Although I’ve been a long-time fan of Margaret Atwood’s novels, I hadn’t really read much of her poetry before this. Thanks to NetGalley for the audiobook version (narrated by Atwood herself) – I did also buy the hardback version as I think I take things in differently through reading and listening. I can recommend both formats though!
This collection of poetry was published in 2020, a year after Atwood lost her long-term partner to dementia, and the poems do understandably focus on loss, grief and ageing. However, the poems were written between 2008 and 2019 and so do also have a wider scope of Atwood’s interests and concerns, among them the environment, attitudes to female bodies and the nature of memory.
Although some of the poetry is bleak, it is not without hope and the trademark flashes of dry wit for which Atwood is famous, such as in ‘Everyone Else’s Sex Life’ – and I like to think you can hear this in Atwood’s deadpan, drawling delivery of the poems.
There are some very powerful poems in the collection and I was glad to have had the hardback book to fall back upon to read the lines again and think further about them – I am not sure the audiobook, while slow paced in its narration, really gives readers the time to absorb the poetry. For this reason, I think repeated listening would be necessary.
Particularly poignant for me was the longer poem, ‘Songs for Murdered Sisters’. This was written for the baritone singer Joshua Hopkins ‘in honour of his own murdered sister’ (as we only find out in the acknowledgements at the end of the book). This poem moves – in clearly delineated sections – from the sense of absence and grief through anger to remembrance and acceptance. It’s a striking poem that stood out to me on first listen and one I’ve gone back to.
I can’t even pretend to have absorbed and fully understood all the poetry in this collection yet. I think it is one that I will need to return to many times, yet I can say that I found the first reading very engaging, thought-provoking and moving. I’m not a crier, but definitely had a lump in my throat for some of the poems!
As other reviewers have commented, the narration by Atwood is quite flat and without much emphasis. I don’t see this necessarily as a negative – I have heard Atwood read her work before so kind of expected the monotone delivery. Instead, I think her reading of the poems allows listeners to build their own interpretations of the words – and the poetry is strong enough that it packs a punch even without the narrator giving us clues through the reading.
I would recommend this book to anyone who enjoys poetry or who shares Atwood’s concerns – and actually many of the themes are universal. What I would say is that the poetry collection is absolutely 5-star-excellent. However, I’m not wholly convinced that the audiobook is quite the right format for the poetry so I’d recommend it ideally in conjunction with a printed copy – for me, the audiobook is a 4 star presentation of 5 star material.
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Hardback version:
Audio version:
