Tag: thriller

October Wrap-Up and November TBR

How is it that time again?! The end of another month and another step nearer Christmas (yay!) and the end of 2020 (*huge sigh of relief*).

This month I have read 11 books and hit my GoodReads Challenge target of 100 books for the year!

It’s been a funny month with some real reading slumps as well as some absolutely BRILLIANT books. So, without further ado, here’s what I read this month…

(Links to books already published are affiliate links – thank you for supporting my blog with any purchases).

October Wrap-Up

I started the month with the brilliant ‘More Than a Woman’ by Caitlin Moran – an often funny, fresh and brutally honest take on what it means to be a middle-aged woman. This was my first five-star read of the month – you can see my review here.

After this, I read ‘Jeeves and the Leap of Faith’ by Ben Schott, a new Jeeves and Wooster novel written with the blessing of the PG Wodehouse estate. Nothing quite hits the highs of Wodehouse’s original novels, but Schott has done a great job of the language and comic elements. You can read my review here.

Next up was a blog tour for ‘The Creak on the Stairs’ by Eva Bjorg Aegisdottir, a chilling and dark piece of Nordic Noir crime fiction. Set in Iceland, this follows Chief Investigating Officer Elma as she tries to solve a murder that is stirring up the unsavoury past of some people in the small town of Akranes. You can read my blog tour post here.

Then came ‘The Servant’ by Maggie Richell-Davies, a dark historical tale of a girl who has fallen on difficult times in Georgian London. This book won the Historical Writers’ Association award for a (then) unpublished novel and is definitely worth a read – my review is here.

One of my audiobooks (listened to in the car with my kids) this month was Roald Dahl’s ‘Boy’, read by Dan Stevens. We all enjoyed this one – a lively performance of a book that I’ve loved since childhood. It has been a joy to relive the experiences of Dahl at school at Repton, on holiday in Norway, with his eccentric family and upsetting teachers and sweet-shop owners alike.

Next up was ‘The Phoenix Project’ by Michelle Kidd for another blog tour in November. This was a fast-paced thriller with a wide scope – London, Paris, Africa, Russian spies and the British Government – and all very tense! Watch this space for my blog tour review.

Then I enjoyed Walburga Appleseed’s ‘The Princess and the Prick’, a short book with some very concise feminist retellings of fairy tales, myths and nursery rhymes. Beautifully illustrated, this managed to pack plenty of food for thought into a small space.

Another short but powerful book was ‘Essex Girls’ by Sarah Perry, a feminist celebration of the qualities of the Essex Girl stereotype. In Perry’s book, Essex becomes a state of mind rather than a geographical location and we are introduced to a host of fabulous women from history. My review is here.

Another of my five-star books this month was ‘Practically Perfect: Life Lessons from Mary Poppins’ by Katy Brand. Anyone with any love for the 1964 film should read this as it is fascinating but delightfully comforting. My review can be found here.

Then I listened to another audiobook, ‘The Life and Times of the Thunderbolt Kid’, a charming and funny book about Bill Bryson’s experiences of growing up in the 1950s in Des Moines in Iowa. This one is read by Bryson himself and his dry wit really comes through in the recording.

Finally, I finished the month with ‘The Devil and the Dark Water’ by Stuart Turton, a historical crime novel that I absolutely loved. You can read my review here.

November TBR

I am absolutely awful at predicting what I will read in the future – I read according to my mood and who knows where that may take me!?

However, I do have a lot of NetGalley ARCs that I should read. Here is just a selection:

