I’m delighted to start the blog tour for ‘The Continental Affair’!
With thanks to Random Things Tours and Bedford Square Publishers for my spot on the tour and copy of the book for review. Opinions, as always, are my own.
From the Publisher:
With gorgeous prose, European glamour, and an expansive wanderlust, Christine Mangan’s ‘The Continental Affair’ is a fast-paced, Agatha Christie-esque caper packed full of romance and suspense.
‘Reads as if Jean Rhys and Patricia Highsmith collaborated on a script for Alfred Hitchcock; it is an elegant, delirious fever dream of a book.’
The Irish Times
Meet Henri and Louise. Two strangers, travelling alone, on the train from Belgrade to Istanbul.
Except this isn’t the first time they have met.
It’s the 1960s, and Louise is running.
From her past in England, from the owners of the money she has stolen―and from Henri, the person who has been sent to collect it.
Across the Continent―from Granada to Paris, from Belgrade to Istanbul―Henri
follows. He’s desperate to leave behind his own troubles and the memories of
his past life as a gendarme in Algeria.
But Henri soon realises that Louise is no ordinary traveller.
As the train hurtles toward its final destination, Henri and Louise must decide
what the future will hold―and whether it involves one another.
Stylish and atmospheric, ‘The Continental Affair’ takes you on an unforgettable journey through the twisty, glamorous world of 1960s Europe.
My Review:
I’d read and enjoyed ‘Tangerine’ by Christine Mangan, so it was a pleasure to be asked to join the blog tour for ‘The Continental Affair’. What’s not to like about a 1960s tale of glamour and mystery and romance playing out across some of Europe’s most gorgeous cities?
The story is told from both Henri’s and Louise’s perspectives, and across a dual timeline. In the ‘Now’ timeline, they are meeting on a train heading across Europe. It seems to be a meeting of strangers forced to share a train compartment, but we soon discover that Henri knows exactly who Louise is – and what she’s up to. The ‘Before’ sections then take us into the back-story so that we discover more about the characters and their motivations. The longer the cat and mouse game goes on, the more the tension rises…
What I really loved about this novel was the sense of place; the detail in the descriptions of the cities is vivid and sumptuous. I particularly loved the focus on the Alhambra, beautiful and serene, where the two first ‘meet’. While the visual description throughout the novel is fabulous, what’s really striking is the fact that the novel is a sensory treat – this is a world where orange blossom and creponne add tantalising smells, thumbs rub against banknotes, local delicacies are tasted and the characters move in and out of the warm golden sunlight and shadows.
It’s a world – glamorous in an old-fashioned way – that is evoked so vibrantly that it feels like Mangan has dropped us into a movie. Enhancing this is the sense of claustrophobia that Mangan weaves into the novel – although European travel is open to the travellers, their personal situations mean they are trapped in different ways, be it grief, the past, money…
I found that I was more strongly drawn to Henri at the start of the novel – although his situation is morally very dubious, I really felt for his back-story and how he had managed to get into this situation far from his home in Algeria. He seemed a much more human character than the slightly aloof and detached Louise, but this initial impression soon shifted as Louise’s back-story was explored with a key moment outside a Parisian cemetery. I really started to root for her as she – this quite reserved and naive English woman – started to relax into the European way of life and make her own choices.
I did like the fact that the story kept moving between the perspectives and timelines, although it also took a bit of getting used to. I did think it was a bit of a slow-burner – the initial sections were quite slow, but I found myself totally immersed in the story once Louise left Spain with Henri following at a distance.
I’d recommend this to readers who like tense and tightly-wound noir thrillers; there’s a simmering sense of menace within the glamorous and gorgeous locations, a seductive subtext in the interactions between characters, and mysteries and secrets at the heart of the main characters. It’s a heady and appealing mix.
About the Author:
Christine Mangan is the author of the national bestsellers ‘Tangerine’ and ‘Palace of the Drowned’. She has her PhD in English from University College Dublin, with a focus on 18th-century Gothic literature, and an MFA in fiction writing from the University of Southern Maine. She lives in Detroit.
