I do love historical fiction and the promise of a book set around high society in the 1700s including a Grand Tour of Europe really appealed.
This novel follows twins Edgar and Benjamin Bowen as they attempt to ingratiate themselves into high society by making connections on a Grand Tour. The narrator, Benjamin, is a much more reluctant participant on this quest than his brother but, armed with their mother’s guide book of Europe and their extensive education, off they go. It’s only when they get to Paris that they realise they aren’t ever going to be accepted – a revelation about their family history and society’s snobbishness about their business background see to that. Then Benjamin meets the eponymous Mr Lavelle and his world is turned upside down by the experiences of first love.
This is well written and an engaging read. Although Horace Lavelle is infuriating (a kind of pretentious Sebastian Flyte figure – and I mean that in a good way!), the book is more about Benjamin and his maturation away from the suffocating influence of his mother. I’d have liked a bit more historical colour to the book personally – a lot of the characters felt quite modern, but I can’t really put my finger on why I felt this. I’d have also loved to hear more about the varied and glorious settings.
Overall, this is an engaging and well paced read. The experiences of an intoxicating first love affair are well portrayed and the book certainly raises some ideas for further reflection. The sense of the persecution of gay men in that historical period is shocking and certainly makes the reader think about how far society has come since then: sadly, not as far as we should have.
I received a free copy of this novel from NetGalley in return for an honest review.
I’ve long admired Elly Griffiths’ writing and this novel is no exception. This was published in October 2019 and is one of the Max Mephisto series – Griffiths also writes a contemporary crime series.
This is the fifth installment in Elly Griffiths’ historical crime series set in mid-twentieth century Brighton. I’d read one of the previous books but think this one could probably be read as a standalone because the opening scene, a funeral, brings together all the key players and brings us up to speed with the back story.
This novel centres on a series of disappearances – young women and girls are going missing in Brighton and the police have no leads. Throw into the mix a bored superintendent’s wife (herself a former police detective), a nosy journalist and the celebrated magician, Max Mephisto, and the result is an interesting (if slightly sedate) investigation to find those who have vanished.
The novel is set in 1964 against a backdrop of the mods and rockers clashes on Brighton seafront. The historical detail is convincing and the restrictions on being a woman in this time period are portrayed well – Emma is suffocating as ‘just’ a wife and mother and there is the sense that things need to change for her and the younger women in the novel before Meg – a police officer of much promise – follows the same path.
Overall, this is an engaging and gentle crime story – a bit slow in places and ultimately forgettable, but an enjoyable read. I’d personally have liked more crime and less on the personal lives of everyone involved, but that’s my personal preference and there is a lot here to like.
I received a free copy of the novel from NetGalley in return for an honest review.
It’s fair to say that 2020 isn’t going quite as any of us expected. The silver lining in what has been a hideous and staggeringly enormous cloud has – for me – been the opportunity to read more and enjoy some brilliant books.
I set my Goodreads challenge at 100 books for the year and am already on 68, way ahead of where I expected.
Of these, I gave 10 of them five star reviews, so this seems a good time to share with you the books I couldn’t put down this year. They are certainly a quirky, diverse and interesting mix!
In chronological order of when I read them as I cannot possibly rank these books!
‘Difficult Women: A History of Feminism’ by Helen Lewis (published February 2020)
I thought I was pretty good on my history of women’s rights and feminism, but found plenty in this eye-opening, thought-provoking and engaging book that was new to me.
In the book, Lewis charts key moments in women’s history through 11 ‘fights’ – key moments in history when the titular ‘Difficult Women’ have stood up and made change happen in society. These changes range from divorce laws protecting women’s rights to have access to their children and property, the availability of safe and legal abortions, gaining votes for women after World War 1, establishing refuges for victims of domestic violence, achieving equal access to education and the changing roles of the female workforce. Each of these struggles is a separate chapter, with Lewis introducing us to some of the ‘difficult women’ who led the various movements.
