This is such a hard book to review – it’s so dark and gruesome, disturbing and odd, Gothic and horrific, yet also strangely compelling. I found that I couldn’t put it down, even as I was being pulled into the twisted workings of the protagonist’s mind.
The novel follows Winifred Notty as she arrives at Ensor House, the home of the fairly odious Pounds family. Her role is to be governess to the children, Andrew and Drusilla, although her unconventional bedtime stories and tendency towards brutality are at first dismissed as merely eccentricities compared to their previous governesses. As she begins to draw the attention of the master of the house, strange things begin to happen – someone defaces the family portraits and even the staff start to go missing… When guests begin to arrive for Christmas celebrations, it becomes obvious that Winifred is going to continue on the path of destruction that led her to Ensor House in the first place.
Wow, this book is so dark – we are literally taken inside the mind of a killer whose twisted way of looking at the world means that no-one around her is safe. Her thoughts and actions are presented in graphic detail and her total lack of remorse or empathy is chilling for the reader – although her voice is also often humorous and knowing and so not totally alienating for the reader. The book often focused on the macabre and grotesque – this is a book where description is frequently visceral and repellent. There’s lots of blood, bodily function, gorging on stomach-churning things, decay and rot, filth and death. Yes, it’s disgusting, but also shocking and interesting and unlike much I’ve read before.
As is evident from the above, Winifred isn’t a character we grow to love – this isn’t a book for anyone who needs to like the characters in what they read. In fact, every one of the characters is awful in their own way. Indeed, we are shown a procession of greed and lust and any of the other deadly sins you can name – and it’s probably best you don’t get attached to any of the characters anyway as they don’t have long life expectancies!
The writing is clever, although references to ‘fall’ for autumn jarred a little within a story set within Victorian England – in an otherwise immersive book, I found this tricky to skim over.
So, if you’re of a strong disposition then there’s much to get caught up in within the world of ‘Victorian Psycho’ – I’m not sure it is a wholly enjoyable experience, but it’s one you won’t forget!
Photo by Aimee Vogelsang on Unsplash