  • ‘The Shape of Darkness’ by Laura Purcell – I loved her previous books and this one promises to be equally fabulous.
  • ‘The Whole Truth’ by Cara Hunter – this is the latest in a great series of police procedurals in which we follow DI Fawley as he tries to uncover truth. I’ve loved the other books so have high hopes for this.
  • ‘The Dead of Winter’ by Nicola Upson – another series I’ve followed for a long time, this one puts crime writer Josephine Tey into the role of detective against the backdrop of Europe in the lead-up to World War II.
  • ‘Hyde’ by Craig Russell – Russell’s first book, ‘The Devil Aspect’, was amazing and I hope this one will be every bit as good. Set in Victorian Edinburgh and featuring a series of mysterious ritualistic murders, this looks like it will be a dark and thrilling read.
  • ‘Mr Wilder and Me’ by Jonathan Coe – I’ve loved previous books by Coe and this, set in the heat of the 1977 summer, looks glorious.
  • ‘Nick’ by Michael Farris Smith – this new book about the early life of the fictional narrator of ‘The Great Gatsby’ looks really interesting.
  • ‘Lie Beside Me’ by Gytha Lodge – the latest in another crime series that I’ve enjoyed vey much. This is the latest to feature DCI Jonah Sheens.
  • ‘Let’s Do It: The Authorised Biography of Victoria Wood’ by Jasper Rees – I’ve been granted this one on audiobook and am looking forward to learning more about Wood from her closest friends and colleagues (some of whom narrate the book).

This is ignoring the huge stacks of books in my house and my jam-packed Kindle so we shall wait and see what I actually manage to read!

Header photo with thanks to Alex Geerts for sharing their work on Unsplash.

‘The Devil and the Dark Water’ by Stuart Turton

I knew that this book would be so entirely my thing that I pre-ordered myself a gorgeous hardback copy because I couldn’t wait to see whether the NetGalley elves would be kind enough to grant me an ARC!

I loved Turton’s previous book, ‘The Seven Deaths of Evelyn Hardcastle’, and was awaiting this one eagerly.

And I was right. It is so entirely my thing!

The story is set in 1634 on board a ship sailing from Batavia (in the Dutch East Indies) to Amsterdam. On board the Saardam, one of a fleet of seven ships sailing together, are an odd group of shipmates, including the governor general and his family, his mistress, a famed detective and his bodyguard, There’s also a whole host of unpredictable and bloodthirsty crew members, some musketeers and a mysterious cargo consigned to be watched over at all hours.

A horrific incident at the docks before boarding has rattled them all and introduced the idea of Old Tom, a demon under whose malign influence the Saardam is predicted to fall. When things on board the ship start to go wrong – often in disturbing and horrific ways – the ship seems doomed and all lives in danger.

With the celebrated detective locked in a holding cell for a crime he may have committed, it falls to two unlikely passengers on the ship to unravel the dark events that threaten the voyage.

I loved this book from the beginning when we are first introduced to Arent Hayes (bodyguard) and his master, Sammy Phipps – the celebrated detective who has more than a shadow of Sherlock Holmes about him. Powers of deduction? Tick. Widespread renown due to his sidekick’s reporting of his exploits? Tick. Slightly hedonistic tendencies when bored? Tick. It is fair to say, I was bought into this from the start!

When Sammy is confined to the cell, Arent becomes the main focus for the story and he is an interesting character in himself. Out of the shadow of his famous master, we see a man struggling to have the courage of his own convictions. He is someone who is more known for brawn than brain, although this seems unfair as the novel progresses and Arent is forced to use his intelligence as well as his strength. He is a realistic character with a shady past and I found myself really wanting him to prove himself.

Aside from Arent, what I loved about this book were the strong female characters. Sara Wessel, wife of the governor general of Batavia, is the main one who comes to the fore and she is a formidable woman, albeit one with contradictions. On the one hand, she is a clever, spirited woman with a talent for healing, but she is also subject to a domineering and violent husband and living in what essentially is a gilded cage. She makes a brilliant heroine because she is both so good and yet so plagued with her own problems too.

The setting of this book was also part of its considerable appeal for me. Although I can’t claim to know much about the East India Company and the technical details of the Indiaman ships, it felt authentic – the historical research was lightly worn and never felt laboured at all. Indeed, Turton claims (in a note at the end of the book) that ‘this is historical fiction where the history is the fiction’, but it all felt right to me and I was happy to be carried along in the wake of the compelling plot while admiring the history along the way! In fact, it has made me want to read more about the East India Company and this time period, so I’ve since bought ‘The Anarchy: The Relentless Rise of the East India Company’ by William Dalrymple which I hope will enlighten me further.

