This is a book I should have read and reviewed before now – apologies to the publisher and NetGalley for my lateness, but thank you for the review copy.
This is a beautiful piece of historical fiction set in Oxford during the First World War. Peggy and Maude are twin sisters who work in the bookbindery at Oxford University Press, very much part of the ‘town’. Despite this, Peggy is an avid reader, living with her sister on a barge stuffed with the bindery’s rejected books, and dreams of becoming part of the ‘gown’ side of Oxford – a scholar at the prestigious university where woman aren’t even given the degrees they earn. When war breaks out, the sisters’ lives change forever as the men of the town join the military and Oxford fills with refugees from Belgium and those injured in the fighting. Peggy might finally get her chance at her dream, but at what cost?
Happy publication day to this lovely Sapphic Regency romance!
After reading Ratcliffe’s ‘The Secret of Matterdale Hall’, I was delighted to be asked to read and review this book. Thanks to Bellows Press for my review copy – as always, opinions are entirely my own.
This novel centres on American Louisa Silverton, the daughter of a wealthy businessman whose investments aren’t looking too healthy. To secure the family fortune, Louisa is sent to England to make a lucrative marriage. However, rich men – especially those who are prepared to take a risk on an American with iffy finances – turn out to be a bit thin on the ground. Instead, Louisa finds herself caught up with the Davenport family who own the extensive but struggling Kenilborough estate – and, in particular, the Honorable Miss Sarah Davenport. Sarah is unconventional, headstrong and fighting for her family’s future. Can either Sarah or Louisa afford to risk their families’ futures for love?
I liked Pearse’s first book – ‘The Sanatorium’ – because of the claustrophobic atmosphere and the edge-of-your-seat tension levels. I had high hopes for this book, ‘The Retreat’, as this marks the return of detective Elin Warner in a different but equally remote setting.
Thanks to Kallie at Penguin Michael Joseph for inviting me on the blog tour for ‘The Birdcage’ by Eve Chase. Thanks too for my review copy of the book – as always, opinions are entirely my own.
This book was published by Penguin Michael Joseph on 28th April, 2022 in hardback, ebook and audio formats.
I’ve long been a fan of Gytha Lodge’s crime series featuring DCI Jonah Sheens so awaited the latest instalment with enthusiasm.
Thanks to Michael Joseph/NetGalley for my copy in exchange for an honest review.
The story opens with Jonah having a quiet drink in a pub garden when his peace is interrupted by the arrival of a teenage girl, Keely, covered in blood. She tells a story about her sister, Nina, who is missing. Jonah and his team scramble to find Nina, but Keely isn’t in any hurry to give up any clues. Instead, she relates the sisters’ story very much in her own time – and it is up to Jonah and the police team to work out whether Keely is a killer or a victim.
Welcome to my stop on the blog tour for ‘The Glorious Guinness Girls’ by Emily Hourican, a fascinating insight into the daughters of the famed Irish family.
With thanks to the publisher, Headline, for providing a copy of this book in exchange for an honest review.
The main draw for this book was the period of history it covers – primarily the 1920s. Throw in some glitz and glamour, some high society sisters from the famous brewing dynasty, lots of Bright Young Things and raucous parties and I was absolutely sold!
This book fictionalises the story of the Glorious Guinness Girls – three sisters from Ireland who were celebrated in the contemporary media for being beautiful, privileged and eminently newsworthy. They were the daughters of Ernest and Cloe Guinness and raised in wealth and luxury in Glenmaroon until the events of the Irish Civil War became a little too close to home. They then embarked on a round the world yacht trip before settling in London where the girls were ‘brought out’ as debutantes and attended some pretty wild-sounding parties.
The story is told from the point of view of a fictional cousin of the Guinness Girls, Fliss, who is invited to live with the family and so is witness to the girls’ lives in the twelve year period that the book covers. Although she lives alongside the family, it is clear that she isn’t one of them – she is not invited on the yacht trip and instead becomes a kind of companion to Cloe and chaperone figure for the girls, even though she is a similar age to them. Fliss’ narrative covers mainly her time with the family in the 1920s, although we also see her as an older woman revisiting the former Guinness estate that has now been turned over to a religious order.
