context about the Elizabethan and Jacobean worlds and also talks a lot about what Shakespeare's audiences would understand about death and illness. It covers a whole range of the fictional deaths and also relates them to the historical records (as far as can be ascertained from some pretty unreliable sources!) From the cannibalism of 'Titus Andronicus' to the suicide-by-snake of Cleopatra, from the multiple poisonings in 'Hamlet' to the faking of death in 'Romeo and Juliet' - it's all here and packed with interesting detail and speculation. It also delves into some of the less-performed plays which is really fascinating, and explores some work by Shakespeare's contemporaries.
I'd recommend this book to anyone with an interest in Shakespeare, the history of medicine or the Elizabethan/Jacobean period. I honestly thought there wasn't much new that anyone could tell me about 'Hamlet', but I was proved wrong! An engaging and entertaining read!
I received a free copy of the book from NetGalley in return for an honest review.