What I loved about this book was that the stories told weren’t the usual ones. For every Pankhurst in the chapter on votes for women, there were a whole host of lesser known but still fascinating women who played important roles in achieving the women’s vote in 1918. I felt that I’d learnt about a whole new cast of feminists and so many different perspectives on feminist ideology. Lewis doesn’t try to convince us that these women were perfect – she tackles head on some of the contradictions of feminism and the internal disagreements, for example not shying away from Marie Stopes interest in eugenics or the suffragettes willingness to do violent and terrible things to achieve their aims.
I’d wholeheartedly recommend this book to anyone with an interest in women’s history or changing place in society. The book isn’t – and doesn’t claim to be – an exhaustive history of feminism, but it is lively and entertaining, well-researched and engrossing. The topics covered are fascinating and Lewis is a witty, perceptive and clear-sighted guide through some tricky subjects.
‘The Switch’ by Beth O’Leary (published April 2020)
Wow, this was an absolute treat! I enjoyed O’Leary’s first novel but this one is even better. It’s not a genre I usually read, but I couldn’t resist this big-hearted, charming, touching story of a life swap between grandmother and granddaughter.
Lena Cotton is a high-flyer in London and supposedly living a dream life with her high-powered job, handsome boyfriend and trendy warehouse flat in Shoreditch. When a presentation at work goes wrong and she is told to take a two month sabbatical, she retreats to the Yorkshire village where her mother and grandmother live, each dealing in their own ways with a family tragedy. The grandmother in question, Eileen, is at the centre of village life, always organising and busy but unsuccessfully looking for love. When the two agree to swap lives for the two months of Leena’s leave, neither foresee the results of their quirky experiment.
The novel is packed with lucky coincidences and chance events that make everything perfect and neat, but that (which I thought might annoy me) was just lovely. What makes the book, however, is the cast of characters. They are a great and astutely observed bunch of people and they become like friends in a way that reminded me of the eclectic mix of family and friends surrounding Bridget Jones (another book I love). The plot was predictable in places but always charming and touching – it didn’t shy away from the subject of grief but without becoming maudlin or mawkish.
I’d highly recommend this to anyone who wants a big slice of comfort reading. Its engaging and humorous, life-affirming and reassuring that it’s never too late to find your place in the world.
‘The Graves of Whitechapel’ by Claire Evans (published June 2020)
I’ve already published this review on here and raved about this book on Twitter, but – for completeness – here it is again!
I really liked Claire Evans’ debut novel, ‘The Fourteenth Letter’, but I think this one is even stronger. It’s a twisty and tense murder mystery set on the streets of Victorian Whitechapel – what’s not to love?!
It’s 1882 and Cage Lackmann is a corrupt lawyer. Although he does some work to defend the innocent, he also fights legal cases to acquit gang members as he is in the pay of a powerful man. When one of his ‘innocent’ defendants is accused of committing a second murder, Cage is in trouble. The police want to frame him, his customers are abandoning him and he is in a race against time to get the evidence he needs. Everyone has secrets and Cage has to work out who he can trust with his own.
I loved everything about this book! I kept thinking I’d figured it all out, only for the rug to be pulled from under my feet the next second. The depiction of gritty, grimy, seedy Whitechapel is great – this is a place where loyalties can be bought and sold, everyone has a price and violence is rife. That said, this isn’t a depressing book – it’s clever and engaging and fast-paced. I read this in a day and would recommend that any lovers of historical crime do the same – clear some time in the diary and settle down for an absolute treat.
‘A Curious History of Sex’ by Kate Lister (published February 2020)
(Mum, you can skip this review!)
I first found Dr Kate Lister on Twitter through various other historians on the site – history is one of my passions and I loved the quirky and often funny things that she posted using her ‘Whores of Yore’ account. When I found that she was writing a book – crowdfunded through the brilliant publisher Unbound – it seemed obvious that I’d sign up and support the project. Doubly so when she donated half her profits to the Basis Sex Work Project in Leeds – a charity supporting sex workers. As an early supported, my name is in the back of the book – very exciting!
(Incidentally, you can find new projects and support your own books on Unbound’s website here.)
