Thanks to Kallie at Penguin Michael Joseph for inviting me on the blog tour for ‘The Birdcage’ by Eve Chase. Thanks too for my review copy of the book – as always, opinions are entirely my own.
This book was published by Penguin Michael Joseph on 28th April, 2022 in hardback, ebook and audio formats.
Welcome to my stop on the blog tour for ‘Stealing the Spanish Princess’ by Bea Green, a clever art crime mystery with an eccentric detective.
With thanks to Random Things Tours for my copy of the book in exchange for an honest review.
From the Publisher:
In this captivating and dazzling art crime mystery, eccentric detective Richard Langley hunts for a 16th-century masterpiece by the artist El Greco.
The thief stole the priceless painting from an apartment in Kensington, London, and in the process knifed to death a Russian woman.
DCI Richard Langley from Scotland Yard’s Art and Antiquities Unit joins colleagues from Homicide as they pursue a trail that leads them to St Petersburg and then to Madrid.
Following closely in their footsteps is a maverick private investigator hired by the painting’s owner. Knowing how hard it is to sell on stolen artworks of that calibre, Richard wonders what the motive behind its theft might be.
The answer, when it comes, takes everyone by surprise.
My Review:
As someone who loves crime novels, I’ve always kind of wondered what kind of detective I’d make. However, my squeamishness would inevitably exclude me from anything too nasty or gritty or potentially unpleasant – so I’d kind of considered a place on the police art fraud team about my only option!
It turns out DCI Richard Langley – the focus of this novel – got my job.
In this book, DCI Richard Langley of Scotland Yard’s Art and Antiquities Unit joins forces with the Homicide team to solve the mystery of a missing painting and a dead woman. The painting’s Russian owner is keen to reclaim his painting – apparently verified as being by famed artist El Greco – and perhaps less concerned about the demise of his girlfriend, left bleeding in the bedroom where the painting was cut from its frame. Langley and his colleagues follow a trail that takes them across Europe and which leads to some interesting revelations…
I’ll admit that this book hooked me in from the start – a scene in which Langley is scrutinising a mummified foot and pondering the nature of looted antiquities. I found the art crime bits really interesting – I found out a lot about how paintings are verified, restored, copied and stolen.
Although DCI Langley seems to be a department of one (I guess there isn’t too much funding for his line of work when more pressing policing matters need attention), the addition of the Homicide team is welcome here. CI Abdul Hazim is an interesting partner to give DCI Langley on this case, but it is DI Eilidh Simmons who steals the show – she is my favourite character of the three and (I hope) a possible love interest for Richard if this book becomes a series. Please let this book become a series!
Richard himself is a likeable lead, although I wanted to know him a little better – I did have questions as he is a bit of an enigma in some regards. He comes across as an academic trapped in Scotland Yard and surrounded by people who neither understand nor care about his passion for art. The fact his office is deep in the basement and forgotten about is telling for the reader (but appreciated by Richard!) In my head, he’s like a sexy Indiana Jones of the art world…definitely a figure I can get behind!
Another really appealing aspect of this novel is the setting. Although the story starts in London, we also travel (with Richard Langley) to Madrid and St Petersburg – the latter instantly recognisable from my own travels there and I longed to wander the Hermitage Museum a little longer with my art expert.
I also loved that the missing painting was so much more than just an expensive stolen canvas. In the hands of the writer, this became a vivid portrait with a back-story and historical significance. I really wanted to see the picture so it was interesting to read in Bea Green’s biography (below) about the inspiration for the novel.
I’d heartily recommend this to those crime fiction fans who like a story told with intelligence, wit and verve. This isn’t your standard police procedural as the investigation is multi-layered, Europe-wide and not always totally above board (thanks to maverick private investigator Mike Telford). It is a fascinating and lively novel and I hope there will be more to come from this writer.
About the Author:
Bea Green has had a somewhat roving life as the daughter of a British diplomat. Her mother is Spanish and growing up Bea spent every summer at her grandfather’s olive tree farm in Andalusia. This olive tree farm was the inspiration for her contemporary romance book, La Finca.
Bea studied Art throughout school and then did Art History for two of her four years at St Andrews University, where she met her husband. She graduated with an MA in English Literature.
Her interest in art was fostered by her father and her Spanish grandmother. Her Spanish grandmother accompanied her to many of Madrid’s art galleries and several of El Prado’s paintings are fondly remembered in Bea’s art crime book, Stealing the Spanish Princess.
‘Stealing the Spanish Princess’ was inspired by a Spanish painting, Lady in a Fur Wrap, at Pollok House, Glasgow. When Bea wrote ‘Stealing the Spanish Princess’ there was a huge debate among art experts about the painting, with some claiming it was painted by El Greco. Some experts thought the painting was of Princess Catalina Micaela, daughter of the Spanish King, Philip II.