I’ll admit to being unsure how this book would work – particularly how the mixture of fact and fiction would work. In fact, the story is beautifully presented and engaging, although it is slightly ironic that the character we get the most vivid sense of is Fliss, the fictional one. This isn’t really surprising though, as her personal story – including her relationship with her brother, Hughie, who is caught up in the Irish Civil War – is really the heart of this book.
Of the three Guinness Girls (Aileen, Maureen and Oonagh), the one developed the most as a fully rounded character is Maureen, so it came as no surprise to me to read the author’s note at the end of the book which explained that one of her main sources was someone who knew Maureen best. Indeed, Maureen is vividly rendered as someone who is quite spiky and willing to test the boundaries of her sheltered life – it is a clever device to place Fliss as being a similar age to her and so sharing her experiences most closely. Aileen, the eldest, is probably the most mysterious of the three, while Oonagh (the baby of the family) is mostly sweet and spends most of her time on childish pursuits.
I thoroughly enjoyed the story of the Guinness Girls as I followed them from the volatility of the Irish situation to the glamour of the Roaring 20s in London. It was really interesting to see the ways that their wealth protected them from the political situation up until the point they could no longer ignore the reality of what was happening on their doorstep. I also loved how the author presented the fact that the traditions of the aristocracy were slowly dying in the youth revolution of the 1920s – to be young and free and living life to the full was the most important thing and Maureen embodies this.
Obviously, this presents a narrow view of what life in the 1920s was like, but it is an exhilarating experience to be carried along with the beautiful people as they partied like it was 1929 (pre-Wall Street crash, of course!) The blending of historical figures with the fictional ones was also engaging – it was lovely to ‘see’ Nancy Mitford, Evelyn Waugh and Brian Howard among others.
This book left me desperate to learn more about the Guinness Girls – all of whom had absolutely fascinating lives after the period of this book. In many ways, I really wanted this book to be more fact and less fiction – the historical figures are interesting in their own right and Fliss’ story is perhaps less compelling than the other elements of the novel. However, as a piece of historical fiction based in fact, it does work and is engaging.
I would recommend this to fans of historical fiction – fans looking for heavy-duty non-fiction will not find the detail they want here as this isn’t the intention of the book. As a fictional insight into the lives of the wealthy and fortunate in an interesting period of Anglo-Irish history, it absolutely hits the mark.
Thank you to NetGalley and the publisher for a copy of this book in exchange for an honest review.
Welcome to my stop on the blog tour for ‘Ariadne’ by Jennifer Saint, a gorgeous retelling of the Ancient Greek myth of Theseus and the Minotaur (among many others!)
With thanks to Random Things Tours, NetGalley, the publisher and author for my copy of this book in exchange for an honest review.
From the Publisher:
‘My story would not be one of death and suffering and sacrifice, I would take my place in the songs that would be sung about Theseus; the princess who saved him and ended the monstrosity that blighted Crete’
As Princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister Phaedra grow up hearing the hoofbeats and bellows of the Minotaur echo from the Labyrinth beneath the palace. The Minotaur – Minos’s greatest shame and Ariadne’s brother – demands blood every year.
When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods – drawing their attention can cost you everything.
In a world where women are nothing more than the pawns of powerful men, will Ariadne’s decision to betray Crete for Theseus ensure her happy ending? Or will she find herself sacrificed for her lover’s ambition?
Ariadne gives a voice to the forgotten women of one of the most famous Greek myths, and speaks to their strength in the face of angry, petulant Gods. Beautifully written and completely immersive, this is an exceptional debut novel.
A truly spellbinding, epic story taking readers on an unforgettable journey. Perfect for fans of Circe, A Thousand Ships and The Silence of the Girls.