The (long-awaited) finished book is absolutely brilliant. It is far from encyclopaedic as that was never its intention – instead, it picks up a variety of issues in short, engaging chapters. Kate Lister is very funny and her take on the history behind various sexual topics is eye-opening (sometimes eye-watering!) and absolutely engaging. These areas of focus range from medical history to cultural practices, from FGM to prostitution, from Victorian prudery (mostly a myth) to feminism and they’re all fascinating.
The fabulous hardback copy I have contains a lot of images to support Lister’s text and it’s probably sufficient to say that it is one to shelve way out of the kids’ reach!
This is an absolutely fantastic book on the history of sex and one I would recommend to anyone interested in social history. It’s well-researched and academic, but also gloriously readable.
‘Broken Silence’ by Liz Mistry (published April 2020)
Another one that I’ve already championed on this very blog, but review posted here again:
I’d not read any books by Liz Mistry before this, but I’ll certainly be looking for more! This is the second in a series featuring DS Nikki Parekh and, although there are references to the backstory, I don’t think its essential that you have read the previous novel.
After a multi-agency conference, police officer Felicity Springer leaves the venue for her drive home. As she heads through the country lanes, she sees someone trying to get her attention from inside the van in front. Felicity Springer doesn’t make it home and an investigation is launched into her disappearance. However, that proves just the tip of the iceburg and DS Nikki Parekh and her team are thrown into a complex and dangerous investigation in Bradford’s criminal underworld.
I’ll admit that this is a bit more gritty and grim than my usual reads, but it’s also compelling and very pacy – I kept planning on reading one more chapter to see what happened until I realised it was 3am and I should just finish the book! I liked the portrayal of multicultural Bradford and the diversity within the police team and Nikki herself is an interesting protagonist. Often the personal lives of the police officers can overshadow the actual crime story in this kind of novel but this never happens here – the plot is tight and twisty throughout.
I’d recommend this to anyone who likes police procedurals, especially those with a feisty female police officer in charge. Just don’t pick up this book unless you have a clear run of reading time in which to finish it because you absolutely won’t want to put it down.
‘Grave Secrets’ by Alice James (to be published September 2020)
A full review for this one will follow closer to publication date. However, let’s just say that this one is an absolute treat for those who loved the Sookie Stackhouse ‘True Blood’ books and TV series. This is a brilliantly British take on vampires and zombies with plenty of humour and a great female lead. It’s also worth me pointing out that this is outside of my usual genres but it totally won me over.
Definitely one to watch out for!
‘This is Shakespeare’ by Emma Smith (published April 2020)
This is another book I’ve talked about on the blog before, but it definitely warrants repeating here.
Professor Emma Smith is a Shakespeare expert and Oxford University lecturer who I had only encountered previously as a result of her ‘Approaching Shakespeare’ podcasts. She really knows her subject inside out, but the refreshing thing about this book is the lightness of touch. I’ve read a lot of books on Shakespeare (it comes with the English graduate and teacher territory), but few are as engaging and readable as this one without skimping on the academics.
In this book, Professor Smith takes the plays one at a time and presents a shortish essay/chapter on each. These essays are ordered roughly chronologically, although obviously we can never be entirely sure of the exact order in which the plays were produced. Each chapter addresses a play from a different or unusual perspective, so opens out some interesting thoughts about Shakespeare’s biography, sources, intentions, themes, characters…the list goes on and Professor Smith takes the essay wherever is interesting rather than having any particular set formula for her writing. This means she moves between topics fluidly and avoids labouring points.
Her approach is always rigorously academic and scrupulously referenced, yet full of humour and surprising elements – I loved her defence of Keanu Reeves’ acting in ‘Much Ado about Nothing’ on the basis that it is his character rather than Keanu who is as wooden as a wardrobe! She never shies away from more controversial ideas either, such as the idea that if ‘The Tempest’ was Shakespeare’s swansong and the character of Prospero intended as parallel to Shakespeare himself (as is a commonly accepted idea), then perhaps we wouldn’t have liked Shakespeare (as a man) much. In other essays, she identifies plot holes, discusses source texts and how reactions to plays have changed over the 400 years or so since they were written. The idea isn’t that this is a definitive guide, but that the plays cannot be pinned down and explained as they continue to develop different meanings to different audiences.
I feel that I’ve written a lot about this book without really grappling with even a fraction of the fascinating ideas put forward. It certainly gave me a lot to think about in relation to the Shakespeare plays I know and love, but also a way into the ones I don’t know so well. It even made me reconsider the plays I know and really don’t love!
This is a fantastic book about Shakespeare for everyone from the casual reader to Shakespeare fans, from those who want to know a bit more about their favourite play to those engaged in academic study. It is entertaining, surprising in places and entirely readable – not a given for books in this field usually.
‘Dead Famous: An Unexpected History of Celebrity’ by Greg Jenner (published March 2020)
Greg Jenner is another historian that I was following on Twitter. He’s worked extensively on the BBC’s ‘Horrible Histories’ TV series for children and I loved his humorous, quirky takes on aspects of history. ‘Dead Famous’ is his second book, the launch of which was blighted by the start of lockdown, so I quickly bought myself a copy of the hardback.
Jenner starts with the concept of ‘celebrity’, a strange idea in itself. He tries to pin down what this means and apply it to historical figures, a process that leads him to conclude that the idea of modern celebrity can be traced to the 1700s. From this point, he introduces the reader to a range of historical celebrities, always seeking out the interesting and unusual stories. Clara the Rhino, the obsession with a ballet dancer’s ears, warring Shakespearean actors…they’re all here!
What I liked in particular is that this isn’t a chronological account; Jenner skips between stories and makes links between diverse ideas with ease and it is a joy to follow where he leads. Although some of the stories are tragic, Jenner writes with academic rigour and also humour where appropriate and there are accompanying illustrations and photos that really bring the stories to life.
Another highly recommended history book for those who want to be engaged, entertained and utterly engrossed.
‘The Miseducation of Evie Epworth’ by Matson Taylor (published August 2020)
Another one I’ve written about before, but this is a comic classic in the making.
This book was an absolute delight! I thought it would be a humorous ‘chick-lit’ type book (although I hate that term), but instead I got a charming coming-of-age story that made me laugh and love the main character. Evie Epworth has been compared in other reviews to the great Adrian Mole as a brilliant, naive, fictional teenage narrator and I can definitely see the similarities. However, Evie has a voice and quirks that are all her own!
Sixteen-year-old Evie lives on a farm in Yorkshire with her father and Christine, a gold-digging ‘scarlet woman’ who is making changes to Evie’s (dead) mother’s farmhouse that Evie is really not happy with. The plot follows Evie’s attempts to rid herself of Christine and also to find her own way in a world full of choices.
As mentioned already, Evie is a lovely narrator and this gives the book warmth and depth. However, the joy of the book for me was in the comic characters – the plot is hardly complex, but Evie’s 1960s Yorkshire village is brought to life by the people. Christine is gloriously awful, a vision in garish pink, while other villagers are hilarious – I have a particularly soft spot for Mrs Swithenbank and her digestive issues! The humour is somewhat broken up by the poignancy of Evie’s mum’s story being included in the story as interludes to Evie’s narrative, but this also adds depth to the novel and another reason why the terrible Christine needs to go.
I really loved this book – it made me laugh and root for Evie as she navigates her tricky teenage landscape. This is a charming novel and one that is both genuinely funny and a comforting read in turbulent times.
‘Death in the East’ by Abir Mukherjee (published November 2019)
The review is elsewhere on this site, but worth repeating:
I don’t know why it took me so long to pick up this book! Now I’ve read it – the fourth in the series featuring Captain Sam Wyndham and his Sergeant, Surrender-Not Banerjee – I’ve fallen in love with the series and shall immediately be making up for lost time with the other books. Although it would have been good to read these in order, I didn’t feel that I was disadvantaged by reading this one first – it works as a standalone, I think.
