I am so ashamed that this book sat on my NetGalley shelf for so long! I was missing an absolute treat – and I’m not alone in my opinion as this was recently voted as Bert’s Books’ Book of the Year by readers on Twitter.
The story opens in Belfast in 1914, a city still grieving the loss of the Titanic two years before. A scientist, William Crawford Jackson, is working at the Institute and living in the city with his wife, Elizabeth, and three children. Having suffered a personal loss in the Titanic sinking, Elizabeth is reeling with grief and, like many of the city’s residents, open to the new ideas of spiritualism that oppose everything her sceptical husband stands for. When he hears mysterious voices at one of Kathleen Goligher’s seances, he starts on a quest to discover the truth…
Wow, this is such a cleverly-plotted book! As I followed William on his lengthy journey to find answers, I found myself really unsure what to think about spiritualism – and this is an absolute strength of the novel. Are the practitioners genuine conduits between the living and the dead, or are they frauds looking to play on other’s grief? Are those who attend the seances merely naive and silly, or pitiable figures whose emotions are being manipulated? West keeps his cards incredibly close to his chect until the end of the novel. As William vacillated in his own thoughts, I found myself being pulled along and as keen for answers as he was.
The setting of the book is also a triumph – a perfect historical moment for this story and some genuinely creepy settings, from the Goligher’s seance room to the austere halls of the Institute with their sinister statues. There are some truly frightening elements in play here and West uses them well to create a sense of rising horror – the images of the Titanic victims that keep being recalled are horrific and vivid and the sensory description slightly stomach-churning at times.
William Crawford Jackson is a brilliant choice of narrator – he is both based on a real person (as is Kathleen Goligher) and wildly unreliable as he narrates his experiences. His voice is distinctive and strong – he starts out as a kind of mildly comic Edwardian man in the model of Charles Pooter from ‘The Diary of a Nobody’ and then expands into something much more multi-dimensional and complex. Lady Adelia Carter begins as a snobby Lady Bracknell character, yet also takes quite a journey over the course of the novel. The characterisation is pitch-perfect throughout, and there is the added bonus of cameos by Arthur Conan Doyle (himself an advocate of spiritualism) and Harry Houdini (for the history nerds like me!)
I can also imagine this is a gorgeous book to have a physical copy of as there are some beautiful illustrations that start each of the novel’s main sections.
There is so much to love about this novel and I recommend it highly to all lovers of cleverly-plotted and immersive historical fiction. For me, this is up there with the best writing by authors like Sarah Waters, Laura Purcell and Andrew Taylor. I really wish I had read this sooner and it is one that will stay with me for some time to come. The end – when it comes – is surprising and eye-opening and entirely unforeseen. I defy anyone to predict it – although you will have fun trying.
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