Book Review: ‘Queer Heroes of Myth and Legend’ by Dan Jones

The tagline for this book totally won me over – who doesn’t want to read about ‘gay gods, Sapphic saints and queerness through the ages’? Add in a back-cover mention of Lestat and Louis from ‘Interview with a Vampire’, Virginia Woolf’s ‘Orlando’ and (more classical and more what I expected from the book) Achilles and Patroclus from Homer’s ‘Iliad’ and I’m sold. Sign me up!

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Blog Tour: ‘Hotbed’ by Joanna Scutts

Welcome to my stop on the blog tour for ‘Hotbed’ by Joanna Scutts, a fascinating look at (as it is subtitled) ‘Bohemian New York and the Secret Club that Sparked Modern Feminism’.

Thanks to Random Things Tours for my place on the tour and for my copy of the book in exchange for an honest review – opinions are all my own!

This book was published in hardback by Duckworth on 14th July, 2022.

Continue reading Blog Tour: ‘Hotbed’ by Joanna Scutts

Book Review: ‘Glide’ by Alison Jean Lester

I was contacted by the author to review this novel and she kindly provided my review copy – thank you to Alison Jean Lester for my book, ‘Glide’ coaster and postcard. This has not influenced my review – as always, opinions are my own.

I’ll admit I didn’t fully know what to expect from this novel. I knew it was a study of human relationships, had some psychological drama and also featured photographs alongside the text – all of which intrigued me!

Continue reading Book Review: ‘Glide’ by Alison Jean Lester

Blog Tour: ‘Stealing the Spanish Princess’ by Bea Green

Welcome to my stop on the blog tour for ‘Stealing the Spanish Princess’ by Bea Green, a clever art crime mystery with an eccentric detective.

With thanks to Random Things Tours for my copy of the book in exchange for an honest review.

From the Publisher:

In this captivating and dazzling art crime mystery, eccentric detective Richard Langley hunts for a 16th-century masterpiece by the artist El Greco. 

The thief stole the priceless painting from an apartment in Kensington, London, and in the process knifed to death a Russian woman. 

DCI Richard Langley from Scotland Yard’s Art and Antiquities Unit joins colleagues from Homicide as they pursue a trail that leads them to St Petersburg and then to Madrid. 

Following closely in their footsteps is a maverick private investigator hired by the painting’s owner. Knowing how hard it is to sell on stolen artworks of that calibre, Richard wonders what the motive behind its theft might be. 

The answer, when it comes, takes everyone by surprise.

My Review:

As someone who loves crime novels, I’ve always kind of wondered what kind of detective I’d make. However, my squeamishness would inevitably exclude me from anything too nasty or gritty or potentially unpleasant – so I’d kind of considered a place on the police art fraud team about my only option!

It turns out DCI Richard Langley – the focus of this novel – got my job.

In this book, DCI Richard Langley of Scotland Yard’s Art and Antiquities Unit joins forces with the Homicide team to solve the mystery of a missing painting and a dead woman. The painting’s Russian owner is keen to reclaim his painting – apparently verified as being by famed artist El Greco – and perhaps less concerned about the demise of his girlfriend, left bleeding in the bedroom where the painting was cut from its frame. Langley and his colleagues follow a trail that takes them across Europe and which leads to some interesting revelations…

I’ll admit that this book hooked me in from the start – a scene in which Langley is scrutinising a mummified foot and pondering the nature of looted antiquities. I found the art crime bits really interesting – I found out a lot about how paintings are verified, restored, copied and stolen.

Although DCI Langley seems to be a department of one (I guess there isn’t too much funding for his line of work when more pressing policing matters need attention), the addition of the Homicide team is welcome here. CI Abdul Hazim is an interesting partner to give DCI Langley on this case, but it is DI Eilidh Simmons who steals the show – she is my favourite character of the three and (I hope) a possible love interest for Richard if this book becomes a series. Please let this book become a series!

Richard himself is a likeable lead, although I wanted to know him a little better – I did have questions as he is a bit of an enigma in some regards. He comes across as an academic trapped in Scotland Yard and surrounded by people who neither understand nor care about his passion for art. The fact his office is deep in the basement and forgotten about is telling for the reader (but appreciated by Richard!) In my head, he’s like a sexy Indiana Jones of the art world…definitely a figure I can get behind!