At the start of this book, Captain Sam Wyndham of the Calcutta Police is in a state – he is an opium addict who is taking himself off to an ashram in rural India in order to break his addiction through a frankly barbaric vomiting cure. It’s 1922 and the story mostly covers Wyndham’s experiences at the retreat and then afterwards in a neighbouring town where he gets embroiled in investigating a crime. However, the story is also partially set in 1905 in Whitechapel in the East End of London where a young Sam Wyndham, a new Metropolitan police officer, is involved in solving a crime that has echoes and repercussions for him later in India.
I really loved the Indian setting of this book – it seemed at once exotic and interesting, but there was also a sense of the simmering resentments around the British Raj which added a frisson of danger to the proceedings. It was interesting to see the white privilege in action in the way that Wyndham was treated very differently to Banerjee in the expat community, even though Banerjee was meant to be the main investigating officer at one point. The characters are well drawn and I cannot wait to get into the other books to find out more about Banerjee in particular as he does not feature heavily here. There’s clever plotting, peril and vibrant description – what more could you want?!
My only quibble was that I solved the murder and worked out the method well ahead of poor Captain Wyndham, but when the novel is so beautifully written as this then that really doesn’t matter.
Overall, this is an excellent historical crime novel with real depth and interest. I would recommend it wholeheartedly to anyone who enjoys this genre or who wants more insight into the British Raj in India – it certainly is an eye-opener on this front!
So there you have it – 10 great books that have really kept me entertained during the year so far. I hope that you have found some inspiration and I’d love to hear about your own five star reads of 2020.
If these books sound like they are up your street too, please do follow my blog!
Aside from ‘Dead Famous’, ‘The Curious History of Sex’ and ‘This is Shakespeare’ (which I bought with my own hard-earned pennies!), books were provided free from NetGalley in exchange for honest reviews.
I’m so glad I found the Bitter Lemon Press, publishers of this little gem of a book. They produce a fantastic range of dark crime novels both set in and from places around the world – their catalogue can be viewed here. They gifted me this book in exchange for an honest review but, as always, opinions are entirely my own.
This is the first in a series featuring Inspector Hella Mauzer, the first female police officer to gain this position in the Helsinki Homicide Unit in 1948. For reasons that become evident, she has been sidelined into a much less prestigious policing job in Ivalo, a dull city that has jurisdiction over remote and rural Lapland (where the majority of the novel is set).
The book opens in 1952 when a man is reported missing to the Ivalo police team. Hella’s boss, Chief Inspector Eklund, is keen to close off the case file as a tragic accident and retain his 100% crime resolution rate, but Hella has other ideas. Travelling into remote Lapland on her own time, she uncovers a case that has far-reaching implications, a story of people’s hidden pasts, the politics of the Cold War and a situation that is far from what it seems.
One of the things I loved about this book is the character of Hella. She is incredibly determined, spiky and often downright rude, but she definitely grows on the reader! It is very satisfying to see her – over the course of the novel – use her intelligence and bravery, but also to begin to build relationships and develop a slightly warmer side. Sadly, Hella is entirely fictional – no woman in Finland made it to that rank in the police at that time.
The setting of the novel is also vitally important to the plot – this is a narrative that simply could not have happened anywhere but the wild and remote Lapland captured so beautifully by Ivar. On the one hand, it seems rustic and romanticised, but the reader is never in any doubt that the bleak and bitter conditions are highly dangerous. The remoteness of the area that Hella is investigating also adds tension to the novel; there is no easy communication or back-up for this lone female officer in the wilderness.
The plot starts slowly and Ivar sets the scene carefully. It is precisely because Hella has been cast off from the Helsinki Homicide Unit and is bored and patronised by fellow officers in Ivalo that she ends up in the situations that she does. The pace is fairly slow at the start, although this all changes as Ivar gradually ratchets up the tension later in the book.
I’d recommend this to anyone who enjoys the Nordic Noir genre. I’m a huge fan of this type of crime fiction and of the country of Finland itself (which is what brought me to this book in the first place). The book is a slow-burner but delivers a compelling tale of a pioneering police officer in an interesting historical era for her country.
