I’m delighted to welcome you to my stop on the blog tour for ‘After Agatha: Women Write Crime’ by Sally Cline.
Thanks to Oldcastle Books for inviting me on the tour and for my copy of the book in exchange for an honest review.
From the Publisher:
Spanning the 1930s to present day, ‘After Agatha’ charts the explosion in women’s crime writing and examines key developments on both sides of the Atlantic: from the women writers at the helm of the UK Golden Age and their American and Canadian
counterparts fighting to be heard, to the 1980s experimental trio, Marcia Muller, Sara
Paretsky and Sue Grafton, who created the first female PIs, and the more recent
emergence of forensic crime writing and domestic noir thrillers such as ‘Gone Girl’ and ‘Apple Tree Yard’.
After Agatha examines the diversification of crime writing and highlights landmark
women’s novels which featured the marginalised in society as centralised characters.
Cline also explores why women readers are drawn to the genre and seek out justice in crime fiction, in a world where violent crimes against women rarely have such resolution.
The book includes interviews with dozens of contemporary authors such as Ann Cleeves, Sophie Hannah, Tess Gerritsen and Kathy Reichs and features the work of hundreds of women crime and mystery writers.
My Review:
I’m a keen reader of crime fiction – and have been since I first discovered the genius of Agatha Christie as a teenager (many moons ago…)
It was with this enthusiasm that I approached ‘After Agatha’, keen to understand the legacy of the great writer herself and the work of those that have followed her.
The book begins with a discussion about why women read crime and the work of Agatha Christie (and other Golden Age writers). It then moves, partially chronologically, partially thematically, through different aspects of women’s crime writing. Each aspect is given a chapter – for example, there are chapters on Private Eyes, Women in Forensic Science and Domestic Noir (among many others).
I think it would be fair to say that Cline has researched her material thoroughly. Each chapter explores a range of writers and books and makes interesting connections between crime authors and the content of their work. There are a few spoilers along the way, so just be aware – especially in regard to early books in older series which Cline assumes everyone has read.
For those who have already explored the genre in some detail, there is lots to like here. It serves as a reminder on old favourites, plus a catalogue of what is out there in each genre sub-section. I really appreciated some pointers in areas that I like – for me, that’s forensic sciences and police procedurals – and skimmed some of the ones where I have less interest.
As a catalogue of what is available, it is useful. It also features interviews with a range of writers which I found really interesting – in hindsight, I think I’d have liked more insight and analysis, less of the listing of different writers in places.
My only real query was why crime fiction by Black and disabled writers (or featuring Black/disabled protagonists) were grouped in one chapter. Although both groups are marginalised, it felt like the issues were different and that there was plenty more to say in some cases – for example, I’ve read some contemporary crime fiction by Black authors which didn’t make the book. I realise this isn’t intended to be exhaustive, but I thought there was more to say.
That said, this is an interesting read. I liked the fact that I ‘met’ new writers and heard from old favourites. I also appreciated the pointers towards writers I haven’t read before – even if my bank balance might not be so keen! I’d especially recommend this to those who enjoy crime fiction and who want to read more widely in the genre.
About the Author:
Sally Cline, author of 14 books, is an award-winning biographer and fiction writer. She is Fellow of the Royal Society of Arts, Research Fellow at Anglia Ruskin University, Cambridge, and former Advisory Fellow of the Royal Literary Fund. Her biography on Radclyffe Hall, now a classic, was shortlisted for the LAMBDA prize; ‘Lifting the Taboo: Women, Death and Dying’ won the Arts Council Prize for non-fiction; and her landmark biographies on Zelda Fitzgerald and Dashiell Hammett were bestsellers in the UK and US. She is co- Series Editor for Bloomsbury’s 9
volume Writers and Artists Companions. Formerly lecturing at Cambridge University, she has degrees and masters from Durham and Lancaster Universities and was awarded a D.Litt in International Writing.