Another really appealing aspect of this novel is the setting. Although the story starts in London, we also travel (with Richard Langley) to Madrid and St Petersburg – the latter instantly recognisable from my own travels there and I longed to wander the Hermitage Museum a little longer with my art expert.

I also loved that the missing painting was so much more than just an expensive stolen canvas. In the hands of the writer, this became a vivid portrait with a back-story and historical significance. I really wanted to see the picture so it was interesting to read in Bea Green’s biography (below) about the inspiration for the novel.

I’d heartily recommend this to those crime fiction fans who like a story told with intelligence, wit and verve. This isn’t your standard police procedural as the investigation is multi-layered, Europe-wide and not always totally above board (thanks to maverick private investigator Mike Telford). It is a fascinating and lively novel and I hope there will be more to come from this writer.

About the Author:

Bea Green has had a somewhat roving life as the daughter of a British diplomat. Her mother is Spanish and growing up Bea spent every summer at her grandfather’s olive tree farm in Andalusia. This olive tree farm was the inspiration for her contemporary romance book, La Finca.

Bea studied Art throughout school and then did Art History for two of her four years at St Andrews University, where she met her husband. She graduated with an MA in English Literature.

Her interest in art was fostered by her father and her Spanish grandmother. Her Spanish grandmother accompanied her to many of Madrid’s art galleries and several of El Prado’s paintings are fondly remembered in Bea’s art crime book, Stealing the Spanish Princess.

‘Stealing the Spanish Princess’ was inspired by a Spanish painting, Lady in a Fur Wrap, at Pollok House, Glasgow. When Bea wrote ‘Stealing the Spanish Princess’ there was a huge debate among art experts about the painting, with some claiming it was painted by El Greco. Some experts thought the painting was of Princess Catalina Micaela, daughter of the Spanish King, Philip II.

Bea Green has lived in Edinburgh since leaving St Andrews University, with her Glaswegian husband and two daughters. She also maintains close links with her family in Spain.

How I Choose My TBR

As a life-long bookworm, I’ve made it my mission to read ALL THE BOOKS.

Everything I liked the sound of – added to the TBR. Recommended by someone I trust – added to the TBR. Interesting cover – added to the TBR.

You get the picture – a love of books and an endless TBR.

However, I do (kind of) accept that I cannot read every book.

In fact, my journey into blogging has really made me focus on the elements of books that I really love. I’ve had to really think before I request yet more books – and there are definitely things that tick the boxes for me.

So here we go – an insight into my muddled mind and the TBR that I am desperately trying to tame… I love all these things independently but where they combine is pure magic!

(Disclaimer:  I still reserve the right to read randomly and at whim - that's one of the true pleasure of reading!)
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Continue reading How I Choose My TBR

‘The Art of Death’ by David Fennell

Happy publication day to this debut novel from David Fennell!

I was in the mood for a fast-paced, tense book to break a bit of a reading slump – and this book hit the spot perfectly!

The story opens with a gruesome and shocking scene: an art installation in Trafalgar Square contains the bodies of three homeless men. DI Grace Archer, newly promoted and in an awkward situation in regards to her new team, is called to the scene and embarks on a dangerous and difficult search for a serial killer who plans more ‘art’ pieces.

There was lots I liked about this book – it was well-plotted and very tense. It certainly kept me reading as I really wanted to know how it would all pan out! I also really liked DI Grace Archer – she was tough but also realistic and it was good to see her gain control of her tricky work situation. I thought that the idea of the killer as an artist was interesting too – although the reality of the art works was rather stomach-churning!

Overall, this is a lively and pacey crime story as Grace Archer and her team race to unmask a serial killer operating openly on the streets of London. This is a confident debut and I hope that there will be more books featuring DI Archer in the future – I’d certainly like to read more.

Header photo with thanks to Kira auf der Heide on Unsplash.

Blog Tour: ‘Unto This Last’ by Rebecca Lipkin

I’d like to welcome you to my stop on this blog tour for Random Things Tours. This book was published on 28th August by Book Guild Publishing.

From the Publisher

London, 1858. Passionate, contradictory, and fiercely loyal to his friends, John Ruskin is an eccentric genius, famed across Britain for his writings on art and philosophy. Haunted by a scandalous past and determined never
to love again, the 39-year-old Ruskin becomes infatuated with his enigmatic young student, Rose La Touche, an obsession with profound consequences that will change the course of his life and work.


