Welcome to my stop on the blog tour for ‘The Glorious Guinness Girls’ by Emily Hourican, a fascinating insight into the daughters of the famed Irish family.
With thanks to the publisher, Headline, for providing a copy of this book in exchange for an honest review.
The main draw for this book was the period of history it covers – primarily the 1920s. Throw in some glitz and glamour, some high society sisters from the famous brewing dynasty, lots of Bright Young Things and raucous parties and I was absolutely sold!
This book fictionalises the story of the Glorious Guinness Girls – three sisters from Ireland who were celebrated in the contemporary media for being beautiful, privileged and eminently newsworthy. They were the daughters of Ernest and Cloe Guinness and raised in wealth and luxury in Glenmaroon until the events of the Irish Civil War became a little too close to home. They then embarked on a round the world yacht trip before settling in London where the girls were ‘brought out’ as debutantes and attended some pretty wild-sounding parties.
The story is told from the point of view of a fictional cousin of the Guinness Girls, Fliss, who is invited to live with the family and so is witness to the girls’ lives in the twelve year period that the book covers. Although she lives alongside the family, it is clear that she isn’t one of them – she is not invited on the yacht trip and instead becomes a kind of companion to Cloe and chaperone figure for the girls, even though she is a similar age to them. Fliss’ narrative covers mainly her time with the family in the 1920s, although we also see her as an older woman revisiting the former Guinness estate that has now been turned over to a religious order.
I’ll admit to being unsure how this book would work – particularly how the mixture of fact and fiction would work. In fact, the story is beautifully presented and engaging, although it is slightly ironic that the character we get the most vivid sense of is Fliss, the fictional one. This isn’t really surprising though, as her personal story – including her relationship with her brother, Hughie, who is caught up in the Irish Civil War – is really the heart of this book.
Of the three Guinness Girls (Aileen, Maureen and Oonagh), the one developed the most as a fully rounded character is Maureen, so it came as no surprise to me to read the author’s note at the end of the book which explained that one of her main sources was someone who knew Maureen best. Indeed, Maureen is vividly rendered as someone who is quite spiky and willing to test the boundaries of her sheltered life – it is a clever device to place Fliss as being a similar age to her and so sharing her experiences most closely. Aileen, the eldest, is probably the most mysterious of the three, while Oonagh (the baby of the family) is mostly sweet and spends most of her time on childish pursuits.
I thoroughly enjoyed the story of the Guinness Girls as I followed them from the volatility of the Irish situation to the glamour of the Roaring 20s in London. It was really interesting to see the ways that their wealth protected them from the political situation up until the point they could no longer ignore the reality of what was happening on their doorstep. I also loved how the author presented the fact that the traditions of the aristocracy were slowly dying in the youth revolution of the 1920s – to be young and free and living life to the full was the most important thing and Maureen embodies this.
Obviously, this presents a narrow view of what life in the 1920s was like, but it is an exhilarating experience to be carried along with the beautiful people as they partied like it was 1929 (pre-Wall Street crash, of course!) The blending of historical figures with the fictional ones was also engaging – it was lovely to ‘see’ Nancy Mitford, Evelyn Waugh and Brian Howard among others.
This book left me desperate to learn more about the Guinness Girls – all of whom had absolutely fascinating lives after the period of this book. In many ways, I really wanted this book to be more fact and less fiction – the historical figures are interesting in their own right and Fliss’ story is perhaps less compelling than the other elements of the novel. However, as a piece of historical fiction based in fact, it does work and is engaging.
I would recommend this to fans of historical fiction – fans looking for heavy-duty non-fiction will not find the detail they want here as this isn’t the intention of the book. As a fictional insight into the lives of the wealthy and fortunate in an interesting period of Anglo-Irish history, it absolutely hits the mark.
Thank you to NetGalley and the publisher for a copy of this book in exchange for an honest review.