I think it needs to be said that ‘The Devil and the Dark Water’ is a very dark book – the clue is in the title! It probably isn’t for the faint at heart as there are murders, fights, gruesome injuries, tales of abuse and lashings administered on the ship. When a story opens with a dying leper, you know there’s more horrific things to come! Still, none of the violence ever felt gratuitous and it added to the authenticity of the danger of the high seas.

It’s really hard to say more about the plot without giving spoilers, which I absolutely don’t want to do. Let’s just say that the twists and turns are there, everything is cleverly plotted and the final resolution is satisfying. Given that I didn’t know if I was reading a historical crime novel or a supernatural mystery, it’s safe to say I had no clue where everything would end up. However, there is lots to keep any reader occupied and I raced through the pages looking for clues.

I’d recommend this highly to anyone who enjoys locked room mysteries, historical fiction, strong female leads, supernatural creepiness, claustrophobic thrillers, a nautical slant to proceedings… there really is something for everyone and an awful lot of ground covered.

As a seasoned reader of mysteries, I thought there was little left that could genuinely surprise me, but Stuart Turton has proved me wrong. Bravo!

As well as my lovely hardback copy of this book from ‘Forbidden Planet’ (there’s even a map of the ship – I was sold on that alone, to be honest!), I received a free e-copy from NetGalley in exchange for an honest review.

If you’d like your own copy of this excellent, dark mystery, please use my affiliate link below – I earn a small commission on any purchases at no additional cost to you.

And in case you’re interested in the East India Company further (like I was), here’s a link to ‘The Anarchy’ as mentioned in my review. This one was shortlisted for the non-fiction award by the rather marvellous Historical Writers’ Association and they know their history!

Blog Tour: ‘Betrayal’ by Lilja Sigurdardottir – Extract

Welcome to my stop on the blog tour organised by Random Things Tours for ‘Betrayal’ by Lilja Sigurdardottir.

I’m pleased to be able to present to you an extract from this tense, Icelandic thriller which was published by Orenda Books on 15th October, 2020.

From the Publisher:

Burned out and traumatised by her horrifying experiences around the world, aid worker Úrsula has returned to Iceland. Unable to settle, she accepts a high-profile government role in which she hopes to make a difference again.


But on her first day in the post, Úrsula promises to help a mother seeking justice for her daughter, who had been raped
by a policeman, and life in high office soon becomes much more harrowing than Úrsula could ever have imagined. A homeless man
is stalking her – but is he hounding her, or warning her of some danger? And the death of her father in police custody so many
years rears its head once again.


As Úrsula is drawn into dirty politics, facing increasingly deadly threats, the lives of her stalker, her bodyguard and even a witch-like cleaning lady intertwine. Small betrayals become large ones, and the stakes are raised ever higher…


The award-winning internationally bestselling author Lilja Sigurðardóttir returns with Betrayal, a relevant, powerful, fast-paced thriller about the worlds of politics, police corruption and misogyny that feels just a little bit too real…

The Extract:

Úrsúla was surprised at her own surprise: she was taken aback by just how much of a shock the note was. She was already kicking herself for having forgotten to lock the car. It hadn’t occurred to her that by parking in the spot marked Minister, she was telling everyone which vehicle was hers. Clearly every fruitcake in the country had an opinion on everything imaginable, and that seemed to include her appointment as minister of the interior.

The devil’s friend loses his soul and brings down evil, the note read, the last few words an almost illegible scrawl. It looked like someone had decided she had made friends with the devil himself.

There was nothing unusual about politicians being lambasted for entering into coalitions with people someone was unhappy with, but as she was not linked to any party, she had somehow imagined that this kind of criticism wouldn’t come her way. All the same, people ought to be used to seeing political parties working together when the parliamentary term was so far advanced, and anyway she’d simply been called in to finish the work begun by Rúnar. She screwed the note into a ball and flicked it aside, and it was lost among the mess of paper, juice cartons and sweet wrappers that filled the footwell. She reminded herself that this weekend the car would need to be cleaned as the smell was becoming overpowering. She sighed and tried to relax, to let her racing heartbeat slow. She had been aware before taking the job that she wouldn’t be popular with everyone and that she’d get to hear about it. But the note in the car had still been upsetting. Somehow it was too close to home, too personal. In future she’d leave the car in the other car park with all the others.