Written in a style recalling Victorian literature and spanning a period of twenty years, the story poses questions about the nature of love, the boundaries of parenthood, and compatibility in marriage.

‘Unto This Last’ is a portrait of Ruskin’s tormented psyche and reveals a complex and misunderstood soul, longing for a life just out of reach.


“This is an atmospheric and utterly convincing novel… tackling the subject with great empathy in prose that is both detailed and vivid. A considerable achievement.” Michael Crowley, writer and dramatist


“Deeply researched and charmingly written, it resurrects not only John Ruskin, one of the most influential characters of the Victorian age, but his fascinating pupil Rose La Touche, who is portrayed so sensitively that you feel as though you know her.” Daisy Dunn, author of In the Shadow of Vesuvius: A Life of Pliny


“Rebecca Lipkin’s thoughtful novel about this complicated man – and his often-confusing world – is a pleasure to
read and a very welcome addition for all lovers of Pre-Raphaelitism.” Lucinda Hawksley, biographer


My Review

I am a huge fan of any books set in the Victorian era as I love this period in history. As soon as I knew that this was a book about John Ruskin, artist and art critic linked to the Pre-Raphaelites (who I also love!) then I knew this would be a book for me.

It is a huge book that has been meticulously researched and beautifully written. In keeping with the great Victorian novels themselves, it feels substantial and weighty, retaining the writing style while also being compelling and readable.

Given the fact that Lipkin’s book is a (fictionalised) biography of a character that I thought I knew, I was surprised to read about this aspect of his life – books on Ruskin tend to focus more on his failed marriage to Effie Grey which happens before the opening of this book (although is explored later in the narrative).

This book is instead about his relationship with young Irish girl Rose La Touche, a child who (along with her sister) started as his student but later became the focus of his obsession. The fact that Ruskin is in his late thirties when he meets ten year-old Rose seems slightly uncomfortable to a modern reader (and perhaps was also odd to the Victorians) but Lipkin doesn’t shy away from the less comprehensible elements of Ruskin’s personality. The relationship – not inappropriately physical but oddly obsessive – is presented with all its ups and downs through the narrative and through letters between the key parties (including Rose’s mother, who is the one who brings Ruskin in as art tutor for her children and seems to have a soft spot for him herself).

Indeed, the presentation of John Ruskin is very well done. He is a complicated character and Lipkin presents this through all his contradictions and traits – both noble and less pleasant. There were times in the novel when I really didn’t like Ruskin, but appreciated the factors that had shaped him to be like this – for example, his problematic relationship with his father and his living situation in Denmark Hill. His own struggles with his relationship with Rose are evident in the novel and he – ultimately – seems like a complex man with conflicting emotions.

I did love the way that Rose was portrayed. From the immature petulance of a slightly over-indulged ten year-old, I felt that she grew into someone with so much depth and richness to her personality. I could have happily read more about her in this book.

The real strength in this book is that Lipkin has taken a figure from the Victorian era and breathed life into him. Ruskin isn’t someone that widely known now outside of history and art buffs, so this is a lovely book to reintroduce him to a modern readership. You may not find his situation relatable, but I think most readers would recognise the portrait of a man struggling with his own emotions and desires.

I would recommend this to any fans of the Victorian era and anyone who enjoys reading about interesting characters from the past. In ‘Unto This Last’, Lipkin has produced a gloriously lavish, engaging and immersive book.


About the Author

Rebecca Lipkin has had a passion for Victorian art and literature from a young age. She first discovered John Ruskin through E.M. Forster’s novel, A Room with a View, and later joined the Ruskin Society at the age of seventeen to learn more about Ruskin’s work. Rebecca pursued a career in journalism, specialising in arts writing
and theatre reviews, and has worked for a number of national publications. Rebecca says, “Most accounts of John Ruskin’s complex personal life focus on his brief marriage to Effie Gray, but his twenty-year relationship with Rose La Touche was of huge importance to the evolution of his thinking; it is a captivating and tragic story of two people whose loving friendship transcended boundaries and conventions to the very end.”


With thanks to Random Things Tours for my copy of this book for review.