I’d never read anything by Elizabeth Gilbert before as her most famous book, ‘Eat, Pray, Love’, doesn’t fit in with my usual genres. However, this one – published in April 2020 – is a lovely piece of historical fiction with a fabulous heroine at its heart.
I was drawn to this book as it promised a fun and light read in the world of New York's theatrical world. I thought it would be an ideal escapist book for these tricky times.
The first part of the book absolutely delivers this. The narrator, Vivian Morris, is upbeat and cheerful in telling the story of her arrival in New York in 1940. Freshly expelled from her university course for minimal effort, she goes to stay with her Aunt Peg, an eccentric family member who runs a dilapidated theatre. Vivian soon makes friends with the showgirls and starts living the high life in a city full of men and alcohol, far away from the war raging in Europe. I loved this bit of the story - the theatre people and Vivian's joie de vivre make for compulsive and upbeat reading.
The tone shifts a bit in the second part of the book as Vivian ages and there is more of a war theme. I'll admit to not enjoying this bit as much, although it's beautifully written and quite touching.
Overall, this is an evocative and compelling novel with a really unique heroine at its heart. I'd recommend it wholeheartedly although it didn't quite deliver the consistent high I was looking for. However, that's just my personal preference for fabulous glitz rather than the sad impact of war.
I received a free copy of the book from NetGalley in return for an honest review.
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This book will be released on 20th August and is well worth a read! A fascinating moment in India’s history and the first female police inspector – a perfect combination!
I really hope this book marks the start of a new series by Vaseem Khan. It's a great story and one book featuring the indefatigable and charming Inspector Wadia is simply not enough!
The story opens on New Year's Eve, 1949 in Bombay. As the clock ticks over into a new decade of Indian independence, Inspector Wadia is called in to investigate the murder of an important British diplomat, Sir James Herriot. Initially, it seems that Inspector Persis Wadia has been called precisely because no-one has any faith in her to actually solve the crime (she is India's first female police officer), or in the bunch of misfits she works with at Malabar House. However, she is determined to prove her worth and unwilling to give in until she has uncovered the truth.
It's this determination that makes the pioneering Inspector Wadia such an interesting character. She really has the odds stacked against her, but uses her intelligence, humour and sheer bloody-mindedness to take on an extremely politically sensitive case - Khan does not skimp on the history of India and Empire that have led to this precarious situation so there is plenty of explanation for those of us less well-versed in the politics. However, the book is far from being simply a history lesson - in Persis Wadia, we are treated to a very human and realistic character grappling admirably with a situation way beyond her control. We see her own struggles - including her strained relationship with her father and a rather sweet and inept flirtation with another investigator - and like her all the more for it.
I'd recommend this book to anyone who likes historical crime fiction with plenty of heart. The setting is interesting, the characters are engaging and the plot is well-constructed. You - like me - will end the book wondering what is next for Inspector Wadia and very much looking forward to finding out.
I received a free copy of the book from NetGalley in return for an honest review.
Today’s post is all about my absolute favourite genre: historical crime fiction. I love the pace and puzzle of the investigations, but also the rich texture of the historical settings.
While a Victorian setting is usually my go-to, I’ve found and enjoyed a whole host of excellent series covering a much wider time period – although (spoiler alert) I really can’t get on with the Tudors so there are some very popular series missing from my list!
With that little proviso up front and in no particular order, off we go with the historical crime series that I would choose over all others…
Blood and Sugar by Laura Shepherd-Robinson
1. LAURA SHEPHERD-ROBINSON’S GEORGIAN LONDON SERIES.
Firstly, a plea for you to read Laura Shepherd Robinson’s absolutely amazing ‘Blood and Sugar’. Set in London in 1781, this is an atmospheric page-turner that, while taking in slavery and a horrific murder, is so beautifully written that you won’t want it to end. The publication of the sequel, ‘Daughters of Night’, has been pushed back to January 2021 because of Covid, but I cannot praise it highly enough – and you will want to have read the first one before it comes out.
