I loved ‘Miss Aldridge Regrets’, the first novel by Louise Hare to throw singer Lena Aldridge into a new role as detective on board a transatlantic liner bound for New York in 1936. This second book, ‘Harlem after Midnight’, picks up the story of Lena’s arrival in New York with new beau and ship-board musician Will Goodman.
Thanks to NetGalley for my copy of the book in exchange for an honest review.
Continue reading Book Review: ‘Harlem After Midnight’ by Louise HareWelcome to my stop on the blog tour for ‘Cut From The Same Cloth’, a fascinating collection of Muslim women’s writing about their experiences of life in Britain.
With thanks to Random Things Tours for my copy of the book in exchange for an honest review.
From the Publisher:
● Perceived as the visual representation of Islam, hijab-wearing Muslim women are often harangued at work, at home and in public life yet are rarely afforded a platform to speak on their own terms.
● From modern pop culture to anti-Blackness, faith and family, politics, education, creativity and working life; Cut From The Same Cloth? Is an anthology which gives visibly Muslim women creatives a space to speak to the matters that mean most to them.
Do you wear that at home? Where are you really from? Does he make you wear that? Do you support acts of terror? Do you believe in ‘British values’? Can I see your hair? Do you have equality? Are you hot in that? Can you be a feminist? Why don’t you just take it off? Do you wear that in the shower? Are you oppressed?
Whether it’s awkward questions, radical commentators sensationalising their existence, non-Muslims and non-hijabis making assumptions, men speaking on their behalf, or tired stereotypes being perpetuated by the same old faces: hijabis are tired. Cut from the Same Cloth? seeks to tip the balance back in their favour, with the space to offer honest insight into the issues that really affect their lives.
Here, twenty-one middle and working class contributors of all ages and races look beyond the tired tropes, exploring the breadth of their experiences and spirituality. It’s time we, as a society, stopped the hijab-splaining and listened to the people who know.
It’s time for change.
My Review:
Having just read ‘The Seven Necessary Sins of Women and Girls’ by Mona Eltahawy, leading Egyptian/US feminist (review here), I was intrigued by her discussion of intersectional feminism and her Muslim faith. Therefore, I jumped at the chance to read this collection of essays by Muslim women which focuses more on Britain than Eltahawy’s (excellent) book.
The essays are very wide-ranging and discuss an array of topics important to Muslim women living in Britain today. The writers each give their unique takes on issues from their own individual experiences – and the results are as varied and fascinating as you would expect.
From reading about how Covid-19 has impacted one woman’s experience of Ramadhan, to discussions on modesty, Muslim motherhood and witnessing the tragedy of Grenfell, this is a collection of essays that are continually engaging and thought-provoking.
As the essays are so wide-ranging, it is difficult to review the overall collection in a meaningful way. However, for me, the most eye-opening pieces of writing were those that catalogued actual lived experiences. The eye-witness account of Grenfell was heartbreaking to read and it was genuinely shocking to hear about the racist treatment of Black African Muslim women in Britain. The concept of misogynoir – the fact that Black women face a double oppression based on their gender and race – really came into sharp focus.
I’ll admit to (shamefully) not knowing much about Islam, so it was enlightening for me to be able to understand more about how religion impacts women’s lives. I didn’t always understand the choices that the women made – as a white, non-faith Brit, this was outside of my own experiences – but it was always interesting to see how other British women live their lives.
It is important to note that this isn’t a book to explain or justify choices made by Muslim women – one of the early essays states absolutely correctly that ‘I am not an essay to show your friend “what Muslims think about X”.’ Instead, the essays were as unique as the women themselves and I loved them.
I’d recommend this anthology to anyone interested in women’s lives and experiences in 21st century Britain. There is some levity and humour, but mainly the collection highlights the difficulties and challenges that Muslim women navigate every day – the Islamophobia, the misogyny, the racism – and it is a powerful book.
About the Editor:
Sabeena is a writer, editor and the Festival Coordinator of Bare Lit, the UK’s principal festival celebrating remarkable writers in the diaspora. She is also the co-founder of the Primadonna Festival which spotlights the work of women writers, and of Bare Lit Kids. She will be available for events around publication, and can be found tweeting at @pocobookreader
