I’m really sorry that I let this one sit on my NetGalley shelf for so long! Thanks to NetGalley for my copy in exchange for an honest review.
The story opens in 1980 with the chance meeting of two women on Hampstead Common. Elise Morceau is young and naive and immedialtely falls under the spell of Constance Holden. Connie is older, already a successful writer and confident in ways Elise isn’t. When Connie’s book gets made into a Hollywood film, Elise accompanies her to Los Angeles and the pair fall into a glamorous party lifestyle.
This 1980s story – essentially of the relationship between the two women – is interspersed with a present day story in which Rose Simmonds is looking for her mother. When she learns that Connie was part of her mother’s life, she decides to ask some difficult questions of the writer – now in her 70s and a recluse…
I love Jilly Cooper – her Rutshire Chronicles were pretty much my constant companions throughout my teens and twenties – and was so pleased to be granted access to read this collection of her journalism. Thanks to NetGalley and the publisher for my copy in exchange for an honest review.
The book features a selection of Cooper’s journalism covering the period she wrote columns for The Times (roughly from the end of the 1960s to the early 1980s). As expected from Cooper, it features meditations on sex – the raunchy nature of her fiction books is well-known – but also mid-life, family, pets, domesticity, relationships and plenty more. It is also packed with humour – there’s lots of self-deprecation, witty turns of phrase, puns and plenty of Cooper’s ability to see the ridiculous in situations.
I’ve written before on the subject of my love of books about books. However, I also love books about films, and this one – by comedian Katy Brand – is brilliant and just what I needed to cheer me up as I enter a locked-down half term holiday.
This is one of the books that got me out of my reading slump – I read it in one sitting (which is miraculous in itself!)
Katy Brand takes – as her starting point – a life-long love of the film ‘Mary Poppins’. She presents this to the reader along with her thoughts on the characters, politics and messages of the film. For those sharing her love of ‘Mary Poppins’ (yup, me!), this is an absolute must-read.
It needs to be said up front that the majority of the book is about the 1964 film of ‘Mary Poppins’ with the marvellous Julie Andrews as the ‘practically perfect’ nanny and Dick Van Dyke as the chimney sweep (Bert) with the heart of gold and the accent of…something less than gold! Lovers of the books by P.L. Travers will not be quite so well served, although there is plenty on Travers’ relationship with the film and Walt Disney (who took 20 years to get her to sell the film rights). There isn’t much at all about the latest incarnation of Mary Poppins, the Emily Blunt film, but this wasn’t a problem for me – I was raised on the original film!
The book opens with Brand taking us through the film, reminding us of the plot, characters and some of the odder moments. All this is related through Brand’s comic lens, so it feels like watching the film with your funniest friend.
From here, Brand moves on to analyse some different aspects of the film in more detail. I was particularly impressed by the way in which the messages of the film were unpacked with loving care; ‘Sister Suffragette’ explores the feminist messages in the film (of which there are many) while the character of George Banks is analysed for Travers’/Disney’s attitudes to masculinity and commerce. In Brand’s view, the bird-feeding lady gives us a chance to explore what’s important in life, while Poppins herself gives us a template to live our lives by with her firm but fair approach to setting boundaries. Indeed, the whole film is given new relevance by the pandemic and the way our priorities have shifted during lockdown.
All this sounds a bit heavy, but it never feels so. Brand’s approach is light-touch and humorous, yet I still came away from the book with plenty of food for thought. The ‘serious’ bits are there, but surrounded by anecdotes about Brand’s own experiences and snippets of information about the film. I liked reading about the actors and filming as it really enhanced my understanding of what Disney achieved in making ‘Mary Poppins’ – the technical aspects seemed really quite advanced for their time (and so old-fashioned compared to now!)
The thing I love most about this book is the way that it is just so relatable. The lessons Brand takes from Mary Poppins, the issues she experiences with her own life (parenthood in particular), the feelings about the film…it’s all just so real. It honestly feels like a friend talking to you about her love of the film and it really helped that her thoughts chimed perfectly with mine. Love Mrs Banks even while seeing her flaws? Tick! Soft spot for Bert, despite the accent? Tick! Impressively encyclopaedic knowledge of lines and lyrics gained from repeated viewing? Tick! It’s all there and is both immensely comforting and gloriously readable.
I’d really recommend this to anyone who loves the 1964 film of ‘Mary Poppins’. If you were raised on this (as I was), it is a fascinating, nostalgic and strangely soothing read for troubled times.
If you’d like a copy of this absolute hug of a book, please use my affiliate link below – thank you for supporting my blog. This doesn’t cost you more but earns me a small commission.
If you’re still hungry for more books about films, I can absolutely recommend the following:
‘I Carried a Watermelon: Dirty Dancing and Me’by Katy Brand – this is Brand’s first foray into writing about film and it is a lovely, nostalgic look at ‘Dirty Dancing’ and what it means to her.
‘Life Moves Pretty Fast: The Lessons we Learned from Eighties Movies’ by Hadley Freeman – this is an absolutely brilliant look at life lessons from classic 1980s movies. If you loved such films as ‘Pretty in Pink’, ‘Ghostbusters’ and ‘When Harry Met Sally’, this is for you. It’s interesting and insightful and – sorry to overuse this word – nostalgic; the films are written about with genuine affection by Freeman and it is a delight to read.
‘As You Wish: Inconceivable Tales from the making of The Princess Bride’ by Cary Elwes – at the risk of seeming obsessed with 1980s films, this is a great insight into the making of a classic by the leading man.
Lizzie is eighteen, keen to escape her slightly eccentric family and yet nervous about where her life may go. When she gets offered a job as a dentist’s assistant, a job that comes with the flat above the surgery, it seems time to leave the family home and start supporting herself.
It is 1980s Leicester and Lizzie is about to be thrown into a story of love, friendship, growing up, driving lessons and amateur dentistry. This story fits with Nina Stibbe’s other novels about the quirky Vogel family. However, I really don’t think I have read them in the right order, not that this seems to matter too much.
Lizzie is an engaging and naive narrator and her story is funny and charming. I’ve seen comparisons made between Stibbe and the late, great Sue Townsend – I can certainly understand this, as Lizzie has a touch of the innocence and humour that made Adrian Mole so popular, plus a wonderful cast of keenly-observed eccentrics around her.
This novel is at its best when it describes Lizzie navigating her everyday life – her interactions with her cantankerous dentist boss, her rather free-spirited mother, her snoozy driving instructor. I felt it was less successful when it got more serious, but that might be my personal taste – I wanted it to be happy and upbeat throughout.
Overall, I would definitely recommend this novel to those who enjoy humorous fiction in the vein of Adrian Mole – a naive protagonist adrift in an adult world that is hard to navigate. Lizzie is a sweet and charming narrator and you will want to read more of her story.
I received a free copy of this book from NetGalley in exchange for an honest review.
Header photo with thanks to Hybrid for sharing their work on Unsplash.