As she parked outside her house, she wound the window shut – the smell in the car had forced her to drive home with it halfway open. There had to be half a sandwich turning green somewhere down there, or something in the junk in the back. She’d have to ask Nonni to clean the car. Judging by the emails waiting for her and the long jobs list, there wouldn’t be much opportunity to do it herself. This weekend would have to be spent getting herself up to speed on everything the ministry did.

‘Congratulations, my love!’ Nonni called out as she opened the front door. ‘You made it through day one!’

Kátur bounced towards her, his furry body twitching with delight at seeing her again, and as usual she dropped to her knees to greet him. She held his little head in both hands, kissed the top of his head and breathed in the smell of newly bathed dog. Nonni regularly gave him a bath and used shampoo on him, even though Úrsúla had warned that it wasn’t good for dogs.

‘Lovely to see you, Kátur,’ she whispered into his fur as his tail wagged furiously. There was no limit to how much she loved this little dog. He had kept her sane when she had moved back home, becoming the compass that showed her the way back to love. He had helped her put aside her weapons and lower the defences she had erected around herself somewhere between the Ebola epidemic in Liberia and the refugee camps in Syria.

The dog wriggled from her arms, ran halfway along the hall into the apartment, and then back to her. That was what he always did, scampering between her and the family, as if he were showing her the way home to them. This was guidance she certainly needed, as since moving back to Iceland she had felt at a distance from them, as if they were on the far side of some invisible barrier that she had been unable to break through.

She took a deep breath, taking in the warmth of the household, and for a moment she was gripped by a doubt that she had done the right thing by jumping into a ministerial role. There was no getting away from the fact that it would mean less time at home, less energy to devote to the children, less time for Nonni. There would be less time for her own emotional recovery. But it was only for a year, the twelve remaining months of the parliamentary term.

‘Pizza!’ the children chorused the moment she stepped into the kitchen. They were busy arranging toppings on pizza bases, and she could see Nonni was preparing a seafood pizza just for the two of them. There was an open bottle of white wine on the worktop, a glass had been poured for her, and the dining table was set with candles.

‘You’re a dream,’ she sighed, kissing the children’s heads and wrapping her arms around Nonni. He was warm to the touch, freshly shaved and sweet-smelling, and she felt her heart soften with gratitude, blended with doubt that she genuinely deserved such a perfect man. This was how it had been for more than a year. Every time she felt a surge of warmth and affection towards him, it was accompanied by an immediate surge of bad feeling. There was guilt, regret and self-loathing. Why couldn’t she simply love him as she had loved him before?

‘So how’s it looking?’ he whispered and handed her a glass of wine.

She sat on a barstool and sipped. She’d tell him tonight, when the children had taken themselves off to bed. She would tell him how the day had begun, how she had been prepared for the first interview of the day, expecting to be getting to grips with complex and demanding issues, only to be faced with such a painful and difficult personal case.

The face of the mother who had sat opposite her that morning, rigid with anger and sorrow, remained vividly in her mind. As she watched her own daughter arrange strips of pepper to form a pattern on a pizza, she felt a stab of pain in her heart: she was only two years younger than the girl who had been raped.

About the Author:

Icelandic crime-writer Lilja Sigurdardóttir was born in the town of Akranes in 1972 and raised in Mexico, Sweden, Spain and Iceland. An award-winning playwright, Lilja has written four crime novels, including
Snare, Trap and Cage, making up the Reykjavik Noir trilogy, which have hit bestseller lists worldwide. The film rights have been bought by Palomar Pictures in California. She lives in Reykjavík with her partner.