My Review:
I have always loved mythology and have dipped in and out of various versions of the stories, most recently enjoying Stephen Fry’s narrative in ‘Mythos’ and subsequent books. I am blessed (cursed?) with a memory like a sieve, so I don’t tire of the old stories and cannot always remember how they all fit together, so I came to ‘Ariadne’ with only a very vague understanding of the Theseus and the Minotaur myth upon which this is based, at least initially.
The story opens on Crete, where Ariadne and her sister live in the shadow of their authoritarian and deeply unpleasant father, Minos. The jealousy of the gods causes Ariadne’s mother to bear a minotaur child and this monster – trapped in a labyrinth under the palace – is fed with an annual sacrifice of Athenian youths. One year, Theseus (Prince of Athens) arrives with those to be sacrificed to the minotaur and Ariadne – blinded by love that she takes to be mutual – helps Theseus and changes the course of her own life.
That bit is just the start of the story! To cover it all would be too complex and also give spoilers, for there are several versions of the different myths and so Saint has made some intriguing narrative choices along the way. The story intersects with others that will be familiar to lovers of Greek mythology – I loved that Medusa made it in there, plus Daedalus and Icarus and so many others.
In Saint’s hands, each of these characters became human – I’ve never really felt the tragedy of Icarus’ fate before, or what it must have felt like for Ariadne’s mother to know she birthed the monster that is the scourge of Crete, or how Phaedra and Ariadne felt at having their sisterhood torn apart. Saint explores the emotions of these very human stories and the result is intensely moving.
What is also apparent is just how awful the Olympian gods are. Saint presents their jealousies, their fickleness and their downright cruelty – it becomes a familiar theme that mortals never come off best in their dealings with the gods. Even those who seem preferable at first glance – Dionysus, for example – have a darker side and their immortal life renders them problematic in their relationships with humans.
One hugely appealing aspect of this book was the feminist slant on the stories – in Saint’s capable hands, we are really made to feel the injustices meted out on the women of the novel by some pretty terrible men – both human and godly. This was something I was aware of already (I can recommend ‘Zeus is a Dick’ by Susie Donkin if you need enlightening on Zeus’ general tyranny, status as rapist and general shoddy conduct – it is a very funny book too!)
However, in Saint’s version, the women are constantly underestimated and often abused – yet remain strong and resolute in the face of hardship. Pasiphae, Ariadne’s mother, is a prime example of this as she rises above the malicious gossip about her and ultimately grows in strength. Phaedra, Ariadne’s sister and co-narrator of the book, is also a tough, honest and down-to-earth figure. I’ll admit I didn’t know of Phaedra before reading this book and was hoping for a different ending for her.
The main narrator of the novel is Ariadne herself and she is presented with realism and truth. She makes mistakes along the way, is too trusting at times, struggles with various situations she is presented with, is aware of her many failings – yet is also kind-hearted and a brilliant heroine of the novel. The fact it is narrated in first person allows us to really get under the skin of a figure who – in the original mythology – is rarely developed as a character in her own right, being more of a plot device within Theseus’ story.
This is a beautifully-told story that brings Greek mythology to life. The things I have struggled with in regard to myth retellings – the complexity, the huge casts, the flat characterisation – are stripped away here and the result is gloriously readable. This is definitely one myth that will remain firmly fixed in my memory which – given my track record – is a miracle!
It is also worth mentioning here that the hardback version of this book – with gorgeous gold detailing – is something that every book-lover would be proud to find a place for on their bookshelves…just saying!
About the Author:
Due to a lifelong fascination with Ancient Greek mythology, Jennifer Saint read Classical Studies at King’s College, London. She spent the next thirteen years as an English teacher, sharing a love of literature and creative writing with her students. ARIADNE is her first novel and she is working on another retelling of ancient myth for her second.
Happy publication day to ‘The Road Trip’ by Beth O’Leary – published today by Quercus.
I absolutely loved Beth O’Leary’s previous two books – ‘The Flat Share’ and ‘The Switch’ – and so was very happy to be granted an advance copy of this one by NetGalley in exchange for an honest review.
