I first discovered Becky Holmes on Twitter/X where she has the brilliant and hilarious account, @deathtospinach – a platform she uses to take down some of the sleazier characters who send her messages. She’s funny and sassy and so entertaining, so I was delighted to hear she had written a book. Sign me up for a review copy!
Thanks to NetGalley for granting me a copy to review – opinions, as always, are my own.
In this book, Becky Holmes tackles the topic of online romance fraud – all those ‘Keanu Reeves’ and similar accounts that try to woo unsuspecting women on the internet with the aim of taking money from them. Some of this involved engaging with the scammers themselves, but Holmes also talks to women who have been the victims of such fraudulent activity – and warns against the way that the scammers are getting smarter and harder to resist.
Welcome to my stop on the blog tour for ‘Stealing the Spanish Princess’ by Bea Green, a clever art crime mystery with an eccentric detective.
With thanks to Random Things Tours for my copy of the book in exchange for an honest review.
From the Publisher:
In this captivating and dazzling art crime mystery, eccentric detective Richard Langley hunts for a 16th-century masterpiece by the artist El Greco.
The thief stole the priceless painting from an apartment in Kensington, London, and in the process knifed to death a Russian woman.
DCI Richard Langley from Scotland Yard’s Art and Antiquities Unit joins colleagues from Homicide as they pursue a trail that leads them to St Petersburg and then to Madrid.
Following closely in their footsteps is a maverick private investigator hired by the painting’s owner. Knowing how hard it is to sell on stolen artworks of that calibre, Richard wonders what the motive behind its theft might be.
The answer, when it comes, takes everyone by surprise.
My Review:
As someone who loves crime novels, I’ve always kind of wondered what kind of detective I’d make. However, my squeamishness would inevitably exclude me from anything too nasty or gritty or potentially unpleasant – so I’d kind of considered a place on the police art fraud team about my only option!
It turns out DCI Richard Langley – the focus of this novel – got my job.
In this book, DCI Richard Langley of Scotland Yard’s Art and Antiquities Unit joins forces with the Homicide team to solve the mystery of a missing painting and a dead woman. The painting’s Russian owner is keen to reclaim his painting – apparently verified as being by famed artist El Greco – and perhaps less concerned about the demise of his girlfriend, left bleeding in the bedroom where the painting was cut from its frame. Langley and his colleagues follow a trail that takes them across Europe and which leads to some interesting revelations…
I’ll admit that this book hooked me in from the start – a scene in which Langley is scrutinising a mummified foot and pondering the nature of looted antiquities. I found the art crime bits really interesting – I found out a lot about how paintings are verified, restored, copied and stolen.
Although DCI Langley seems to be a department of one (I guess there isn’t too much funding for his line of work when more pressing policing matters need attention), the addition of the Homicide team is welcome here. CI Abdul Hazim is an interesting partner to give DCI Langley on this case, but it is DI Eilidh Simmons who steals the show – she is my favourite character of the three and (I hope) a possible love interest for Richard if this book becomes a series. Please let this book become a series!
Richard himself is a likeable lead, although I wanted to know him a little better – I did have questions as he is a bit of an enigma in some regards. He comes across as an academic trapped in Scotland Yard and surrounded by people who neither understand nor care about his passion for art. The fact his office is deep in the basement and forgotten about is telling for the reader (but appreciated by Richard!) In my head, he’s like a sexy Indiana Jones of the art world…definitely a figure I can get behind!
Another really appealing aspect of this novel is the setting. Although the story starts in London, we also travel (with Richard Langley) to Madrid and St Petersburg – the latter instantly recognisable from my own travels there and I longed to wander the Hermitage Museum a little longer with my art expert.
I also loved that the missing painting was so much more than just an expensive stolen canvas. In the hands of the writer, this became a vivid portrait with a back-story and historical significance. I really wanted to see the picture so it was interesting to read in Bea Green’s biography (below) about the inspiration for the novel.
I’d heartily recommend this to those crime fiction fans who like a story told with intelligence, wit and verve. This isn’t your standard police procedural as the investigation is multi-layered, Europe-wide and not always totally above board (thanks to maverick private investigator Mike Telford). It is a fascinating and lively novel and I hope there will be more to come from this writer.
About the Author:
Bea Green has had a somewhat roving life as the daughter of a British diplomat. Her mother is Spanish and growing up Bea spent every summer at her grandfather’s olive tree farm in Andalusia. This olive tree farm was the inspiration for her contemporary romance book, La Finca.
Bea studied Art throughout school and then did Art History for two of her four years at St Andrews University, where she met her husband. She graduated with an MA in English Literature.
Her interest in art was fostered by her father and her Spanish grandmother. Her Spanish grandmother accompanied her to many of Madrid’s art galleries and several of El Prado’s paintings are fondly remembered in Bea’s art crime book, Stealing the Spanish Princess.
‘Stealing the Spanish Princess’ was inspired by a Spanish painting, Lady in a Fur Wrap, at Pollok House, Glasgow. When Bea wrote ‘Stealing the Spanish Princess’ there was a huge debate among art experts about the painting, with some claiming it was painted by El Greco. Some experts thought the painting was of Princess Catalina Micaela, daughter of the Spanish King, Philip II.
Bea Green has lived in Edinburgh since leaving St Andrews University, with her Glaswegian husband and two daughters. She also maintains close links with her family in Spain.