Praise for Lilja Sigurdardottir:

‘Tough, uncompromising and unsettling’
Val McDermid


‘Stylish, taut and compelling and a film adaptation is in the pipeline. With characters you can’t help sympathising with against your better judgement, Sigurdardottir takes the reader on a breathtaking ride’
Daily Express


‘ The seamy side of Iceland is uncovered in this lively and original debut as divorcee Sonja finds herself coerced into drug trafficking while her banker girlfriend Agla fends off a criminal investigation
in the aftermath of the financial crash. Tense, edgy and delivering more than a few unexpected twists and turns’
The Sunday Times Crime Club Star Pick


‘A tense thriller with a highly unusual plot and interesting characters’
The Times


‘One of the darkest and most compelling series in modern crime fiction…Tackling topical issues, Cage will tell you a great deal about why the world’s in the state it is, while never neglecting its duty to
entertain’
S Magazine


‘ The key to Sigurðardóttir ’s writing is her deep empathy for her characters. Like in Sallis’s work, these are ordinary people having to face the vagaries that life throws at them. In this instance, she writes lucidly about the power of corporations, and the ease with which our current societal
systems can become brutally corrupted. In keeping with a lot of Icelandic fiction, Cage is written in a clean, understated style, the author letting the reader put together the emotional beats and plot developments. Smart writing with a strongly beating heart’
The Big Issue

Blog Tour: ‘The Creak on the Stairs’ by Eva Bjorg Aegisdottir

Welcome to my stop on the Random Things Tours blog tour for ‘The Creak on the Stairs’ by Eva Bjorg Aegisdottir.

This is the first in a new ‘Forbidden Iceland’ series and was published on 1st October, 2020 by Orenda Books. It is translated into English by Victoria Cribb.

From the Publisher

‘An exciting and harrowing tale from one of Iceland’s rising stars’ Ragnar Jónasson

The first in the electrifying new Forbidden Iceland series, ‘The Creak on the Stairs’ is an exquisitely written, claustrophobic and chillingly atmospheric debut thriller byone of Iceland’s most exciting new talents


When the body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area.


Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her colleagues Sævar and Hörður, commence an uneasy investigation, which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day…


But as Elma and her team make a series of discoveries, they bring to light a host of long-hidden crimes that shake the entire community. Sifting through the rubble of the townspeople’s shattered memories, they have to dodge increasingly serious threats, and find justice … before it’s too late.

My Review

I love crime fiction and have made a few forays into Nordic Noir, although this was the first book I’ve read set in Iceland. It certainly won’t be my last trip to the Land of Fire and Ice.

I’ll admit to being intrigued by the premise of this book – a murder at a remote lighthouse that starts to uncover the secrets of the town. I also love a book with a female detective, so this ticked boxes for me too.

The story moves between the investigation into the 2017 murder of a woman in the small Icelandic town of Akranes with a voice from the the late 1980s/early 1990s narrating a tragic family story. At first it isn’t evident how the strands fit together but, as it becomes clear, the reader is pulled into the backstory that has led to the murder at the lighthouse.

One of the real strengths of the story is the main character, Chief Investigating Officer Elma. She has returned to Akranes, where she grew up, following the break-up of a relationship (something I sense will become more of a feature of future books – I know the second book in the series is already being translated by Orenda Books, so we shall see Elma again).

We get to view Elma more clearly than anyone else in the book, including her dysfunctional relationship with her sister, her hangovers and potential love interests. She is a charming and realistic character and her interactions with her work team, family and various people associated with the case seem authentic.

Another real strength is the plotting. The narrative device of alternating between the past and modern-day voices is interesting, but it also means that a lot of information is given that suddenly falls into place later in the novel. The early parts of the novel do seem a little slow, but they work brilliantly to set up a pervasive sense of foreboding that the reader never really escapes until the pace picks up towards the denouement. All very understated, but it really adds to the sense of claustrophobia in the small town where everyone knows everyone else’s business.

I really loved the setting of the book – Elma has left Reykjavik CID and is back in the town that she grew up in, so we experience the oppression of small-town life just as she does. We hear the gossip of a small community, see the close (but not always easy) relationships of people who have always known each other and experience the uncovering of secrets bubbling just under the surface. Akranes itself seems like a remote setting – a port town with a small population – that is perfect for this kind of story.