2. C.S. HARRIS – THE SEBASTIAN ST CYR GEORGIAN MYSTERIES.
What Remains of Heaven by C.S. Harris
A bit lighter than Shepherd-Robinson’s series, C.S Harris’ series is also set in Georgian England towards the end of George III’s reign and through into the Regency. Sebastian St Cyr, Viscount Devlin, is the dashing but damaged hero and there is a romance sub-plot alongside the mysteries that make these books compelling. Start with ‘What Angels Fear’ and work through the series in order – there are 15 books to enjoy in total.
Stack of mystery novels set in Georgian England
3. IMOGEN ROBERTSON’S CROWTHER AND WESTERMAN SERIES – GEORGIAN ENGLAND.
Without wanting to sound obsessed with the Georgians, this is another great series set in that time period. It pairs an unlikely duo, the lively and spirited Harriet Westerman and a reclusive anatomist Gabriel Crowther, to solve a series of murders. The first book is ‘Instruments of Darkness’ and it’s a brilliant opener to an engaging series.
4. ALAN BRADLEY’S FLAVIA DE LUCE SERIES SET IN 195OS RURAL ENGLAND.
Coming slightly more up to date is the charming and witty crime series featuring 11 year-old sleuth and amateur chemist, Flavia de Luce. If you’re not sold on the idea of a child detective, then hear me out – nor was I, but Flavia is feisty and funny and these books are a lovely, cosy crime series. The setting is an idealised 1950s England full of eccentric characters and secrets for Flavia to uncover. The series begins with ‘The Sweetness at the Bottom of the Pie’ and establishes Flavia’s dysfunctional family beautifully.
5. (NOT PICTURED) E.S. THOMSON’S JEM FLOCKHART SERIES SET IN VICTORIAN LONDON.
Jem Flockhart, apothecary and focus of E.S. Thomson’s series, is a fascinating character – a woman living as a man in Victorian London in order to be able to practise her trade and live in relative freedom. The mysteries, starting with ‘Beloved Poison’, are quite dark and a bit gruesome, but also fascinating and tense.
6. CLAUDE IZNER’S VICTOR LEGRIS SERIES SET IN LATE VICTORIAN-ERA PARIS.
Starting with ‘Murder on the Eiffel Tower’ and translated from the French, this is a series following Victor Legris, a Parisian bookseller, as he solves crimes in an evocatively-presented 19th century setting.
7. (NOT PICTURED) AMBROSE PARRY’S WILL RAVEN SERIES SET IN VICTORIAN EDINBURGH.
Ambrose Parry is a pseudonym – these books are written by a husband and wife, crime writer Chris Brookmyre and consultant anaesthetist Dr Marisa Haetzman. The main character, Will Raven, is a medical student in Victorian Edinburgh where the atmosphere is dark and sinister. Be warned that the writing is forensic and graphic so this isn’t for the faint hearted. ‘The Way of all Flesh’ is the first book and there is a recently published sequel, also excellent.
Two historical crime novels
8. ABIR MUKHERJEE’S WYNDHAM AND BANERJEE SERIES STARTING IN 1919 INDIA.
This series, starting with ‘A Rising Man’, is an eye-opening and always immersive trip through a period of British rule in India. Primarily focused on Calcutta, the detectives are British policeman Captain Sam Wyndham and his Indian sergeant, Banerjee. The historical setting is beautifully drawn and the political events of the period make a fascinating backdrop for the murder investigations while also providing a light-touch education on the history of empire. The fourth book in the series has just been published.
9. DEANNA RAYBOURN’S VERONICA SPEEDWELL SERIES SET IN VICTORIAN ENGLAND.
Veronica Speedwell is a highly unconventional heroine living an unlikely existence as adventurer and butterfly collector. She gets herself into scrapes, has scandalous love affairs and solves crimes too with her partner/fellow scientist/potential love interest, Stoker. These mysteries are pacy and a lot of fun but lighter on the history than some of my other choices. The series starts, appropriately, with ‘A Curious Beginning’.