Bea Green has lived in Edinburgh since leaving St Andrews University, with her Glaswegian husband and two daughters. She also maintains close links with her family in Spain.
Happy publication day to this debut novel from David Fennell!
I was in the mood for a fast-paced, tense book to break a bit of a reading slump – and this book hit the spot perfectly!
The story opens with a gruesome and shocking scene: an art installation in Trafalgar Square contains the bodies of three homeless men. DI Grace Archer, newly promoted and in an awkward situation in regards to her new team, is called to the scene and embarks on a dangerous and difficult search for a serial killer who plans more ‘art’ pieces.
There was lots I liked about this book – it was well-plotted and very tense. It certainly kept me reading as I really wanted to know how it would all pan out! I also really liked DI Grace Archer – she was tough but also realistic and it was good to see her gain control of her tricky work situation. I thought that the idea of the killer as an artist was interesting too – although the reality of the art works was rather stomach-churning!
Overall, this is a lively and pacey crime story as Grace Archer and her team race to unmask a serial killer operating openly on the streets of London. This is a confident debut and I hope that there will be more books featuring DI Archer in the future – I’d certainly like to read more.
Welcome to my stop on the blog tour for Laura Purcell’s ‘The Shape of Darkness’.
This tour is organised by Random Things Tours and the book is published today (21st January)!
From the Publisher:
As the age of the photograph dawns in Victorian Bath, silhouette artist Agnes is struggling to keep her business afloat. Still recovering from a serious illness herself, making enough money to support her elderly mother and her orphaned nephew Cedric has never been easy, but then one of her clients is murdered shortly after sitting for Agnes, and then another, and another… Why is the killer seemingly targeting her business?
Desperately seeking an answer, Agnes approaches Pearl, a child spirit medium lodging in Bath with her older half-sister and her ailing father, hoping that if Pearl can make contact with those who died, they might reveal who killed them.
But Agnes and Pearl quickly discover that instead they may have opened the door to something that they can never put back.
My Review:
I’ve loved Laura Purcell’s previous books so I am very grateful to NetGalley and the publisher for my review copy – as always, opinions are entirely my own.
Gothic spookiness is really my thing, so I have absolutely lapped up Purcell’s previous books – I particularly liked ‘The Corset’ and ‘Bone China’ where the creepiness focused on inanimate items that seem to have more power than they should. I was expecting something similar from ‘The Shape of Darkness’, but feel that this book delivers something different altogether.
In this novel, our main character, Agnes Darken, is a silhouette artist working in early-Victorian era Bath. She has struggling health and relies on her art to support the family she has been left with after the death of her sister, Constance, a number of years earlier. However, bad things start happening to those who sit for her silhouettes and – as mysterious deaths begin to stack up – she searches for answers from a medium who seems to be able to communicate with the dead. The dead speak through a strange child, Pearl, and Agnes gets caught up in the girl’s own problems with devastating consequences.
One of the real strengths of this book is the way that Purcell ramps up the spookiness. This is a book absolutely packed with memories of the dead and their ghosts – the séance scenes are genuinely creepy and the tension is high for a lot of the novel. It certainly kept me reading as I wanted to understand the strange events and occurrences – as a life long cynic, I was desperately trying to find rational explanations for what was happening (often with no success!)
Another element that I really enjoyed was the sense of mystery – as murder mysteries are my favourite genre, I was absolutely engrossed by trying to work out who was behind the deaths and even if there was a logical pattern or set of clues to latch on to. Every time I felt that I was getting close, Purcell whipped the rug out from under my feet and I would have to start again while balancing the supernatural possibilities. There were a lot of twists and revelations and my head was spinning a bit by the end!
The period details were also well integrated into the novel – it felt like a real historical world, although I don’t know that it was specifically Bath as I don’t know that city. The gloom of the houses, the dirt and danger of the streets, the domestic details – everything felt authentic. In fact, some of it was rather stomach-churning – Pearl’s father’s illness, for example, is described in rather gruesome detail.
I did struggle a little with the fact that Agnes was not a particularly strong character – I like my protagonists with a bit more sass, whereas Agnes was weakened by her recent illness, pining for a man and seemed to mostly accept her role as subservient female. I do understand that this was the societal norm, but I longed for her to stand up and do something at times.
Overall, this is a beautifully written, well-researched and engaging Gothic novel. It hits the spot for those who like a bit of supernatural terror while also being absolutely rooted in the grim everyday realities of those living in fairly poor conditions in the 1850s. It’s cleverly plotted and will certainly keep you racing through the pages to the end.
About the Author:
Laura Purcell is a former bookseller and lives in Colchester with her husband and pet guinea pigs. Her first novel for Raven Books, The Silent Companions, was a Radio 2 and Zoe Ball ITV Book Club pick and was the winner of the WHSmith Thumping Good Read Award, while her subsequent books – The Corset and Bone China – established Laura as the queen of the sophisticated, and spooky, page-turner.