I think it is worth saying that the story is very dark – obviously expected in the genre, but it does sometimes make for uncomfortable reading – especially in the 1980s/1990s narrative which is a child’s perspective. Having a child relate some horrific elements makes the story very chilling at times.

Overall, I recommend this book to anyone who enjoys crime fiction with a dark heart. The sense of tension that builds gradually makes for compulsive reading – before you know it, you will be racing through to see where the story goes! It isn’t an easy read because of the dark themes, but it is cleverly plotted, engagingly told and has a heroine that you will want to see again in book two.

About the Author

Born in Akranes in 1988, Eva moved to Trondheim, Norway to study her MSc in Globalisation when she was 25. After moving back home having completed her MSc, she knew it was time to start working on her novel. Eva has wanted to write books since she was 15 years old, having won a short story contest in Iceland.


Eva worked as a stewardess to make ends meet while she wrote her first novel. The book went on to win the Blackbird Award and became an Icelandic bestseller.

Eva now lives with her husband and three children in Reykjavík, staying at home with her youngest until she begins Kindergarten.

‘Keeper’ by Jessica Moor

In all the excitement of setting up my blog and all the new releases, I feel that I’ve not shared my reviews on some absolutely outstanding (but slightly older) books.

This book was released in March 2020 and was one of my five star ARCs of 2019.

I really didn’t know what to expect from this, but wow! This is a well-written and pacy thriller that will not be forgotten easily. It’s shocking, sad, tragic…but more than anything made me feel so angry. Just as the writer intended, I think.

The story begins with the body of a young woman, Katie Straw, being recovered from a river in a small town somewhere outside Manchester. The police recognise that it’s probably a suicide, but they just need to check out a few things to close the case. The narrative then splits between the investigation in the ‘Now’ sections of the book and Katie’s life leading up to her death (‘Then’). In this strand, a much darker theme of domestic abuse rears its head and the novel becomes almost unbearable in its inevitability.

However, this is so much more than your average thriller. It is unflinching and quite unsettling in its portrayal of the trauma suffered by the women in the novel. The women’s refuge featured is at once a safe space but also precarious and underfunded. The women residents are flawed and realistic, their decisions often poor and their thinking blurred by their suffering.

It made me angry, I think, because it was so believable; this does happen every day and the statistics about women being killed by their domestic partners speak for themselves. But how do you help or understand women who repeatedly return to or excuse their abusers?

I raced through this book and recommend it highly. It will make you absolutely furious that this happens, but it’s a clever and an engaging read too and recognises some important issues. It’s much darker than my usual reads, but I am so glad I chose it give it a try.

I received a free copy of this book from NetGalley in exchange for an honest review.

If you would like your own copy of ‘Keeper’, please use my affiliate link below. This supports my blog at no extra cost to you.

Header photo with thanks to Sydney Sims for sharing their work on Unsplash.

‘Knife Edge’ by Simon Mayo

Next up and also released on 20th August is broadcaster Simon Mayo’s thriller.

I wasn’t sure what to expect from this, having not read Simon Mayo’s previous book for adults (‘Mad Blood Stirring’, a historical novel). However, I was pleasantly surprised by this fast-paced and twisty thriller.

The novel opens with the killing of seven IPS journalists within minutes of each other one morning in London. The action then focuses on the journalists left behind as they try to work out what their murdered colleagues were working on that could have sealed their fate. What is uncovered is surprising and interesting and far too complicated for me to explain here! Suffice it to say that there is plenty of peril and action to keep the plot moving.

This is an engaging novel, and one that will keep you reading as you definitely become invested in the outcome. The main characters are interesting, but not as developed as they could be – I didn’t really have any sense of Sam or Sophie as characters in particular. This may well be simply due to the fact that the cast of this novel is quite large so I think that Mayo has (probably quite rightly) kept the focus on plot. Some of the events and twists are also a bit incredible – however, it is a pacy and lively novel and I don’t think anyone would be disappointed at the rollercoaster of events it takes you on!