Deadly Communion by Frank Tallis
10. FRANK TALLIS’ MAX LIEBERMANN SERIES SET IN 1900S VIENNA.
Max Liebermann is a doctor and early practitioner of psychoanalysis as a follower of Freud. The mysteries in this series are intelligent and accompanied by descriptions of the delicious Austrian pastries that Max enjoys during his forays into Viennese cafe society. The series begins with ‘Mortal Mischief’.
11. NICOLA UPSON’S JOSEPHINE TEY SERIES STARTING IN THE UNITED KINGDOM OF THE 1930S .
Nicola Upson’s series is a fictional imagining of the life of Josephine Tey, a real-life Golden Age novelist and playwright. The first in the series, ‘An Expert in Murder’, establishes the delicate balance of fact and fiction typical of the series. The books don’t have the pace and peril of some of my other choices, but are always thought-provoking and clever.
12. ANDREW TAYLOR’S JAMES MARWOOD SERIES SET IN THE AFTERMATH OF THE 1666 GREAT FIRE OF LONDON.
This series opens with a body found in the ruins of St. Paul’s cathedral after the Great Fire of London has ravaged the city. James Marwood is a government informer with a tendency to – against his better judgement – get caught up in the political matters of the day. The first book, ‘The Ashes of London’, sets up the complex political situation and establishes Marwood’s partnership with Cat Lovett, another figure caught up in politics because of her family history.
13. BORIS AKUNIN’S ERAST FANDORIN SERIES SET IN VICTORIAN-ERA RUSSIA.
Beginning with ‘The Winter Queen’, this is a lively and engaging series starting in 1870s Russia. The main character is Erast Fandorin, an investigator from St. Petersburg (at the start of the series). The mysteries themselves are suitable twisty and compelling with a dash of wit and plenty of charm.
14. TASHA ALEXANDER’S LADY EMILY SERIES SET IN VICTORIAN ENGLAND.
Lady Emily is widowed at the start of the series (‘And Only to Deceive’) and it is this that gives her the freedom to investigate mysteries surrounding her dead husband. Although the series starts in Victorian London, later books in the series visit other places such as Venice and St. Petersburg where Lady Emily always finds herself embroiled in mystery. This series is quite light and fun for those who don’t want anything gruesome!
Pile of historical mystery novels
15. (NOT PICTURED) ANDREA PENROSE’S WREXFORD AND SLOANE SERIES SET IN REGENCY LONDON.
This is another series featuring an unlikely pairing of detectives – this time the Earl of Wrexford and widowed artist Emily Sloane. The mysteries, beginning with ‘Murder on Black Swan Lane’, are cleverly plotted and engaging, plus the Regency setting is convincing.
I hope this list helps you find your next historical crime series. I’m now feeling guilty about all the books I’ve loved that didn’t make the list!
Over the next few days I’ll publish some of my recent reviews of books in the series mentioned above. Please do follow me to read these!
I can’t remember a time I wasn’t obsessed with reading. From the early days of illicit Secret Seven books devoured after lights-out to breakfasts spent poring over cereal packets to the more highbrow demands of a Literature degree…if there’s reading material available, I’m there!
Having spent years talking about books with anyone who would listen, I then found NetGalley and settled in to reviewing books alongside my day job as secondary English teacher. I kind of refined my genres and interests and my passion for books continued to grow. I’d say it was a well-cultivated and controlled development, like a beautiful bonsai tree. My husband would say an obsession growing more like knotweed, but heigh-ho…
So I’ve finally taken the plunge and here is my very own blog. You can expect book reviews covering a range of genres – historical crime is a favourite, alongside anything set in the Victorian era, but I really am not prescriptive. I love funny books, fiction and non-fiction, ‘Women’s fiction’ (always thought that was a weird category title, to be honest), police procedurals and books about books. But also anything else that takes my fancy along the way.
You also don’t get to be a long-term bookworm without becoming au fait with all kinds of literary gifts, subscription services and other connected bits and bobs. I’ll be chatting about these too.
Most importantly, all the opinions are my very own and have no ulterior motive. If I don’t love it, I’m not recommending it!
So welcome to my blog and thanks for stopping by. This is one scary step so please be kind!