Welcome to my stop on the blog tour for Laura Purcell’s ‘The Shape of Darkness’.
This tour is organised by Random Things Tours and the book is published today (21st January)!
From the Publisher:
As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another… Why is the killer seemingly targeting her business?
Desperately seeking an answer, Agnes approaches Pearl, a child spirit medium lodging in Bath with her older half-sister and her ailing father, hoping that if Pearl can make contact with those who died, they might reveal who killed them.
But Agnes and Pearl quickly discover that instead they may have opened the door to something that they can never put back.
‘Dripping with atmosphere with a corkscrew plot, Laura Purcell just gets better and better’
STACEY HALLS
‘Darkly addictive and utterly compelling. Reading Laura’s books is like watching a horror movie where you have to keep hiding behind a cushion because you dread what is coming next, but you simply have to find out!’
RUTH HOGAN
‘Wow. I think it’s her best one yet and that’s saying something. A story of a woman haunted in every way possible, I think it’s a future gothic classic’
MARTYN WAITES
My Review:
I’ve loved Laura Purcell’s previous books so I am very grateful to NetGalley and the publisher for my review copy – as always, opinions are entirely my own.
Gothic spookiness is really my thing, so I have absolutely lapped up Purcell’s previous books – I particularly liked ‘The Corset’ and ‘Bone China’ where the creepiness focused on inanimate items that seem to have more power than they should. I was expecting something similar from ‘The Shape of Darkness’, but feel that this book delivers something different altogether.
In this novel, our main character, Agnes Darken, is a silhouette artist working in early-Victorian era Bath. She has struggling health and relies on her art to support the family she has been left with after the death of her sister, Constance, a number of years earlier. However, bad things start happening to those who sit for her silhouettes and – as mysterious deaths begin to stack up – she searches for answers from a medium who seems to be able to communicate with the dead. The dead speak through a strange child, Pearl, and Agnes gets caught up in the girl’s own problems with devastating consequences.
One of the real strengths of this book is the way that Purcell ramps up the spookiness. This is a book absolutely packed with memories of the dead and their ghosts – the séance scenes are genuinely creepy and the tension is high for a lot of the novel. It certainly kept me reading as I wanted to understand the strange events and occurrences – as a life long cynic, I was desperately trying to find rational explanations for what was happening (often with no success!)
Another element that I really enjoyed was the sense of mystery – as murder mysteries are my favourite genre, I was absolutely engrossed by trying to work out who was behind the deaths and even if there was a logical pattern or set of clues to latch on to. Every time I felt that I was getting close, Purcell whipped the rug out from under my feet and I would have to start again while balancing the supernatural possibilities. There were a lot of twists and revelations and my head was spinning a bit by the end!
The period details were also well integrated into the novel – it felt like a real historical world, although I don’t know that it was specifically Bath as I don’t know that city. The gloom of the houses, the dirt and danger of the streets, the domestic details – everything felt authentic. In fact, some of it was rather stomach-churning – Pearl’s father’s illness, for example, is described in rather gruesome detail.
I did struggle a little with the fact that Agnes was not a particularly strong character – I like my protagonists with a bit more sass, whereas Agnes was weakened by her recent illness, pining for a man and seemed to mostly accept her role as subservient female. I do understand that this was the societal norm, but I longed for her to stand up and do something at times.
Overall, this is a beautifully written, well-researched and engaging Gothic novel. It hits the spot for those who like a bit of supernatural terror while also being absolutely rooted in the grim everyday realities of those living in fairly poor conditions in the 1850s. It’s cleverly plotted and will certainly keep you racing through the pages to the end.
About the Author:
Laura Purcell is a former bookseller and lives in Colchester with her husband and pet guinea pigs. Her first novel for Raven Books, The Silent Companions, was a Radio 2 and Zoe Ball ITV Book Club pick and was the winner of the WHSmith Thumping Good Read Award, while her subsequent books – The Corset and Bone China – established Laura as the queen of the sophisticated, and spooky, page-turner.