Overall, this is a book that I’d recommend. It is slightly disturbing in its capturing of 21st century Britain and the threats of both terrorism and knife crime – in this way it absolutely taps into current affairs (prior to coronavirus stealing the limelight). If you’re happy to overlook the occasionally thin characterisation, there is plenty to like here.

I received a free copy of the novel from NetGalley in return for an honest review.

If you’d like to buy the book, the link is below. The Quick and the Read might earn commission on purchases at no extra cost to you.

Photo by Samantha Hurley from Burst

Blog Tour: ‘The Child Who Never Was’ by Jane Renshaw

Welcome to my first blog tour post! Today, I want to talk to you about the psychological thriller ‘The Child Who Never Was’ for damppebbles blog tours.

The Blurb:

Her child has been taken. But no-one believes her.

Sarah’s beautiful baby son Oliver has gone missing. And she will do anything – anything – to get him back.

But there’s a problem. Everyone around Sarah, even her beloved identical twin, Evie, tells her she never had a son, that he’s a figment of her imagination, that she’s not well, she needs help.

And on one level, they’re right, Sarah does need support. She has suffered massive trauma in the past and now she’s severely agoraphobic, very rarely leaves the house, avoids all contact with people.

But fragile though she is, Sarah knows deep in her heart that Oliver is real, that the love she feels for him is true.

And that can only mean one thing – someone has been planning this. And now they’ve taken her baby.

The stunning psychological thriller with an ending you won’t see coming. Perfect for fans of K.L Slater, Mark Edwards, Alex Michaelides.

My Review:

Although slightly outside my usual genres, I was intrigued by the premise and had to find out what happened! I love a story with plenty of twists and hoped that this would keep me reading – and it certainly did!

The story opens with Sarah utterly convinced that her toddler, Oliver, has gone missing. She has vivid recollections of giving birth to him, his bedroom, his speech patterns… However, everyone tells her that he never existed and that he is a figment of her imagination. Sarah has mental health challenges after an earlier trauma in her life and now rarely leaves her house, so is Oliver merely a result of this? Sarah is unconvinced and will go to extreme lengths to prove that her child has been taken.

The central characters in the novel, Sarah and Evie, are twins and they are beautifully contrasted. Evie is composed, in charge of the sisters’ architectural business and mother of her own toddler, James, while Sarah is the opposite: struggling with her mental health, bossed around by her sister and childless. It is this sense of opposition that drives the narrative on and the reader is not quite sure where their sympathies should lie for a large proportion of the book. The fact that Sarah is the focal character is especially clever as she is a notoriously unreliable narrator and so the reader is unsure what to believe.

The narrative does have plenty of twists and turns that kept me interested in this story of the two sisters, a lost child and mental health issues. The loss that Sarah feels is convincing and compelling – it is impossible not to feel for her, even as you also have to balance this with her own psychological issues. The opening scene is also – no spoilers – an absolute gem and I was desperate to know how this fitted in with the rest of the story.

Overall, this is a pacey and engaging read. It’s certainly worth clearing the diary for as you will not want to put it down until you know the truth!

About Jane Renshaw:

Jane Renshaw

As a child, Jane spent a lot of time in elaborate Lego worlds populated by tiny plastic animals and people. Crime levels were high, especially after the Dragon brothers set themselves up as vets and started murdering the animals in their ‘care’. (They got away with it by propping the victims up with Plasticine and pretending they were still alive…)

As an adult, she is still playing in imaginary worlds and putting her characters through hell – but now she can call it ‘writing’ and convince herself that she is doing something sensible. In real life, she has a PhD in genetics and copy-edits scientific and medical journals.

Jane is the author of Watch Over Me. THE CHILD WHO NEVER WAS will be her second novel published with Inkubator Books.

Social Media:

Twitter: https://twitter.com/JaneRenshaw10

Website: https://www.janerenshaw.co.uk/

Purchase Links:

Amazon UK: https://amzn.to/3kqo1if

Amazon US: https://amzn.to/33IIk4u

Publishing Information:

Published in digital format by Inkubator Books on 16th August 2020